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    see attached – a year ago **files (3)** – ## PowerPointStructurefromCapstoneProject.pdf – ## APA_RequiredCoverPage_and_Template_7thed.docx – StrategicReviewofNestlsHRPracticesandGlobalAlignmentppR1.pptx **## PowerPointStructurefromCapstoneProject.pdf** PowerPoint Structure for Capstone Project 1…

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    Assignment Prompt & Instructions

    see attached

    – a year ago

    **files (3)**

    – ## PowerPointStructurefromCapstoneProject.pdf

    – ## APA_RequiredCoverPage_and_Template_7thed.docx

    – StrategicReviewofNestlsHRPracticesandGlobalAlignmentppR1.pptx

    **## PowerPointStructurefromCapstoneProject.pdf**

    PowerPoint Structure for Capstone Project

    1. Title Slide

    • Project title

    • Student name

    • Date

    • Course or program title

    • Optional: image or relevant graphic

    2. Introduction / Background

    • What problem or topic is the project addressing?

    • Why is it important?

    • Brief background or context

    • Include a statistic or quote for impact

    3. Purpose or Objective

    • What was the goal of the project?

    • Research questions or objectives

    • Optional: hypothesis (if applicable)

    4. Literature Review / Theoretical Framework

    • Summarize 2–3 key findings from existing research

    • Mention key authors or theories that informed the project

    • Include citations (briefly)

    o You can create a separate slide for each finding

    5. Methodology

    • What method was used (qualitative, quantitative, mixed)?

    • Data collection tools (surveys, interviews, case studies, etc.)

    • Participants/sample and setting (if applicable)

    • Explain why the method was appropriate

    6. Findings / Results

    • Use bullet points or a chart to show results

    • Summarize main themes, patterns, or outcomes

    • Include visual aids: graphs, charts, tables

    7. Analysis / Interpretation

    • What do the findings mean?

    • How do they connect to the research question?

    • Tie into previous literature or frameworks

    8. Conclusion

    • Summarize key insights

    • What did the student learn?

    • Restate significance of the project

    9. Recommendations

    • What actions should be taken?

    • How can this research be applied in real life?

    • Next steps for future research

    10. Personal Reflection (Optional)

    • Challenges faced

    • Growth or skills developed

    • Takeaways from the experience

    o Personal reflection would be in the final conclusion if you choose to share it.

    11. References

    • Include only the key resources used in the presentation

    • Use APA format as required

    Design Tips

    • Use consistent fonts and colors

    • Include images, icons, or graphics that match the theme

    • Avoid clutter – limit text to key points

    o Which space on page is good

    • Use animations sparingly

    Presentation Tips

    • Create audio for each slide

    • Practice summarizing content for slides. (about 1-2 minutes per slide, depending upon

    layout)

    • Look at the screen while speaking

    • Time limit: aim for 10–15 minutes max

    – PowerPoint Structure for Capstone Project

    – 1. Title Slide
    – 2. Introduction / Background
    – 3. Purpose or Objective
    – 4. Literature Review / Theoretical Framework
    – 5. Methodology
    – 6. Findings / Results
    – 7. Analysis / Interpretation
    – 8. Conclusion
    – 9. Recommendations
    – 10. Personal Reflection (Optional)
    – 11. References

    – Design Tips
    – Presentation Tips

    **## APA_RequiredCoverPage_and_Template_7thed.docx**

    SHORTENED TITLE IN ALL CAPITALS 1

    SHORTENED TITLE IN ALL CAPITALS 1

    **Your Paper’s Title: Title Is Centered and Bold, Three or Four Lines Down**

    LEAVE A BLANK SPACE

    ## Your Name

    **Donald R. Tapia College of Business, Saint Leo University**
    Course Number and Name, e.g. DBA701: Doctoral Success Lab

    Your Professor’s Name, e.g. Professor Waddell

    Assignment Due Date, e.g. January 21, 2020

    **Graduate Studies in Business Academic Honesty Statement**

    My signature entered below constitutes my pledge that all the writing in this document is my own work, except for those portions which are properly documented and cited. I understand and accept the following definition of plagiarism:

    1. Plagiarism includes the literal repetition without acknowledgment of the writings of another author. All significant phrases, clauses, or passages in this paper which have been taken directly from source material have been enclosed in quotation marks and acknowledged in the text itself as well as on the Reference page.

    2. Plagiarism includes borrowing another’s ideas and representing them as my own.

    3. To paraphrase the thoughts of another writer without acknowledgement is plagiarism.

    4. Plagiarism also includes inadequate paraphrasing. Paraphrased passages (those put into my own words) have been properly acknowledged in the text and in the references.

    5. Plagiarism includes using another person or organization to prepare this paper and then submitting it as my own work.

    6. Plagiarism includes resubmitting my own previous work, in whole, or in part for a current assignment without the written consent of the current instructor.

    **Saint Leo University’s core value of integrity** requires that students pledge to be honest, just, and consistent in word and deed. I fully understand what plagiarism is, and I further understand that if plagiarism is detected in my paper, my professor will follow the procedures for academic dishonesty set forth by Saint Leo University, the Donald R. Tapia College of Business and the Graduate Student Handbook.

    **Student Signature: [Type Full Name Here]**

    **Abstract [Centered, Bold]**

    Start the abstract flush with the left margin; do not indent. According to the
    _Publication Manual of the American Psychological Association_(APA), “An abstract is a brief, comprehensive summary of the contents of the paper” (APA, 2020, p. 38). It allows readers to survey the contents of an article quickly and, like a title, it enables persons interested in the document to retrieve it from abstracting and indexing databases. The first line of the abstract is not indented. An abstract may range from 150 to 250 words (APA, 2020). Because an abstract is not always required for student papers, adhere to your instructor’s requirements.

    _Keywords:_ Follow the abstract with a selection of keywords that describe the important ideas or subjects in your paper. These help online readers search for your paper in a database.

    The keyword list should have its first line indented 0.5 inches. keywords are written in lowercase (except for proper nouns) and separated by commas. Do not place a period at the end of the list.

