My Blog

Tag: Homework Solution

  • [Solved] Economics and Decision 2

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    Complete a systematic evaluation of a unit, facility, or organization with which you are familiar, in an attempt to identify the need to address the economic health care issue. – 2 years ago

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    Complete a systematic evaluation of a unit, facility, or organization with which you are familiar, in an attempt to identify the need to address the economic health care issue.

    – 2 years ago

  • [Solved] Mod.5IN DiscussionReply

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    You should respond to both discussions separately–with constructive literature material- extending, refuting/correcting, or adding additional nuance to their posts. Minimum 150 words each reply with references under each reply. Incorporate a minimum of 2 current (published within the last five year…

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    You should respond to both discussions separately–with constructive literature material- extending, refuting/correcting, or adding additional nuance to their posts.

    Minimum 150 words each reply with references under each reply.

    Incorporate a minimum of 2 current (published within the last five years) scholarly journal articles or primary legal sources (statutes, court opinions) within your work. Journal articles should be referenced according to the current APA style (the online library has an abbreviated version of the APA Manual).

    DISCUSSION 1

    **State and Federal Advocacy**

    Advocacy can be defined as action by a physician to promote social, economic, educational, and political changes that ameliorate the suffering and threats to human health and well-being that he or she identifies through his or her professional work and expertise (Kuehne et al., 2022). However, advocacy is not only a professional responsibility; it also shapes legislation, leading to more accessible and advanced health care.

    Healthcare professionals can get involved with organizations like the American Nurses Association (ANA), the American Medical Association (AMA), and the American Public Health Association (APHA). These organizations advocate for patients and providers through legislative action with federal and state legislators who help shape healthcare policies.  They also support research and evidence-based practices to improve healthcare outcomes.

    One can also participate in legislative hearings, which provide a platform to influence policymakers on specific issues directly. Testifying at hearings allows individuals and organizations to present their perspectives and expertise to lawmakers, becoming a part of the official legislative record, thereby informing lawmakers about the issue. This also increases public awareness and enables citizens to engage in policymaking. Studies show that advocating for Medicaid expansion in non-expansion states has increased access to care and reduced preventable hospitalizations (Lin et al., 2021).

    Healthcare professionals can leverage their clinical knowledge and research to inform policymakers. They can use data to identify trends, patterns, and relationships. Using data eliminates guesswork and allows decisions to be based on evidence.

    Advocacy is an important aspect in healthcare. Getting involved with professional organizations, participating in legislative hearings, and using data to inform policy can help transform the legislative environment

    DISCUSSION 2

    **Nursing Advocacy Actions to Improve Health Care at the State or Federal Level**

    Nursing advocacy is not confined to the bedside, it also extends to courtrooms, boardrooms, and the halls of government. Nurses are educationally and professionally equipped to influence healthcare decisions, drawing on their firsthand knowledge of patient care and system challenges. As trusted professionals and the largest group within the healthcare workforce, the voices of nurses carry significant weight in shaping both healthcare delivery and policy at the state and federal level. This advocacy may be achieved through various actions, including participating in policy discussions, joining professional nursing organizations, and exercising the right to vote. By engaging in these actions, nurses help mold the system to improve patient outcomes, promote equity, and strengthen the overall healthcare system.

    **Policy Discussions**

    In order to grasp how the system functions and how choices are made, nurses and advanced practice nurses should attend legislative sessions at the municipal, state, or federal levels; the acquisition of knowledge on how the system works helps nurses have a direct impact in shaping policy by enabling them to communicate their perspectives in ways that resonate with legislators and lobbyists (Morris, 2023). Additionally, establishing ties with legislators who draft healthcare legislation is a way of taking part in policy discussions. This can be done by contacting the state representative and attempting to establish a two-way communication system that may build rapport (Morris, 2023).

    **Joining Professional Organizations**

    Joining professional nursing organizations empowers nurses to play a vital role in improving healthcare at both the state and federal levels. Organizations, such as the American Nurses Association (ANA) and state nursing associations, provide a unified voice that advocates for policies affecting nursing practice, patient care, and public health (ANA, 2024). By becoming members, nurses gain access to policy education, legislative updates, and opportunities to participate directly in advocacy efforts, such as serving on policy committees, contributing to position statements, or testifying before lawmakers (ANA, 2024). These organizations frequently offer platforms for networking, collaboration, and supporting research, which contribute to more informed and effective policy development.

    **Exercising the Right to Vote**

    Voting is a vital way for nurses to advocate not only for the health of their patients and communities, but also for addressing critical professional issues that are influenced by policy. Challenges like burnout, high patient-to-nurse ratios, workplace violence, restricted scope of practice, and limited resources for safe care are widespread in the profession (American Nurse Journal, 2022). However, these concerns often go unaddressed in legislation due to the low voter turnout among nurses and the limited number of nurses holding public office (American Nurse Journal, 2022). As a result, the nursing profession remains underrepresented across all levels of government

    – 2 years ago

  • [Solved] Economics and Decision 1

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    Write a brief 2-3 page report about a health care economic issue that you have identified. Address the reasons why you selected the issue you did; identify how this issue impacts the work of you, your colleagues, and your organization; and describe the gap that you see contributing to this issue. – …

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    Write a brief 2-3 page report about a health care economic issue that you have identified. Address the reasons why you selected the issue you did; identify how this issue impacts the work of you, your colleagues, and your organization; and describe the gap that you see contributing to this issue.

    – 2 years ago

  • [Solved] Mod.5D DiscussionReply

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    You should respond to both discussions separately–with constructive literature material- extending, refuting/correcting, or adding additional nuance to their posts. Minimum 150 words each reply with references under each reply. Incorporate a minimum of 2 current (published within the last five year…

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    You should respond to both discussions separately–with constructive literature material- extending, refuting/correcting, or adding additional nuance to their posts.

    Minimum 150 words each reply with references under each reply.

    Incorporate a minimum of 2 current (published within the last five years) scholarly journal articles or primary legal sources (statutes, court opinions) within your work. Journal articles should be referenced according to the current APA style (the online library has an abbreviated version of the APA Manual).