    ****Title of Your Paper [Centered, Bold]****
    Begin your paper on the next double-spaced line after the title, and indent all paragraphs 1/2 inch. In the updated manual on p. 154, writers are asked to include only
    **one space** between sentences rather than two spaces. When writing in APA style, you have two choices for in-text citations: narrative citations or parenthetical citations. According to a fictitious book by Harding and Jiménez (2020), a narrative citation occurs when you include “authors’ names as part of your sentence” (p. 24). Furthermore, Harding and Jiménez (2020) explain that you only need to provide a page number at the end of a narrative citation when directly quoting from the source. If the authors’ names do not appear in your sentence, you will use a “parenthetical citation” (Harding & Jiménez, 2020, p. 24). Similar to the above example, you only need to include a page number when quoting the authors’ original words (Harding & Jiménez, 2020). The APA manual summarizes these rules and related concepts on pp. 261-264.

    **All Headings Are Bold and Written in Title Case (Level 1, Bold, Centered)**

    You can read more about formatting section headings in the APA manual on pp. 47-49. Not included in this template is a level 5 heading, which is virtually identical to a level 4 heading, except it is italicized. According to the APA (2020), “The number of levels of heading needed for a paper depends on its length and complexity; three is average. … [S]hort student papers may not require any headings” (p. 48).

    **New Rules for Citations (Level 2, Bold, Left Justified)**

    **_First Rule_(Level 3, Flush Left, Italicized, Bold, No Punctuation)**

    Begin indented paragraph on the next line.
    A couple of important new rules concerning in-text citations appear in the APA manual. The first pertains to citing works by three or more authors. Instead of writing each author’s name in the first citation, then utilizing the abbreviation “et al.” for all subsequent citations, the APA advises writers to use the “et al.” abbreviation for
    _every_ in-text citation for works by three or more authors. For example, my first in-text citation for a work by three authors would look like this (Harris et al., 2020). This new guideline reduces the amount of clutter created by listing each author’s name. You can read more about the use of “et al.” on p. 266 of the APA manual.

    **_Second Rule_**

    The other significant change to in-text citation formatting has to do with repeating narrative citations. For example, if I am writing a paragraph focused specifically on the work of Brown (2016), I would need to provide the year in parenthesis only after the
    _first_ reference to Brown. As you can see, I could write more about the groundbreaking work of Brown without cluttering my paragraph with multiple in-text citations containing the year. However, if I am referencing more than one work by Brown, I must provide a complete in-text citation after
    _each_ reference to Brown. That way, my reader won’t be confused. I would also need to provide the year in any parenthetical citation referencing the author (Brown, 2016). This new rule is described on pp. 265-266 in the APA manual.

    **Similar Rule. (Level 4, Indented, Plain Text, Begins Paragraph, Punctuated)** In a similar vein, if I am writing a long paraphrase of a single work, I need to provide only one in-text citation at the beginning of the paragraph as long as “the context of the writing makes it clear that the same work continues to be paraphrased” (APA, 2020, p. 269). In other words, I could continue to write more about how the manual provides a helpful figure of this rule on p. 270. I would not need to provide a citation when telling you that if the paraphrase is long enough to warrant the creation of a new paragraph, you will need to provide an in-text citation at the top of the new paragraph. As you can see, I am still discussing the APA manual in a specific context, so I am not required to cite the manual again in this paragraph unless I introduce information from a new source. Even so, if you think your professor or reader might question where you found a certain piece of information, it won’t hurt to provide an extra citation or two.

    **Punctuating In-Text Citations**

    So far, you might have noticed that parenthetical citations typically appear
    _before_ the sentence’s end punctuation, because the parenthetical citation is just another element belonging to the sentence. However, there is one specific instance when the parenthetical citation comes
    _after_ the end punctuation. In the case of block quotations (a quotation of 40 words or more), you will introduce the quotation and demarcate it using special indentation:

    Pretend that this is the beginning of the block quotation. First, notice that this long quotation is not surrounded by marks. It is the
    _only_ time in your paper where you will quote something without using quotation marks. Next, the quotation is indented 1/2 inch from the left, and it’s left-justified, meaning that the quote’s left margin forms a straight line up and down. Last but not least, you will provide the parenthetical citation
    _after_ the end punctuation (and because it’s a direct quotation, you will include the page number). Use block quotes sparingly. (Harding, 2020, p. 49)

    If the original paragraph continues after the quotation, begin on the next double-spaced line, making sure that the line is flush left. If you want to begin a new paragraph after the block quotation, you will indent the new paragraph 1/2 inch from the left margin. Finally, if you include a narrative citation when introducing the block quote (i.e. “According to Harding (2020) …”), only include the page number in the parenthetical citation after the block quote. You can read more about these rules on pp. 272-273 of the APA manual.]

    **References [Centered, Bold]**

    Surname, A. A., & Surname B. B. (Year). Reference entry titles are written in sentence case: Sentence case titles for articles and shorter works are plain text and capitalized as if you were writing a sentence.
    _Publication Name_,
    _234_(2), 40-190.
    [https://doi.org/12.029303](https://doi.org/12.029303) (Example of journal article with DOI. DOI should be formatted as an active hyperlink)

    Surname, C. C. (Year).
    _This is the title of a book about China and India: Notice that book titles and titles of longer works are italicized_. Publisher Name. (Example of book and e-book. Writers are no longer required to identify e-book platform (e.g. “Kindle”) or database (e.g. “EBSCO”). For e-books, provide a DOI or URL if one is available. Read more on p. 321 of the manual.)

    REMOVE ALL YELLOW HIGHLIGHTS IF YOU USE THIS DOCUMENT AS A WORKABLE TEMPLATE!

    | | | |
    | — | — | — |
    | | | |

    **StrategicReviewofNestlsHRPracticesandGlobalAlignmentppR1.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/strategicreviewofnestlshrpracticesandglobalalignmentppr1-pptx)

    **StrategicReviewofNestlsHRPracticesandGlobalAlignmentppR1.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/strategicreviewofnestlshrpracticesandglobalalignmentppr1-pptx)

    **## PowerPointStructurefromCapstoneProject.pdf**

    PowerPoint Structure for Capstone Project

    1. Title Slide

    • Project title

    • Student name

    • Date

    • Course or program title

    • Optional: image or relevant graphic

    2. Introduction / Background

    • What problem or topic is the project addressing?