    Discussion 1

    **Describe the family structure of some East Indian Hindu families and the effect the family organization may have on health-seeking behavior**

    It is not uncommon for several generations to share a home. Sons will bring their wives to live with his family once they are married. With this arrangement, they are subjected to parental control. The patriarch controls the household in a traditional East Indian Hindu household. The patriarch is in control of the finances, and men are responsible for earning income to support the family. The matriarch is the autocrat of the home and daughter-in-laws are under their rule. Women do not have status or economic power Cultural beliefs about illness and treatments can affect the family’s participation in healthcare. Health decisions are made within the family and influenced by cultural norms and family beliefs. Many East Indians obtain their beliefs in relation to the managing illness from a variety of sources including their families, members within their community, folk midwives, folk practitioners, and from healthcare workers (Ginger & Haddad, p. 474, 2021). Factors such as gender of the patient, the economic status of the family, and the family’s perception about illness can all impact the decision to seek treatment. Therapeutic advice generally filters through 5 levels (none of which are medical professionals), which can potentially create delays in care.

    **What are the contributing factors that lead to the high birth rate in Haiti and among Haitian immigrants?**

    The factors contributing to high birthrates among Haitian immigrants is complex and multidimensional. The economic circumstances experienced by many Haitians are characterized by poverty, poor access to healthcare and education, limited access to family planning services, making it impossible for women and men to make informed decisions about their fertility. Adding to this complexity is the fact that Haiti has the highest maternal mortality rate in the Americas, with 488 per 100,000 live births (Macdonald & Dorcely, 2021)

    **List religious needs a Jewish client may have while being hospitalized with which nursing staff can assist**

    Jewish patients may have religious needs while hospitalized and nursing staff can work to help meet these needs by understanding the necessary accommodations that are needed. Jewish clients who maintain a kosher diet will require considerations to be made as it relates to the preparation of meals and how meals are served. Special attention should be paid to ensuring dairy and meat are not mixed and only fish with fins and scales can be served. (Ginger & Haddad, p 515, 2021). Religious holidays such as Passover and Yom Kipppur also require special considerations concerning the time that meals are served as well as which foods can be served. Just as religion guides practices in life, it also offers commandments in death and dying. Practices such as removing the body from the bed and placing it on a straw mat, lighting and candle and placing it near the head of the body, and placing a sheet over the face of the deceased are all customary practices, the nurse should be aware of.

    Discussion 2

    **Family Structure in East Indian Hindu Families and Its Effect on Health-Seeking Behavior** East Indian Hindu families traditionally follow a patriarchal and extended family system. Married sons reside with the family under the parental roof (Giger & Haddad,2021). The head of the household is the eldest male, whose decisions are respected and upheld. Women are often responsible for the family’s female members and are crucial in addressing other domestic concerns. This hierarchical structure can influence health-seeking behaviors in several ways, particularly if the individual who is ill is female or younger. This can delay treatment and lead to a poor overall prognosis. Additionally, East Indian Hindu families may turn to traditional healing practices and Ayurvedic medicine before using Western Medicine. In Ayurvedic medicine, the belief is that the organism is not the cause for the condition; it is the intake of heavy, indigestible foods and emotional factors. **Contributing Factors to the High Birth Rate in Haiti and Among Haitian Immigrants** One factor contributing to the high birth rate is the lack of contraception, especially for women in rural areas.  Studies show that there is also a false pretense about the use of birth control; they believe using birth control before having children will prevent them from having children in the future (Wooten et al., 2024). There is also an educational barrier about birth control and its side effects.Additionally, larger families are often valued, and there may be a religious or social resistance to contraceptive use. This is common among Catholic or traditional Vodou beliefs practiced amongst Haitians. **Religious Needs of Jewish Clients in the Hospital Setting** Jewish clients may have several religious needs during hospitalization. Nurses and healthcare providers can assist by:

    – Helping the patient maintain a kosher diet. Serving fish that meet the dietary requirements of having fins and scales (Giger & Haddad, 2021). Using paper plates with plastic utensils.
    – During the Sabbath, which lasts from Friday evening to Saturday evening, Jews may refrain from using electronic devices and writing. This is a day of rest, reflection, and prayer. Nurses must be aware of and try to minimize interruptions.
    – Passover, which falls in or near the spring of the year. The nurse should be aware that during these 8 days, certain foods must be kosher. In addition to eating foods with leavening, or foods made with grain products.
    – Nurses should respect end-of-life care, as an autopsy is not allowed unless required by governmental regulation or the person had a hereditary disease. An autopsy may help safeguard the health of survivors or another person suffering from a similar deadly disease, or if it yields information vital to the person's health (Giger & Haddad, 2021).

    – 2 years ago

  • [Solved] Mod.5 Asian Cultural Assessment/Turnitin

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    Attachments INCLUDED COURSE BOOK —Giger, J. N., & Haddad, L. (2021). Transcultural Nursing: Assessment and Intervention (8th ed.). St. Louis, MO: Elsevier. ISBN: 9780323695541 Using Giger and Davidhizar's Transcultural Assessment Model, perform a comprehensive assessment of how your ASIAN cultural g…

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    Attachments INCLUDED

    COURSE BOOK —Giger, J. N., & Haddad, L. (2021).  Transcultural Nursing: Assessment and Intervention (8th ed.). St. Louis, MO:  Elsevier. ISBN: 9780323695541

    Using Giger and Davidhizar's Transcultural Assessment Model, perform a comprehensive assessment of how your ASIAN cultural group’s beliefs and practices might impact healthcare decision-making, treatment adherence, your communication, your interventions, and your education to align with the patient's cultural values and preferences.

    Utilize your mind map from module 1 and the textbook’s FIG. 1.1 and FIG. 1.2 in Chapter 1 to thoroughly outline your assessment and **expand upon** each of the six cultural phenomena for your selected group.

    **Submission Instructions:**

    – Assignment is to be clear and concise with proper grammar, punctuation and misspelling.
    – Formatted to be current APA style and 4-5 pages in length, excluding the title and references page. Incorporate a minimum of 5 current (published within the last five years) _scholarly journal articles_ or _primary legal sources_(statutes, court opinions) within your work.