    • Why is it important?

    • Brief background or context

    • Include a statistic or quote for impact

    3. Purpose or Objective

    • What was the goal of the project?

    • Research questions or objectives

    • Optional: hypothesis (if applicable)

    4. Literature Review / Theoretical Framework

    • Summarize 2–3 key findings from existing research

    • Mention key authors or theories that informed the project

    • Include citations (briefly)

    o You can create a separate slide for each finding

    5. Methodology

    • What method was used (qualitative, quantitative, mixed)?

    • Data collection tools (surveys, interviews, case studies, etc.)

    • Participants/sample and setting (if applicable)

    • Explain why the method was appropriate

    6. Findings / Results

    • Use bullet points or a chart to show results

    • Summarize main themes, patterns, or outcomes

    • Include visual aids: graphs, charts, tables

    7. Analysis / Interpretation

    • What do the findings mean?

    • How do they connect to the research question?

    • Tie into previous literature or frameworks

    8. Conclusion

    • Summarize key insights

    • What did the student learn?

    • Restate significance of the project

    9. Recommendations

    • What actions should be taken?

    • How can this research be applied in real life?

    • Next steps for future research

    10. Personal Reflection (Optional)

    • Challenges faced

    • Growth or skills developed

    • Takeaways from the experience

    o Personal reflection would be in the final conclusion if you choose to share it.

    11. References

    • Include only the key resources used in the presentation

    • Use APA format as required

    Design Tips

    • Use consistent fonts and colors

    • Include images, icons, or graphics that match the theme

    • Avoid clutter – limit text to key points

    o Which space on page is good

    • Use animations sparingly

    Presentation Tips

    • Create audio for each slide

    • Practice summarizing content for slides. (about 1-2 minutes per slide, depending upon

    layout)

    • Look at the screen while speaking

    • Time limit: aim for 10–15 minutes max

    – PowerPoint Structure for Capstone Project

    – 1. Title Slide
    – 2. Introduction / Background
    – 3. Purpose or Objective
    – 4. Literature Review / Theoretical Framework
    – 5. Methodology
    – 6. Findings / Results
    – 7. Analysis / Interpretation
    – 8. Conclusion
    – 9. Recommendations
    – 10. Personal Reflection (Optional)
    – 11. References

    – Design Tips
    – Presentation Tips

    **## APA_RequiredCoverPage_and_Template_7thed.docx**

    SHORTENED TITLE IN ALL CAPITALS 1

    SHORTENED TITLE IN ALL CAPITALS 1

    **Your Paper’s Title: Title Is Centered and Bold, Three or Four Lines Down**

    LEAVE A BLANK SPACE

    ## Your Name

    **Donald R. Tapia College of Business, Saint Leo University**
    Course Number and Name, e.g. DBA701: Doctoral Success Lab

    Your Professor’s Name, e.g. Professor Waddell

    Assignment Due Date, e.g. January 21, 2020

    **Graduate Studies in Business Academic Honesty Statement**

    My signature entered below constitutes my pledge that all the writing in this document is my own work, except for those portions which are properly documented and cited. I understand and accept the following definition of plagiarism:

    1. Plagiarism includes the literal repetition without acknowledgment of the writings of another author. All significant phrases, clauses, or passages in this paper which have been taken directly from source material have been enclosed in quotation marks and acknowledged in the text itself as well as on the Reference page.

    2. Plagiarism includes borrowing another’s ideas and representing them as my own.

    3. To paraphrase the thoughts of another writer without acknowledgement is plagiarism.

    4. Plagiarism also includes inadequate paraphrasing. Paraphrased passages (those put into my own words) have been properly acknowledged in the text and in the references.

    5. Plagiarism includes using another person or organization to prepare this paper and then submitting it as my own work.

    6. Plagiarism includes resubmitting my own previous work, in whole, or in part for a current assignment without the written consent of the current instructor.

    **Saint Leo University’s core value of integrity** requires that students pledge to be honest, just, and consistent in word and deed. I fully understand what plagiarism is, and I further understand that if plagiarism is detected in my paper, my professor will follow the procedures for academic dishonesty set forth by Saint Leo University, the Donald R. Tapia College of Business and the Graduate Student Handbook.

    **Student Signature: [Type Full Name Here]**

    **Abstract [Centered, Bold]**

    Start the abstract flush with the left margin; do not indent. According to the
    _Publication Manual of the American Psychological Association_(APA), “An abstract is a brief, comprehensive summary of the contents of the paper” (APA, 2020, p. 38). It allows readers to survey the contents of an article quickly and, like a title, it enables persons interested in the document to retrieve it from abstracting and indexing databases. The first line of the abstract is not indented. An abstract may range from 150 to 250 words (APA, 2020). Because an abstract is not always required for student papers, adhere to your instructor’s requirements.

    _Keywords:_ Follow the abstract with a selection of keywords that describe the important ideas or subjects in your paper. These help online readers search for your paper in a database.

    The keyword list should have its first line indented 0.5 inches. keywords are written in lowercase (except for proper nouns) and separated by commas. Do not place a period at the end of the list.

    ****Title of Your Paper [Centered, Bold]****
    Begin your paper on the next double-spaced line after the title, and indent all paragraphs 1/2 inch. In the updated manual on p. 154, writers are asked to include only
    **one space** between sentences rather than two spaces. When writing in APA style, you have two choices for in-text citations: narrative citations or parenthetical citations. According to a fictitious book by Harding and Jiménez (2020), a narrative citation occurs when you include “authors’ names as part of your sentence” (p. 24). Furthermore, Harding and Jiménez (2020) explain that you only need to provide a page number at the end of a narrative citation when directly quoting from the source. If the authors’ names do not appear in your sentence, you will use a “parenthetical citation” (Harding & Jiménez, 2020, p. 24). Similar to the above example, you only need to include a page number when quoting the authors’ original words (Harding & Jiménez, 2020). The APA manual summarizes these rules and related concepts on pp. 261-264.

    **All Headings Are Bold and Written in Title Case (Level 1, Bold, Centered)**

    You can read more about formatting section headings in the APA manual on pp. 47-49. Not included in this template is a level 5 heading, which is virtually identical to a level 4 heading, except it is italicized. According to the APA (2020), “The number of levels of heading needed for a paper depends on its length and complexity; three is average. … [S]hort student papers may not require any headings” (p. 48).

    **New Rules for Citations (Level 2, Bold, Left Justified)**

    **_First Rule_(Level 3, Flush Left, Italicized, Bold, No Punctuation)**

    Begin indented paragraph on the next line.
    A couple of important new rules concerning in-text citations appear in the APA manual. The first pertains to citing works by three or more authors. Instead of writing each author’s name in the first citation, then utilizing the abbreviation “et al.” for all subsequent citations, the APA advises writers to use the “et al.” abbreviation for
    _every_ in-text citation for works by three or more authors. For example, my first in-text citation for a work by three authors would look like this (Harris et al., 2020). This new guideline reduces the amount of clutter created by listing each author’s name. You can read more about the use of “et al.” on p. 266 of the APA manual.

    **_Second Rule_**

    The other significant change to in-text citation formatting has to do with repeating narrative citations. For example, if I am writing a paragraph focused specifically on the work of Brown (2016), I would need to provide the year in parenthesis only after the
    _first_ reference to Brown. As you can see, I could write more about the groundbreaking work of Brown without cluttering my paragraph with multiple in-text citations containing the year. However, if I am referencing more than one work by Brown, I must provide a complete in-text citation after
    _each_ reference to Brown. That way, my reader won’t be confused. I would also need to provide the year in any parenthetical citation referencing the author (Brown, 2016). This new rule is described on pp. 265-266 in the APA manual.

    **Similar Rule. (Level 4, Indented, Plain Text, Begins Paragraph, Punctuated)** In a similar vein, if I am writing a long paraphrase of a single work, I need to provide only one in-text citation at the beginning of the paragraph as long as “the context of the writing makes it clear that the same work continues to be paraphrased” (APA, 2020, p. 269). In other words, I could continue to write more about how the manual provides a helpful figure of this rule on p. 270. I would not need to provide a citation when telling you that if the paraphrase is long enough to warrant the creation of a new paragraph, you will need to provide an in-text citation at the top of the new paragraph. As you can see, I am still discussing the APA manual in a specific context, so I am not required to cite the manual again in this paragraph unless I introduce information from a new source. Even so, if you think your professor or reader might question where you found a certain piece of information, it won’t hurt to provide an extra citation or two.

    **Punctuating In-Text Citations**

    So far, you might have noticed that parenthetical citations typically appear
    _before_ the sentence’s end punctuation, because the parenthetical citation is just another element belonging to the sentence. However, there is one specific instance when the parenthetical citation comes
    _after_ the end punctuation. In the case of block quotations (a quotation of 40 words or more), you will introduce the quotation and demarcate it using special indentation:

    Pretend that this is the beginning of the block quotation. First, notice that this long quotation is not surrounded by marks. It is the
    _only_ time in your paper where you will quote something without using quotation marks. Next, the quotation is indented 1/2 inch from the left, and it’s left-justified, meaning that the quote’s left margin forms a straight line up and down. Last but not least, you will provide the parenthetical citation
    _after_ the end punctuation (and because it’s a direct quotation, you will include the page number). Use block quotes sparingly. (Harding, 2020, p. 49)

    If the original paragraph continues after the quotation, begin on the next double-spaced line, making sure that the line is flush left. If you want to begin a new paragraph after the block quotation, you will indent the new paragraph 1/2 inch from the left margin. Finally, if you include a narrative citation when introducing the block quote (i.e. “According to Harding (2020) …”), only include the page number in the parenthetical citation after the block quote. You can read more about these rules on pp. 272-273 of the APA manual.]

    **References [Centered, Bold]**

    Surname, A. A., & Surname B. B. (Year). Reference entry titles are written in sentence case: Sentence case titles for articles and shorter works are plain text and capitalized as if you were writing a sentence.
    _Publication Name_,
    _234_(2), 40-190.
    [https://doi.org/12.029303](https://doi.org/12.029303) (Example of journal article with DOI. DOI should be formatted as an active hyperlink)

    Surname, C. C. (Year).
    _This is the title of a book about China and India: Notice that book titles and titles of longer works are italicized_. Publisher Name. (Example of book and e-book. Writers are no longer required to identify e-book platform (e.g. “Kindle”) or database (e.g. “EBSCO”). For e-books, provide a DOI or URL if one is available. Read more on p. 321 of the manual.)

    REMOVE ALL YELLOW HIGHLIGHTS IF YOU USE THIS DOCUMENT AS A WORKABLE TEMPLATE!

    | | | |
    | — | — | — |
    | | | |

    **StrategicReviewofNestlsHRPracticesandGlobalAlignmentppR1.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/strategicreviewofnestlshrpracticesandglobalalignmentppr1-pptx)

    **## PowerPointStructurefromCapstoneProject.pdf**

    PowerPoint Structure for Capstone Project

    1. Title Slide

    • Project title

    • Student name

    • Date

    • Course or program title

    • Optional: image or relevant graphic

    2. Introduction / Background

    • What problem or topic is the project addressing?

    • Why is it important?

    • Brief background or context

    • Include a statistic or quote for impact

    3. Purpose or Objective

    • What was the goal of the project?

    • Research questions or objectives

    • Optional: hypothesis (if applicable)

    4. Literature Review / Theoretical Framework

    • Summarize 2–3 key findings from existing research

    • Mention key authors or theories that informed the project

    • Include citations (briefly)

    o You can create a separate slide for each finding

    5. Methodology

    • What method was used (qualitative, quantitative, mixed)?

    • Data collection tools (surveys, interviews, case studies, etc.)