    – [\
    \
    CultureInterview.docx](https://www.sweetstudy.com/files/cultureinterview-docx-10266101 "CultureInterview.docx")
    – [\
    \
    AsianOutline.docx](https://www.sweetstudy.com/files/asianoutline-docx-10266103 "AsianOutline.docx")
    – [\
    \
    CultureMindMap.pdf](https://www.sweetstudy.com/files/culturemindmap-pdf-10266105 "CultureMindMap.pdf")
    – [\
    \
    IMG_3183.jpeg](https://www.sweetstudy.com/files/img-3183-jpeg-10266107 "IMG_3183.jpeg")

    – 2 years ago

  • [Solved] Marketing fundamental

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    [>Marketing homework help](https://www.sweetstudy.com/fields/business-finance-marketing) – Provide an example of a recent purchase experience in which you were dissatisfied because the firm’s Marketing Mix did not meet your expectations. Indicate how the purchase fell short of your expectations. Be …

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    [>Marketing homework help](https://www.sweetstudy.com/fields/business-finance-marketing)

    – Provide an example of a recent purchase experience in which you were dissatisfied because the firm’s Marketing Mix did not meet your expectations. Indicate how the purchase fell short of your expectations. Be sure to explain whether your expectations were formed based on the firm’s promotion or something else. Finally, how would you advise the firm for the future, based on adjustments to their marketing mix?
    – Distinguish clearly between a Marketing Strategy and a Marketing Mix. Use Kangen K8 to illustrate the concepts (use some of the information in your own words from the uploaded document).
    – What are the social and ethical issues a company should consider when entering a foreign market? Use a specific product/service example to illustrate the concepts.
    – Also use 3 sources in this assignment.

    – [\
    \
    KangenK8.docx](https://www.sweetstudy.com/files/kangenk8-docx "KangenK8.docx")

    – 2 years ago

  • [Solved] M11 chapters 56-57-58

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    – 2 years ago **files (7)** – ## ch-56-PPTaccessible.pptx – IMG_0704.png – IMG_0703.png – IMG_0706.png – IMG_0705.png – ch-57-PPTaccessible.pptx – ch-58-PPTaccessible.pptx **## ch-56-PPTaccessible.pptx** Architecture and Interior Design: An Integrated History to the Present First Edition Chapter…

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    – 2 years ago

    **files (7)**

    – ## ch-56-PPTaccessible.pptx

    – IMG_0704.png
    – IMG_0703.png
    – IMG_0706.png
    – IMG_0705.png
    – ch-57-PPTaccessible.pptx
    – ch-58-PPTaccessible.pptx

    **## ch-56-PPTaccessible.pptx**

    Architecture and Interior Design: An Integrated History to the Present

    First Edition

    Chapter 56

    Late Modern – 1

    Mid 1960s – 1980s

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    If this PowerPoint presentation contains mathematical equations, you may need to check that your computer has the following installed:

    1) Math Type Plugin

    2) Math Player (free versions available)

    3) NVDA Reader (free versions available)

    1

    P. Experimentation

    Modern expands from single vision of before to new plurality of approaches

    Driven by critiques & failures of Modern Movement; new technologies; consumerism; global community

    Ways to achieve forward thinking design questioned, debated, experimented

    Design more market driven—niche markets, image, branding; designer as celebrity

    New materials, structural techniques, environmental controls, design tools allow designers to create what they can imagine

    Also affecting design: increased regulation, building codes, research, development, environmental concerns

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    2

    Late Modern – 1

    New generation of architects & designers reevaluates effectiveness of Modernism & International Style

    Lack applicability to time & users in universal solutions, anonymity, sameness, design flaws & construction problems

    Adopt new design directions & approaches to address complexity, revolutionary changes, plurality, consumerism

    Exaggerate language of International Style

    Minimalism—pared down universalist aesthetic

    High Tech—embraces & celebrates technology

    Pop Modern–consumerism & youth or popular culture

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    3

    Concepts

    Shatters simplicity of Modernism & International Style with multiplicity of design methods to challenge, reassess, reinvent modern design principles

    New design language to address complexity, plurality, diversity of the time

    Importance of individuality, customization, identity & reject static, formalism

    High Tech—combines high style & technology; explores relationship of industry, technology & art

    Minimalism—rejection of rampant consumerism; simplifies & eliminates nonessentials; ties to newly emerging rationalism

    Pop Modern—youth culture; everyday objects; modern materials; mass-production; Pop & Op Art

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    4

    Characteristics and Motifs

    Expanded vocabulary–function, efficiency & practicality plus innovation, individualism, monumentality

    New materials, techniques, prefabrication, mass production

    High Tech—emphasis on building components & systems that appear on buildings & in interiors; prefabricated & industrial materials, color coding

    Minimalism—structure & construction define form; simplicity, repetition, articulation; minimal color, texture, & materials; few details

    Pop Modern—youthful, hip, exciting, novel, colorful, nontraditional; appeal to masses; new materials, shiny finishes, bold patterns

    Motifs—No common motifs; details emphasize innovation, construction, materials; popular culture

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    5

    Architecture

    Unique, individual expressions

    Experimentation with visual form to create conspicuous monuments within environments

    Most common—box of early Modern disappears with curves, angles, indentations, cutouts, exposed structure

    Some have grid that is logical or irrational or both; facades may be solid, glass or combination

    Less design unity; more experimentation with form, individuality

    High Tech—components & systems on exterior; may sweep across façade or cluster

    Minimalism—search for pure form; explore planar geometry; reduce form to essence

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    6

    56.1

    Schulin Jewelry Shop, 1965, 1972-1974; Vienna, Austria; Hans Hollein. Late Modern – 1

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.2

    World Trade Center, 1962-1967; New York, New York; Minoru. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.3

    Pennzoil Place, 1974-1976; Houston, Texas; Philip Johnson and John Burgee. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.4

    Pacific Design Center, Blue Building, 1975-1976; Los Angles, California; Victor Gruen Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.5

    Pompidou Centre, 1971-1977; Paris, France; Richard Rogers and Renzo Piano. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The center has exaggerated the use of color on structural and mechanical systems. It has exposed prefabricated steel supports and trusses. The asymmetry on the facade with a strong grid frame. The emphasis on solid and void, straight and curved lines, and celebration of technology. It has exposed mechanical systems. The building stands out from its environment.