    • Participants/sample and setting (if applicable)

    • Explain why the method was appropriate

    6. Findings / Results

    • Use bullet points or a chart to show results

    • Summarize main themes, patterns, or outcomes

    • Include visual aids: graphs, charts, tables

    7. Analysis / Interpretation

    • What do the findings mean?

    • How do they connect to the research question?

    • Tie into previous literature or frameworks

    8. Conclusion

    • Summarize key insights

    • What did the student learn?

    • Restate significance of the project

    9. Recommendations

    • What actions should be taken?

    • How can this research be applied in real life?

    • Next steps for future research

    10. Personal Reflection (Optional)

    • Challenges faced

    • Growth or skills developed

    • Takeaways from the experience

    o Personal reflection would be in the final conclusion if you choose to share it.

    11. References

    • Include only the key resources used in the presentation

    • Use APA format as required

    Design Tips

    • Use consistent fonts and colors

    • Include images, icons, or graphics that match the theme

    • Avoid clutter – limit text to key points

    o Which space on page is good

    • Use animations sparingly

    Presentation Tips

    • Create audio for each slide

    • Practice summarizing content for slides. (about 1-2 minutes per slide, depending upon

    layout)

    • Look at the screen while speaking

    • Time limit: aim for 10–15 minutes max

    – PowerPoint Structure for Capstone Project

    – 1. Title Slide
    – 2. Introduction / Background
    – 3. Purpose or Objective
    – 4. Literature Review / Theoretical Framework
    – 5. Methodology
    – 6. Findings / Results
    – 7. Analysis / Interpretation
    – 8. Conclusion
    – 9. Recommendations
    – 10. Personal Reflection (Optional)
    – 11. References

    – Design Tips
    – Presentation Tips

    **## APA_RequiredCoverPage_and_Template_7thed.docx**

    SHORTENED TITLE IN ALL CAPITALS 1

    SHORTENED TITLE IN ALL CAPITALS 1

    **Your Paper’s Title: Title Is Centered and Bold, Three or Four Lines Down**

    LEAVE A BLANK SPACE

    ## Your Name

    **Donald R. Tapia College of Business, Saint Leo University**
    Course Number and Name, e.g. DBA701: Doctoral Success Lab

    Your Professor’s Name, e.g. Professor Waddell

    Assignment Due Date, e.g. January 21, 2020

    **Graduate Studies in Business Academic Honesty Statement**

    My signature entered below constitutes my pledge that all the writing in this document is my own work, except for those portions which are properly documented and cited. I understand and accept the following definition of plagiarism:

    1. Plagiarism includes the literal repetition without acknowledgment of the writings of another author. All significant phrases, clauses, or passages in this paper which have been taken directly from source material have been enclosed in quotation marks and acknowledged in the text itself as well as on the Reference page.

    2. Plagiarism includes borrowing another’s ideas and representing them as my own.

    3. To paraphrase the thoughts of another writer without acknowledgement is plagiarism.

    4. Plagiarism also includes inadequate paraphrasing. Paraphrased passages (those put into my own words) have been properly acknowledged in the text and in the references.

    5. Plagiarism includes using another person or organization to prepare this paper and then submitting it as my own work.

    6. Plagiarism includes resubmitting my own previous work, in whole, or in part for a current assignment without the written consent of the current instructor.

    **Saint Leo University’s core value of integrity** requires that students pledge to be honest, just, and consistent in word and deed. I fully understand what plagiarism is, and I further understand that if plagiarism is detected in my paper, my professor will follow the procedures for academic dishonesty set forth by Saint Leo University, the Donald R. Tapia College of Business and the Graduate Student Handbook.

    **Student Signature: [Type Full Name Here]**

    **Abstract [Centered, Bold]**

    Start the abstract flush with the left margin; do not indent. According to the
    _Publication Manual of the American Psychological Association_(APA), “An abstract is a brief, comprehensive summary of the contents of the paper” (APA, 2020, p. 38). It allows readers to survey the contents of an article quickly and, like a title, it enables persons interested in the document to retrieve it from abstracting and indexing databases. The first line of the abstract is not indented. An abstract may range from 150 to 250 words (APA, 2020). Because an abstract is not always required for student papers, adhere to your instructor’s requirements.

    _Keywords:_ Follow the abstract with a selection of keywords that describe the important ideas or subjects in your paper. These help online readers search for your paper in a database.

    The keyword list should have its first line indented 0.5 inches. keywords are written in lowercase (except for proper nouns) and separated by commas. Do not place a period at the end of the list.

    ****Title of Your Paper [Centered, Bold]****
    Begin your paper on the next double-spaced line after the title, and indent all paragraphs 1/2 inch. In the updated manual on p. 154, writers are asked to include only
    **one space** between sentences rather than two spaces. When writing in APA style, you have two choices for in-text citations: narrative citations or parenthetical citations. According to a fictitious book by Harding and Jiménez (2020), a narrative citation occurs when you include “authors’ names as part of your sentence” (p. 24). Furthermore, Harding and Jiménez (2020) explain that you only need to provide a page number at the end of a narrative citation when directly quoting from the source. If the authors’ names do not appear in your sentence, you will use a “parenthetical citation” (Harding & Jiménez, 2020, p. 24). Similar to the above example, you only need to include a page number when quoting the authors’ original words (Harding & Jiménez, 2020). The APA manual summarizes these rules and related concepts on pp. 261-264.

    **All Headings Are Bold and Written in Title Case (Level 1, Bold, Centered)**

    You can read more about formatting section headings in the APA manual on pp. 47-49. Not included in this template is a level 5 heading, which is virtually identical to a level 4 heading, except it is italicized. According to the APA (2020), “The number of levels of heading needed for a paper depends on its length and complexity; three is average. … [S]hort student papers may not require any headings” (p. 48).

    **New Rules for Citations (Level 2, Bold, Left Justified)**

    **_First Rule_(Level 3, Flush Left, Italicized, Bold, No Punctuation)**

    Begin indented paragraph on the next line.
    A couple of important new rules concerning in-text citations appear in the APA manual. The first pertains to citing works by three or more authors. Instead of writing each author’s name in the first citation, then utilizing the abbreviation “et al.” for all subsequent citations, the APA advises writers to use the “et al.” abbreviation for
    _every_ in-text citation for works by three or more authors. For example, my first in-text citation for a work by three authors would look like this (Harris et al., 2020). This new guideline reduces the amount of clutter created by listing each author’s name. You can read more about the use of “et al.” on p. 266 of the APA manual.

    **_Second Rule_**

    The other significant change to in-text citation formatting has to do with repeating narrative citations. For example, if I am writing a paragraph focused specifically on the work of Brown (2016), I would need to provide the year in parenthesis only after the
    _first_ reference to Brown. As you can see, I could write more about the groundbreaking work of Brown without cluttering my paragraph with multiple in-text citations containing the year. However, if I am referencing more than one work by Brown, I must provide a complete in-text citation after
    _each_ reference to Brown. That way, my reader won’t be confused. I would also need to provide the year in any parenthetical citation referencing the author (Brown, 2016). This new rule is described on pp. 265-266 in the APA manual.

    **Similar Rule. (Level 4, Indented, Plain Text, Begins Paragraph, Punctuated)** In a similar vein, if I am writing a long paraphrase of a single work, I need to provide only one in-text citation at the beginning of the paragraph as long as “the context of the writing makes it clear that the same work continues to be paraphrased” (APA, 2020, p. 269). In other words, I could continue to write more about how the manual provides a helpful figure of this rule on p. 270. I would not need to provide a citation when telling you that if the paraphrase is long enough to warrant the creation of a new paragraph, you will need to provide an in-text citation at the top of the new paragraph. As you can see, I am still discussing the APA manual in a specific context, so I am not required to cite the manual again in this paragraph unless I introduce information from a new source. Even so, if you think your professor or reader might question where you found a certain piece of information, it won’t hurt to provide an extra citation or two.

    **Punctuating In-Text Citations**

    So far, you might have noticed that parenthetical citations typically appear
    _before_ the sentence’s end punctuation, because the parenthetical citation is just another element belonging to the sentence. However, there is one specific instance when the parenthetical citation comes
    _after_ the end punctuation. In the case of block quotations (a quotation of 40 words or more), you will introduce the quotation and demarcate it using special indentation:

    Pretend that this is the beginning of the block quotation. First, notice that this long quotation is not surrounded by marks. It is the
    _only_ time in your paper where you will quote something without using quotation marks. Next, the quotation is indented 1/2 inch from the left, and it’s left-justified, meaning that the quote’s left margin forms a straight line up and down. Last but not least, you will provide the parenthetical citation
    _after_ the end punctuation (and because it’s a direct quotation, you will include the page number). Use block quotes sparingly. (Harding, 2020, p. 49)

    If the original paragraph continues after the quotation, begin on the next double-spaced line, making sure that the line is flush left. If you want to begin a new paragraph after the block quotation, you will indent the new paragraph 1/2 inch from the left margin. Finally, if you include a narrative citation when introducing the block quote (i.e. “According to Harding (2020) …”), only include the page number in the parenthetical citation after the block quote. You can read more about these rules on pp. 272-273 of the APA manual.]

    **References [Centered, Bold]**

    Surname, A. A., & Surname B. B. (Year). Reference entry titles are written in sentence case: Sentence case titles for articles and shorter works are plain text and capitalized as if you were writing a sentence.
    _Publication Name_,
    _234_(2), 40-190.
    [https://doi.org/12.029303](https://doi.org/12.029303) (Example of journal article with DOI. DOI should be formatted as an active hyperlink)

    Surname, C. C. (Year).
    _This is the title of a book about China and India: Notice that book titles and titles of longer works are italicized_. Publisher Name. (Example of book and e-book. Writers are no longer required to identify e-book platform (e.g. “Kindle”) or database (e.g. “EBSCO”). For e-books, provide a DOI or URL if one is available. Read more on p. 321 of the manual.)

    REMOVE ALL YELLOW HIGHLIGHTS IF YOU USE THIS DOCUMENT AS A WORKABLE TEMPLATE!

    | | | |
    | — | — | — |
    | | | |

    **StrategicReviewofNestlsHRPracticesandGlobalAlignmentppR1.pptx**

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  • [Solved] data management policies

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  • [Solved] Planning & Instruction | Unit Preparation

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    Need help with this assignment – a year ago **files (1)** – ## CopyofEarlyChildhoodPIN7_Postwork.pdf **## CopyofEarlyChildhoodPIN7_Postwork.pdf** Teach! Coursework Unit Preparation | Postwork: Early Childhood Directions: This postwork includes two submissions. 1. Complete both the Mid-Module and…

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    **files (1)**

    – ## CopyofEarlyChildhoodPIN7_Postwork.pdf

    **## CopyofEarlyChildhoodPIN7_Postwork.pdf**

    Teach! Coursework

    Unit Preparation | Postwork: Early Childhood

    Directions: This postwork includes two submissions.

    1. Complete both the Mid-Module and End-of-Module Assessments in a thorough and detailed manner,
    showing the thinking or steps students should take. Save these as a single PDF document and submit
    them in Submission #1.

    2. Complete the Unit Preparation Protocol in this document. When you are finished, download the
    document as a PDF and submit it in Submission #2.

    Unit Context

    Module Overview EngageNY – Kindergarten – Module 4 – Module Overview

    Module Assessments EngageNY – Kindergarten – Module 4 – Mid-Module Assessment

    EngageNY – Kindergarten – Module 4 – End-of-Module Assessment

    Unit Preparation | Postwork: Early Childhood
    1

    [https://drive.google.com/file/d/1nUoi4DQhcaulAg3sh98APoZez3oFKbFP/view?usp=drive_link](https://drive.google.com/file/d/1nUoi4DQhcaulAg3sh98APoZez3oFKbFP/view?usp=drive_link)

    [https://drive.google.com/file/d/10XWmNj749U99-14Lg3Gt-LxlmjIZ1g5i/view?usp=drive_link](https://drive.google.com/file/d/10XWmNj749U99-14Lg3Gt-LxlmjIZ1g5i/view?usp=drive_link)

    [https://drive.google.com/file/d/1BWtVRiXcax2NMbM8D0ntVVSLlBFOJpDo/view?usp=drive_link](https://drive.google.com/file/d/1BWtVRiXcax2NMbM8D0ntVVSLlBFOJpDo/view?usp=drive_link)

    Teach! Coursework

    Unit Title: Kindergarten – Module 4: Number Pairs, Addition & Subtraction to 10

    What knowledge will students be gaining?