    11

    56.6a

    High Museum of Art, 1980-1983; Atlanta, Georgia; Richard Meier. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The building has a flat roof. The facade is made of stark white tiles. It has the repetition of square grids on windows. The building used bold geometric forms extensively. The interplay of solid and void relationships, curves, and angles is visible. It has a processional path to the entrance. The building looks like a white sculpture on a green lawn.

    12

    56.6b

    High Museum of Art atrium, 1980-1983; Atlanta, Georgia; Richard Meier. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.7a

    National Gallery of Art, East Building, 1968-1978; Washington D.C.; I. M. Pei. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.7b

    National Gallery of Art, East Building atrium, 1968-1978; Washington D.C.; I. M. Pei. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.8

    Casa Rotunda, 1980-1982; Stabio, Ticino, Switzerland; Mario Botta. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Interiors

    Strong design relationship with exterior

    Structure may be exposed; curving, angled, pierced walls

    Function; industrial technology & materials; modules; spatial layering; solid/void relationships; construction, structure & materials as ornament

    Grid defines & shapes space but may be regular & symmetrical or asymmetrical & irrational or both

    Experiments in space planning leads to new ways of addressing functional requirements, zoning, furniture arrangements

    Many architects design interiors for an integrated whole

    Interior designers deal with renovations of existing spaces & development of new ones

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.9

    Lobby, Hyatt Regency Hotel, 1967-1972; Atlanta, Georgia; John Portman and Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The lobby has wind chimes hanging in the corners of the balconies. The hotel corridors overlook the atrium. The glass elevators are near the center of the atrium. The large sculpture serves as an accent. The restaurant is housed under an umbrella-type canopy located in the atrium. The terrazzo-like flooring helps convey a garden character. The conversation groupings are defined by large plants.

    18

    56.11

    Joe D’Urso Design office, 1970s-1980s; New York, New York. Minimalism. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.12

    Lobby, Morgan’s Hotel, c. 1985; New York, New York; Andrée Putman. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.13

    Vignelli Associates Office, 1986; New York, New York; Vignelli Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.14

    Shoe salesroom, Esprit Clothing Company, 1988; New York, New York; Michael Vanderbyl, Vanderbyl Design. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.15

    Lighting: Tizio desk lamp, 1972; Richard Sapper; and Boalum, c. 1970s; Livio Castiglioni and Gianfranco Frattini; both for Artemide. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Furnishings and Decorative Arts

    Mostly two types: contract or office furniture & popular culture

    Office furniture expands, particularly in systems furniture that supports open office planning

    Addresses way people work, technology, computer

    Rational, functional, flexible, durable; refined; machine-made look; no applied ornament; ergonomic

    Pop Modern—addresses consumer & youth

    New materials, bright colors, novelty, disposability, low cost, bold forms; many sizes, shapes, forms

    Readily available—low-cost image or fashion conscious furnishings to suit particular consumer lifestyles

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.16

    40/4 Stacking chair, 1964; U.S. David Rowland for General Fireproofing, Inc. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.17

    Ball or Globe chair, 1963-1965; Finland; Eero Saarinen. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.18

    Chairs, 1966; United States; Warren Platner for Knoll International. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.19

    Malitte, 1966; Italy and the United States; Roberto Sebastian Matta for Knoll International. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.20

    Panton Stacking Chair, 1960-1967; Switzerland and the United States; Verner Panton for Vitra GmbH and Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.21

    Sacco, 1968; Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.22

    Blow and Joe chairs, 1967, 1970; Italy; De Pas, D’Urbino, and Lomazzi for Zanotta and Poltronova. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.23

    Ergon chair, 1976; United States; Bill Stumpf for Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.24

    Action Office systems from 1964-1968; United States; Robert Probst and details by George Nelson for Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The storage has bumper doors and varies in size and finish. The wall panes have come in various sizes, colors, and heights. The movable desk comes in different finishes. The secretarial chair swivels and adjusts to fit the user. The individual parts can be customized.

    33

    56.25

    Chrome shelving, c. 1980s; Metro. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Copyright

    This work is protected by United States copyright laws and is provided solely for the use of instructors in teaching their courses and assessing student learning. Dissemination or sale of any part of this work (including on the World Wide Web) will destroy the integrity of the work and is not permitted. The work and materials from it should never be made available to students except by instructors using the accompanying text in their classes. All recipients of this work are expected to abide by these restrictions and to honor the intended pedagogical purposes and the needs of other instructors who rely on these materials.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    35

    ## image5.jpg

    ## image1.jpeg

    ## image6.jpg

    ## image7.jpg

    ## image8.jpg

    ## image9.jpg

    ## image10.jpg

    ## image11.jpg

    ## image12.jpg

    ## image13.jpg

    ## image14.jpg

    ## image15.jpg

    ## image16.jpg

    ## image17.jpg

    ## image18.jpg

    ## image19.jpg

    ## image20.jpg

    ## image21.jpg

    ## image22.jpg

    ## image23.jpg

    ## image24.jpg

    ## image25.jpg

    ## image26.jpg

    ## image27.jpg

    ## image28.jpg

    ## image29.jpg

    ## image30.jpg

    ## image31.jpg

    ## image32.jpg

    ## image33.jpg

    ## image34.png

    ## image4.png

    **IMG_0704.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0704-png-10266305)

    **IMG_0703.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0703-png-10266307)

    **IMG_0706.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0706-png-10266309)

    **IMG_0705.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0705-png-10266311)

    **ch-57-PPTaccessible.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ch-57-pptaccessible-pptx)

    **ch-58-PPTaccessible.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ch-58-pptaccessible-pptx)

    **ch-58-PPTaccessible.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ch-58-pptaccessible-pptx)

    **## ch-56-PPTaccessible.pptx**

    Architecture and Interior Design: An Integrated History to the Present

    First Edition

    Chapter 56

    Late Modern – 1

    Mid 1960s – 1980s

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    If this PowerPoint presentation contains mathematical equations, you may need to check that your computer has the following installed:

    1) Math Type Plugin

    2) Math Player (free versions available)

    3) NVDA Reader (free versions available)

    1

    P. Experimentation

    Modern expands from single vision of before to new plurality of approaches

    Driven by critiques & failures of Modern Movement; new technologies; consumerism; global community

    Ways to achieve forward thinking design questioned, debated, experimented

    Design more market driven—niche markets, image, branding; designer as celebrity

    New materials, structural techniques, environmental controls, design tools allow designers to create what they can imagine

    Also affecting design: increased regulation, building codes, research, development, environmental concerns

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    2

    Late Modern – 1

    New generation of architects & designers reevaluates effectiveness of Modernism & International Style

    Lack applicability to time & users in universal solutions, anonymity, sameness, design flaws & construction problems

    Adopt new design directions & approaches to address complexity, revolutionary changes, plurality, consumerism

    Exaggerate language of International Style

    Minimalism—pared down universalist aesthetic

    High Tech—embraces & celebrates technology

    Pop Modern–consumerism & youth or popular culture

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    3

    Concepts

    Shatters simplicity of Modernism & International Style with multiplicity of design methods to challenge, reassess, reinvent modern design principles

    New design language to address complexity, plurality, diversity of the time

    Importance of individuality, customization, identity & reject static, formalism

    High Tech—combines high style & technology; explores relationship of industry, technology & art

    Minimalism—rejection of rampant consumerism; simplifies & eliminates nonessentials; ties to newly emerging rationalism

    Pop Modern—youth culture; everyday objects; modern materials; mass-production; Pop & Op Art

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    4

    Characteristics and Motifs

    Expanded vocabulary–function, efficiency & practicality plus innovation, individualism, monumentality

    New materials, techniques, prefabrication, mass production

    High Tech—emphasis on building components & systems that appear on buildings & in interiors; prefabricated & industrial materials, color coding

    Minimalism—structure & construction define form; simplicity, repetition, articulation; minimal color, texture, & materials; few details

    Pop Modern—youthful, hip, exciting, novel, colorful, nontraditional; appeal to masses; new materials, shiny finishes, bold patterns

    Motifs—No common motifs; details emphasize innovation, construction, materials; popular culture

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    5

    Architecture

    Unique, individual expressions

    Experimentation with visual form to create conspicuous monuments within environments

    Most common—box of early Modern disappears with curves, angles, indentations, cutouts, exposed structure

    Some have grid that is logical or irrational or both; facades may be solid, glass or combination

    Less design unity; more experimentation with form, individuality

    High Tech—components & systems on exterior; may sweep across façade or cluster

    Minimalism—search for pure form; explore planar geometry; reduce form to essence

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    6

    56.1

    Schulin Jewelry Shop, 1965, 1972-1974; Vienna, Austria; Hans Hollein. Late Modern – 1

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.2

    World Trade Center, 1962-1967; New York, New York; Minoru. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.3

    Pennzoil Place, 1974-1976; Houston, Texas; Philip Johnson and John Burgee. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.4

    Pacific Design Center, Blue Building, 1975-1976; Los Angles, California; Victor Gruen Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.5

    Pompidou Centre, 1971-1977; Paris, France; Richard Rogers and Renzo Piano. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The center has exaggerated the use of color on structural and mechanical systems. It has exposed prefabricated steel supports and trusses. The asymmetry on the facade with a strong grid frame. The emphasis on solid and void, straight and curved lines, and celebration of technology. It has exposed mechanical systems. The building stands out from its environment.

    11

    56.6a

    High Museum of Art, 1980-1983; Atlanta, Georgia; Richard Meier. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The building has a flat roof. The facade is made of stark white tiles. It has the repetition of square grids on windows. The building used bold geometric forms extensively. The interplay of solid and void relationships, curves, and angles is visible. It has a processional path to the entrance. The building looks like a white sculpture on a green lawn.

    12

    56.6b

    High Museum of Art atrium, 1980-1983; Atlanta, Georgia; Richard Meier. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.7a

    National Gallery of Art, East Building, 1968-1978; Washington D.C.; I. M. Pei. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.7b

    National Gallery of Art, East Building atrium, 1968-1978; Washington D.C.; I. M. Pei. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.8

    Casa Rotunda, 1980-1982; Stabio, Ticino, Switzerland; Mario Botta. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Interiors

    Strong design relationship with exterior

    Structure may be exposed; curving, angled, pierced walls

    Function; industrial technology & materials; modules; spatial layering; solid/void relationships; construction, structure & materials as ornament

    Grid defines & shapes space but may be regular & symmetrical or asymmetrical & irrational or both

    Experiments in space planning leads to new ways of addressing functional requirements, zoning, furniture arrangements

    Many architects design interiors for an integrated whole

    Interior designers deal with renovations of existing spaces & development of new ones

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.9

    Lobby, Hyatt Regency Hotel, 1967-1972; Atlanta, Georgia; John Portman and Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The lobby has wind chimes hanging in the corners of the balconies. The hotel corridors overlook the atrium. The glass elevators are near the center of the atrium. The large sculpture serves as an accent. The restaurant is housed under an umbrella-type canopy located in the atrium. The terrazzo-like flooring helps convey a garden character. The conversation groupings are defined by large plants.