    Read: Carefully read the entire unit overview, paying special attention to what new knowledge students will build in
    this unit, how this builds on prior learning, and how it sets them up for future learning.

    Reflect and Connect

    In a sentence, what will students learn in
    this unit?

    What standards is this unit building toward?

    How will what students learn in this unit
    move them closer to mastery of these
    standards?

    How will this unit build on learning from
    previous units or grades?

    How will this unit set students up for future
    units?

    Unit Preparation | Postwork: Early Childhood
    2

    Teach! Coursework

    How will students demonstrate their learning in this unit?

    Familiarize: Do the unit assessment from the point of view of a student. Make sure to use the representations/models,
    strategies, and procedures found in the unit overview when you solve the problems. Compare your answers and
    approach to the exemplar responses.

    Analyze: Consider the representations/models, problem types, and strategies/procedures called for in the unit
    overview. Reflect on what you had to know and do in order to complete the unit assessment. What are the 1-3 most
    important things students have to know and be able to do to successfully complete the unit assessment?

    Know / Do Why is this important?

    Unit Preparation | Postwork: Early Childhood
    3

    Teach! Coursework

    How will daily experiences build students’ understanding and skill?

    Familiarize: Reread text in the unit overview that explains how the unit content is sequenced and why it’s sequenced
    in this way. Revisit the overview of topics and learning objectives.

    Analyze
    How does the sequence of learning in the unit scaffold students toward mastering the knowledge and

    skills called for in the unit assessment?

    Unit Preparation | Postwork: Early Childhood
    4

    **## CopyofEarlyChildhoodPIN7_Postwork.pdf**

    Teach! Coursework

    Unit Preparation | Postwork: Early Childhood

    Directions: This postwork includes two submissions.

    1. Complete both the Mid-Module and End-of-Module Assessments in a thorough and detailed manner,
    showing the thinking or steps students should take. Save these as a single PDF document and submit
    them in Submission #1.

    2. Complete the Unit Preparation Protocol in this document. When you are finished, download the
    document as a PDF and submit it in Submission #2.

    Unit Context

    Module Overview EngageNY – Kindergarten – Module 4 – Module Overview

    Module Assessments EngageNY – Kindergarten – Module 4 – Mid-Module Assessment

    EngageNY – Kindergarten – Module 4 – End-of-Module Assessment

    Unit Preparation | Postwork: Early Childhood
    1

    [https://drive.google.com/file/d/1nUoi4DQhcaulAg3sh98APoZez3oFKbFP/view?usp=drive_link](https://drive.google.com/file/d/1nUoi4DQhcaulAg3sh98APoZez3oFKbFP/view?usp=drive_link)

    [https://drive.google.com/file/d/10XWmNj749U99-14Lg3Gt-LxlmjIZ1g5i/view?usp=drive_link](https://drive.google.com/file/d/10XWmNj749U99-14Lg3Gt-LxlmjIZ1g5i/view?usp=drive_link)

    [https://drive.google.com/file/d/1BWtVRiXcax2NMbM8D0ntVVSLlBFOJpDo/view?usp=drive_link](https://drive.google.com/file/d/1BWtVRiXcax2NMbM8D0ntVVSLlBFOJpDo/view?usp=drive_link)

    Teach! Coursework

    Unit Title: Kindergarten – Module 4: Number Pairs, Addition & Subtraction to 10

    What knowledge will students be gaining?

    Read: Carefully read the entire unit overview, paying special attention to what new knowledge students will build in
    this unit, how this builds on prior learning, and how it sets them up for future learning.

    Reflect and Connect

    In a sentence, what will students learn in
    this unit?

    What standards is this unit building toward?

    How will what students learn in this unit
    move them closer to mastery of these
    standards?

    How will this unit build on learning from
    previous units or grades?

    How will this unit set students up for future
    units?

    Unit Preparation | Postwork: Early Childhood
    2

    Teach! Coursework

    How will students demonstrate their learning in this unit?

    Familiarize: Do the unit assessment from the point of view of a student. Make sure to use the representations/models,
    strategies, and procedures found in the unit overview when you solve the problems. Compare your answers and
    approach to the exemplar responses.

    Analyze: Consider the representations/models, problem types, and strategies/procedures called for in the unit
    overview. Reflect on what you had to know and do in order to complete the unit assessment. What are the 1-3 most
    important things students have to know and be able to do to successfully complete the unit assessment?

    Know / Do Why is this important?

    Unit Preparation | Postwork: Early Childhood
    3

    Teach! Coursework

    How will daily experiences build students’ understanding and skill?

    Familiarize: Reread text in the unit overview that explains how the unit content is sequenced and why it’s sequenced
    in this way. Revisit the overview of topics and learning objectives.

    Analyze
    How does the sequence of learning in the unit scaffold students toward mastering the knowledge and

    skills called for in the unit assessment?

    Unit Preparation | Postwork: Early Childhood
    4

  • [Solved] Planning & Instruction | Lesson Internalization: Unpacking & Annotating a Lesson

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  • [Solved] Planning & Instruction | Lesson Internalization: Supporting Student Learning

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  • [Solved] Planning & Instruction | Lesson Internalization: Defining Student Success

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  • [Solved] Nursing English Homework

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    – a year ago **files (2)** – ## Self-Reflectivepaper-hematology.docx – Hematologyygjg1.pptx **## Self-Reflectivepaper-hematology.docx** I need a 2-page single line self-reflective development paper for my pathophysiology class, focusing on hematology. In a Word document as APA format. I chose hemato…

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    – a year ago

    **files (2)**

    – ## Self-Reflectivepaper-hematology.docx

    – Hematologyygjg1.pptx

    **## Self-Reflectivepaper-hematology.docx**

    I need a 2-page single line self-reflective development paper for my pathophysiology class, focusing on hematology. In a Word document as APA format. I chose hematology because it was the hardest lecture for me to learn and fully understand. The paper should include the key terms from the PowerPoint presentation (attached separately) and should serve almost as a summary of what I learned from this material. It must also be self-reflective, highlighting the challenges I faced while learning this topic and the efforts I made after the exam to reinforce my understanding like dedicating more hours and reading the book.