    18

    56.11

    Joe D’Urso Design office, 1970s-1980s; New York, New York. Minimalism. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.12

    Lobby, Morgan’s Hotel, c. 1985; New York, New York; Andrée Putman. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.13

    Vignelli Associates Office, 1986; New York, New York; Vignelli Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.14

    Shoe salesroom, Esprit Clothing Company, 1988; New York, New York; Michael Vanderbyl, Vanderbyl Design. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.15

    Lighting: Tizio desk lamp, 1972; Richard Sapper; and Boalum, c. 1970s; Livio Castiglioni and Gianfranco Frattini; both for Artemide. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Furnishings and Decorative Arts

    Mostly two types: contract or office furniture & popular culture

    Office furniture expands, particularly in systems furniture that supports open office planning

    Addresses way people work, technology, computer

    Rational, functional, flexible, durable; refined; machine-made look; no applied ornament; ergonomic

    Pop Modern—addresses consumer & youth

    New materials, bright colors, novelty, disposability, low cost, bold forms; many sizes, shapes, forms

    Readily available—low-cost image or fashion conscious furnishings to suit particular consumer lifestyles

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.16

    40/4 Stacking chair, 1964; U.S. David Rowland for General Fireproofing, Inc. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.17

    Ball or Globe chair, 1963-1965; Finland; Eero Saarinen. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.18

    Chairs, 1966; United States; Warren Platner for Knoll International. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.19

    Malitte, 1966; Italy and the United States; Roberto Sebastian Matta for Knoll International. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.20

    Panton Stacking Chair, 1960-1967; Switzerland and the United States; Verner Panton for Vitra GmbH and Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.21

    Sacco, 1968; Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.22

    Blow and Joe chairs, 1967, 1970; Italy; De Pas, D’Urbino, and Lomazzi for Zanotta and Poltronova. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.23

    Ergon chair, 1976; United States; Bill Stumpf for Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.24

    Action Office systems from 1964-1968; United States; Robert Probst and details by George Nelson for Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The storage has bumper doors and varies in size and finish. The wall panes have come in various sizes, colors, and heights. The movable desk comes in different finishes. The secretarial chair swivels and adjusts to fit the user. The individual parts can be customized.

    33

    56.25

    Chrome shelving, c. 1980s; Metro. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Copyright

    This work is protected by United States copyright laws and is provided solely for the use of instructors in teaching their courses and assessing student learning. Dissemination or sale of any part of this work (including on the World Wide Web) will destroy the integrity of the work and is not permitted. The work and materials from it should never be made available to students except by instructors using the accompanying text in their classes. All recipients of this work are expected to abide by these restrictions and to honor the intended pedagogical purposes and the needs of other instructors who rely on these materials.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    35

    ## image5.jpg

    ## image1.jpeg

    ## image6.jpg

    ## image7.jpg

    ## image8.jpg

    ## image9.jpg

    ## image10.jpg

    ## image11.jpg

    ## image12.jpg

    ## image13.jpg

    ## image14.jpg

    ## image15.jpg

    ## image16.jpg

    ## image17.jpg

    ## image18.jpg

    ## image19.jpg

    ## image20.jpg

    ## image21.jpg

    ## image22.jpg

    ## image23.jpg

    ## image24.jpg

    ## image25.jpg

    ## image26.jpg

    ## image27.jpg

    ## image28.jpg

    ## image29.jpg

    ## image30.jpg

    ## image31.jpg

    ## image32.jpg

    ## image33.jpg

    ## image34.png

    ## image4.png

    **IMG_0704.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0704-png-10266305)

    **IMG_0703.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0703-png-10266307)

    **IMG_0706.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0706-png-10266309)

    **IMG_0705.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0705-png-10266311)

    **ch-57-PPTaccessible.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ch-57-pptaccessible-pptx)

    **ch-58-PPTaccessible.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ch-58-pptaccessible-pptx)

    **## ch-56-PPTaccessible.pptx**

    Architecture and Interior Design: An Integrated History to the Present

    First Edition

    Chapter 56

    Late Modern – 1

    Mid 1960s – 1980s

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    If this PowerPoint presentation contains mathematical equations, you may need to check that your computer has the following installed:

    1) Math Type Plugin

    2) Math Player (free versions available)

    3) NVDA Reader (free versions available)

    1

    P. Experimentation

    Modern expands from single vision of before to new plurality of approaches

    Driven by critiques & failures of Modern Movement; new technologies; consumerism; global community

    Ways to achieve forward thinking design questioned, debated, experimented

    Design more market driven—niche markets, image, branding; designer as celebrity

    New materials, structural techniques, environmental controls, design tools allow designers to create what they can imagine

    Also affecting design: increased regulation, building codes, research, development, environmental concerns

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    2

    Late Modern – 1

    New generation of architects & designers reevaluates effectiveness of Modernism & International Style

    Lack applicability to time & users in universal solutions, anonymity, sameness, design flaws & construction problems

    Adopt new design directions & approaches to address complexity, revolutionary changes, plurality, consumerism

    Exaggerate language of International Style

    Minimalism—pared down universalist aesthetic

    High Tech—embraces & celebrates technology

    Pop Modern–consumerism & youth or popular culture

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    3

    Concepts

    Shatters simplicity of Modernism & International Style with multiplicity of design methods to challenge, reassess, reinvent modern design principles

    New design language to address complexity, plurality, diversity of the time

    Importance of individuality, customization, identity & reject static, formalism

    High Tech—combines high style & technology; explores relationship of industry, technology & art

    Minimalism—rejection of rampant consumerism; simplifies & eliminates nonessentials; ties to newly emerging rationalism

    Pop Modern—youth culture; everyday objects; modern materials; mass-production; Pop & Op Art

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    4

    Characteristics and Motifs

    Expanded vocabulary–function, efficiency & practicality plus innovation, individualism, monumentality

    New materials, techniques, prefabrication, mass production

    High Tech—emphasis on building components & systems that appear on buildings & in interiors; prefabricated & industrial materials, color coding

    Minimalism—structure & construction define form; simplicity, repetition, articulation; minimal color, texture, & materials; few details

    Pop Modern—youthful, hip, exciting, novel, colorful, nontraditional; appeal to masses; new materials, shiny finishes, bold patterns

    Motifs—No common motifs; details emphasize innovation, construction, materials; popular culture

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    5

    Architecture

    Unique, individual expressions

    Experimentation with visual form to create conspicuous monuments within environments

    Most common—box of early Modern disappears with curves, angles, indentations, cutouts, exposed structure

    Some have grid that is logical or irrational or both; facades may be solid, glass or combination

    Less design unity; more experimentation with form, individuality

    High Tech—components & systems on exterior; may sweep across façade or cluster

    Minimalism—search for pure form; explore planar geometry; reduce form to essence

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    6

    56.1

    Schulin Jewelry Shop, 1965, 1972-1974; Vienna, Austria; Hans Hollein. Late Modern – 1

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.2

    World Trade Center, 1962-1967; New York, New York; Minoru. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.3

    Pennzoil Place, 1974-1976; Houston, Texas; Philip Johnson and John Burgee. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.4

    Pacific Design Center, Blue Building, 1975-1976; Los Angles, California; Victor Gruen Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.5

    Pompidou Centre, 1971-1977; Paris, France; Richard Rogers and Renzo Piano. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The center has exaggerated the use of color on structural and mechanical systems. It has exposed prefabricated steel supports and trusses. The asymmetry on the facade with a strong grid frame. The emphasis on solid and void, straight and curved lines, and celebration of technology. It has exposed mechanical systems. The building stands out from its environment.

    11

    56.6a

    High Museum of Art, 1980-1983; Atlanta, Georgia; Richard Meier. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The building has a flat roof. The facade is made of stark white tiles. It has the repetition of square grids on windows. The building used bold geometric forms extensively. The interplay of solid and void relationships, curves, and angles is visible. It has a processional path to the entrance. The building looks like a white sculpture on a green lawn.

    12

    56.6b

    High Museum of Art atrium, 1980-1983; Atlanta, Georgia; Richard Meier. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.7a

    National Gallery of Art, East Building, 1968-1978; Washington D.C.; I. M. Pei. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.7b

    National Gallery of Art, East Building atrium, 1968-1978; Washington D.C.; I. M. Pei. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.8

    Casa Rotunda, 1980-1982; Stabio, Ticino, Switzerland; Mario Botta. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Interiors

    Strong design relationship with exterior

    Structure may be exposed; curving, angled, pierced walls

    Function; industrial technology & materials; modules; spatial layering; solid/void relationships; construction, structure & materials as ornament

    Grid defines & shapes space but may be regular & symmetrical or asymmetrical & irrational or both

    Experiments in space planning leads to new ways of addressing functional requirements, zoning, furniture arrangements

    Many architects design interiors for an integrated whole

    Interior designers deal with renovations of existing spaces & development of new ones

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.9

    Lobby, Hyatt Regency Hotel, 1967-1972; Atlanta, Georgia; John Portman and Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The lobby has wind chimes hanging in the corners of the balconies. The hotel corridors overlook the atrium. The glass elevators are near the center of the atrium. The large sculpture serves as an accent. The restaurant is housed under an umbrella-type canopy located in the atrium. The terrazzo-like flooring helps convey a garden character. The conversation groupings are defined by large plants.

    18

    56.11

    Joe D’Urso Design office, 1970s-1980s; New York, New York. Minimalism. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.12

    Lobby, Morgan’s Hotel, c. 1985; New York, New York; Andrée Putman. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.13

    Vignelli Associates Office, 1986; New York, New York; Vignelli Associates. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.14

    Shoe salesroom, Esprit Clothing Company, 1988; New York, New York; Michael Vanderbyl, Vanderbyl Design. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.15

    Lighting: Tizio desk lamp, 1972; Richard Sapper; and Boalum, c. 1970s; Livio Castiglioni and Gianfranco Frattini; both for Artemide. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Furnishings and Decorative Arts

    Mostly two types: contract or office furniture & popular culture

    Office furniture expands, particularly in systems furniture that supports open office planning

    Addresses way people work, technology, computer

    Rational, functional, flexible, durable; refined; machine-made look; no applied ornament; ergonomic

    Pop Modern—addresses consumer & youth

    New materials, bright colors, novelty, disposability, low cost, bold forms; many sizes, shapes, forms

    Readily available—low-cost image or fashion conscious furnishings to suit particular consumer lifestyles

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.16

    40/4 Stacking chair, 1964; U.S. David Rowland for General Fireproofing, Inc. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.17

    Ball or Globe chair, 1963-1965; Finland; Eero Saarinen. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.18

    Chairs, 1966; United States; Warren Platner for Knoll International. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.19

    Malitte, 1966; Italy and the United States; Roberto Sebastian Matta for Knoll International. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.20

    Panton Stacking Chair, 1960-1967; Switzerland and the United States; Verner Panton for Vitra GmbH and Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.21

    Sacco, 1968; Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.22

    Blow and Joe chairs, 1967, 1970; Italy; De Pas, D’Urbino, and Lomazzi for Zanotta and Poltronova. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.23

    Ergon chair, 1976; United States; Bill Stumpf for Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    56.24

    Action Office systems from 1964-1968; United States; Robert Probst and details by George Nelson for Herman Miller. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Long Description:

    The storage has bumper doors and varies in size and finish. The wall panes have come in various sizes, colors, and heights. The movable desk comes in different finishes. The secretarial chair swivels and adjusts to fit the user. The individual parts can be customized.

    33

    56.25

    Chrome shelving, c. 1980s; Metro. Late Modern – 1.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    Copyright

    This work is protected by United States copyright laws and is provided solely for the use of instructors in teaching their courses and assessing student learning. Dissemination or sale of any part of this work (including on the World Wide Web) will destroy the integrity of the work and is not permitted. The work and materials from it should never be made available to students except by instructors using the accompanying text in their classes. All recipients of this work are expected to abide by these restrictions and to honor the intended pedagogical purposes and the needs of other instructors who rely on these materials.

    Copyright © 2012 Pearson Education, Inc. All Rights Reserved

    35

    ## image5.jpg

    ## image1.jpeg

    ## image6.jpg

    ## image7.jpg

    ## image8.jpg

    ## image9.jpg

    ## image10.jpg

    ## image11.jpg

    ## image12.jpg

    ## image13.jpg

    ## image14.jpg

    ## image15.jpg

    ## image16.jpg

    ## image17.jpg

    ## image18.jpg

    ## image19.jpg

    ## image20.jpg

    ## image21.jpg

    ## image22.jpg

    ## image23.jpg

    ## image24.jpg

    ## image25.jpg

    ## image26.jpg

    ## image27.jpg

    ## image28.jpg

    ## image29.jpg

    ## image30.jpg

    ## image31.jpg

    ## image32.jpg

    ## image33.jpg

    ## image34.png

    ## image4.png

    **IMG_0704.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0704-png-10266305)

    **IMG_0703.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0703-png-10266307)

    **IMG_0706.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0706-png-10266309)

    **IMG_0705.png**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/img-0705-png-10266311)

    **ch-57-PPTaccessible.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ch-57-pptaccessible-pptx)

    **ch-58-PPTaccessible.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ch-58-pptaccessible-pptx)

  • [Solved] in the snap

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    – [\ \ Capture0.PNG](https://www.sweetstudy.com/files/capture0-png-10266621 "Capture0.PNG") – 2 years ago

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    – [\
    \
    Capture0.PNG](https://www.sweetstudy.com/files/capture0-png-10266621 "Capture0.PNG")

    – 2 years ago

  • [Solved] Poverty, Education, & Economy

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    [>Sociology homework help](https://www.sweetstudy.com/fields/social-science-sociology) ## **Instructions** _Please use this_ [_Week 2 Assignment 1 template.docx_](https://myclassroom.apus.edu/d2l/common/dialogs/quickLink/quickLink.d2l?ou=487668&type=coursefile&fileId=Week+2+Assignment+1+template.doc…

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    [>Sociology homework help](https://www.sweetstudy.com/fields/social-science-sociology)

    ## **Instructions**

    _Please use this_ [_Week 2 Assignment 1 template.docx_](https://myclassroom.apus.edu/d2l/common/dialogs/quickLink/quickLink.d2l?ou=487668&type=coursefile&fileId=Week+2+Assignment+1+template.docx) _to complete the following and submit by Sunday at 11:59pm ET._

    **Consider the following US data from the US Census Bureau:**

    [Census Reporter 2024 [website]](https://censusreporter.org/profiles/01000US-united-states/)

    – POVERTY:
    – 12.6% Persons below poverty line
    – Demographics:
    – Median Age 39
    – Sex Ratio 50%
    – Female 50%
    – Male
    – Race/Ethnicity
    – 6% Asian
    – 12% Black
    – 19% Hispanic
    – 0% Islander
    – 1% Native
    – 1% Other
    – 4% Two+
    – 58% White
    – Social:
    – 89.6% High school grad (or higher)
    – 35.7% bachelor’s degree or higher
    – 6.2% Population with veteran status

    **Navigate to** [Census Reporter [website]](https://censusreporter.org/search/) **and in the search bar, type in your hometown or a US city in which you have lived. Fill in the data on the** [**worksheet here [Word document]**](https://myclassroom.apus.edu/d2l/common/dialogs/quickLink/quickLink.d2l?ou=487668&type=coursefile&fileId=Week+2+Assignment+Worksheet.docx) **. ***Be sure to state which city you are researching.*****

    ### **Submission requirements:**

    – Save document as: SOCI212_Week2_LastName (WORD or PDF) and upload to Assignments.
    – Submissions should be typed, double-spaced, 1" margins, in Times New Roman 12 pt font, and saved as .doc, .docx, .pdf.
    – Use APA format for citations and references.
    – View the grading rubric to understand how you will be assessed on this Assignment.
    – Disclaimer- The originality of attachments will be verified by Turnitin. Both you and your instructor will receive the results.
    – This course has "Resubmission" status enabled to help you if you need to submit multiple documents as part of your Assignment. Resubmission of an Assignment after it is graded to attempt a better grade is not permitted.

    **Assignment Resources & Supports**

    – [Office 365 [website]](https://www.office.com/): You have free access as an APUS student. Sign in with your MyCampus Email credentials.
    – [Submitting and Confirming a Submission [webpage]](https://youtu.be/HY0ogyh-IhQ): Watch this 3-minute video if you need guidance on submitting your assignment.

    **Associated CO & LO:**

    – **CO-2**: Identify specific social problems and their cause-effect patterns.

    – **LO-2.1**: Identify social problems in US society today.
    – **LO-2.2**: Investigate the causes of identified social problems.
    – **LO-2.3**: Analyze the effects of identified social problems on individuals and communities.
    – **CO-3**: Identify current research methods that are utilized for the investigation of social problems.

    – **LO-3.2**: Apply the appropriate research method to a given social problem scenario, explaining the rationale for the choice.
    – **LO-3.3**: Evaluate the strengths and limitations of various research methods in addressing specific social problems.
    – **CO-4**: Assess current and suggested policies, programs, and/or treatments in terms of their effectiveness for alleviating the negative consequences of social problems.

    – **LO-4.1**: Identify policies, programs, and/or treatments that address identified social problems.
    – **LO-4.2**: Evaluate the effectiveness of existing policies, programs, and/or treatments using empirical evidence and critical thinking.
    – **LO-4.3**: Suggest innovative solutions that draw on research, existing programs, and new technologies.
    – **CO-5**: Apply sociological theories to explain the occurrence and scope of these problems.

    – **LO-5.2**: Utilize the sociological perspectives (and their relevant theories) to explain identified social problems.
    – **LO-5.3**: Apply course concepts to support opinions about social problems.

    – 2 years ago

  • [Solved] peritmetr

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    whatsthe peritmter of this trapezoid EFGH the points are E(-2,2) F(5,2) G(2,-2) H(-2,-2) – [\ \ Screenshot2025-04-177.49.58PM.png](https://www.sweetstudy.com/files/screenshot2025-04-177-49-58pm-png "Screenshot2025-04-177.49.58PM.png") – 2 years ago

    Instant Solution Download

    $6.99

    Immediate access to the full model answer, formatted citations, and rubric breakdown.

    Need a Fresh Custom Paper?

    Have this question answered from scratch according to your specific instructions and deadline.

    Order on TutorsGallery →

    Assignment Prompt & Instructions

    whatsthe peritmter of this trapezoid EFGH the points are E(-2,2) F(5,2) G(2,-2) H(-2,-2)

    – [\
    \
    Screenshot2025-04-177.49.58PM.png](https://www.sweetstudy.com/files/screenshot2025-04-177-49-58pm-png "Screenshot2025-04-177.49.58PM.png")

    – 2 years ago