    **Hematologyygjg1.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/hematologyygjg1-pptx)

    **Hematologyygjg1.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/hematologyygjg1-pptx)

    **## Self-Reflectivepaper-hematology.docx**

    I need a 2-page single line self-reflective development paper for my pathophysiology class, focusing on hematology. In a Word document as APA format. I chose hematology because it was the hardest lecture for me to learn and fully understand. The paper should include the key terms from the PowerPoint presentation (attached separately) and should serve almost as a summary of what I learned from this material. It must also be self-reflective, highlighting the challenges I faced while learning this topic and the efforts I made after the exam to reinforce my understanding like dedicating more hours and reading the book.

    **Hematologyygjg1.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/hematologyygjg1-pptx)

    **## Self-Reflectivepaper-hematology.docx**

    I need a 2-page single line self-reflective development paper for my pathophysiology class, focusing on hematology. In a Word document as APA format. I chose hematology because it was the hardest lecture for me to learn and fully understand. The paper should include the key terms from the PowerPoint presentation (attached separately) and should serve almost as a summary of what I learned from this material. It must also be self-reflective, highlighting the challenges I faced while learning this topic and the efforts I made after the exam to reinforce my understanding like dedicating more hours and reading the book.

    **Hematologyygjg1.pptx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/hematologyygjg1-pptx)

  • [Solved] Needed in 2 hours!! Make into power point

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    INPUT THIS INFORMATION INTO POWER POINT PRESENTATION – a year ago **files (2)** – ## OVWInstituteProposalDraft.docx – OVWInstituteProposalDraft.docx **## OVWInstituteProposalDraft.docx** | | | — | | | | | — | | | | | — | | | | | — | | | | | — | | _This year’s theme,_<br>_**“We Got You! Str…

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    INPUT THIS INFORMATION INTO POWER POINT PRESENTATION

    – a year ago

    **files (2)**

    – ## OVWInstituteProposalDraft.docx

    – OVWInstituteProposalDraft.docx

    **## OVWInstituteProposalDraft.docx**

    | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | _This year’s theme,_<br>_**“We Got You! Strengthening Safety for Survivors,”** highlights the power of community-driven solutions in sustaining culturally specific programs. We invite proposals that reflect lived expertise, honor cultural traditions, and offer practical tools for long-term impact. The Institute uplifts grantees as experts and provides a platform to showcase their leadership_ | | | | |

    **_RFP link_**

    [**_h_** ttps://na2.documents.adobe.com/public/esignWidget?wid=CBFCIBAA3AAABLblqZhANVU7IBs3OlSW5ElkJ5rD71d-f0Rf8li9CBKxn2riN6rtrmxYi6xb5pPthCQUp190*](https://na2.documents.adobe.com/public/esignWidget?wid=CBFCIBAA3AAABLblqZhANVU7IBs3OlSW5ElkJ5rD71d-f0Rf8li9CBKxn2riN6rtrmxYi6xb5pPthCQUp190*)

    **_Title:_**

    Healing in Action through Non-traditional Approaches: Artesanando, an Economic Justice Model for Survivors.

    **_Abstract_**

    We recognized the gaps in the culturally specific services that are available for Latinx survivors and developed an economic justice model that is directly informed by our client base. Our clients must work outside the formal economy to earn income for their families and our Artesanando project supports the development of businesses selling homemade foods and handicrafts. This initiative empowers by integrating cultural traditions, economic justice, and communal support. Through art, entrepreneurship, and mentorship, our initiative fosters healing and financial independence, demonstrating the power of solidarity economies in building long-term safety and resilience.

    **_Outcomes_**

    Workshop participants will leave the session inspired and equipped with ideas for culturally responsive programming that address community needs, using the tenets of the solidarity economy as liberatory alternatives to conventional systems for economic stability.

    We will examine applied principles from the solidarity economy which we use in the program: equity, pay scales, cooperative collectives, time banking, mutuality, group learning, and self-employment.

    We will explore the challenges to build businesses to scale, explore the barriers to stability for immigrant survivors, and highlight the positive impact our programing has on our clients’ lives, physically, spiritually and emotionally.

    **_Description of Artesanando Project_**

    The Economic Justice Program works with survivors of domestic and sexual abuse and other gender-based violence. Often, the models developed by mainstream domestic violence and other service organizations do not adequately address the unique needs of the Latinx immigrant community. At EJP, we strive to support the most marginalized Latinx survivors who cannot access mainstream services due to status, language proficiency, and educational level. VIP recognizes the gaps in the culturally specific services that are available for survivors, and effectively combined culture, values and theory into a comprehensive program appropriate for Latinx community members.

    We have developed an economic justice model that is directly informed by our client base. Survivors with mixed status are forced to look for ways outside the formal economy to earn income for their families. One of our primary initiatives is around business development and entrepreneurship with the program ArteSanando. Many of the survivors we work with are in the process of developing a business by selling homemade food and handcrafted items.

    This includes the following outcomes:

    **Phase 1: Reflection:** Creates intentional spaces to raise consciousness about the intersectionality of poverty, immigration and their impact on finances for survivors.

    **Phase 2. Empowered Learning:** Provides basic information about finances and financial management.

    **Phase 3. Exploring Basic Entrepreneurship and Technical Skills:** This includes business development coaching, including marketing, administration, online and handcrafting skills.

    **Phase 4. Community and Social Action:** Connecting services and products with the community where both the seller and the buyer are involved in building foundations of a solidarity economy.

    **Phase 5. Mentorship:** Survivors are connected to incoming members of the following cohort to mentor them during the business development process, sharing tips and supporting other survivors in their healing process.

    Our goal is to build vendor capacity for scale and increased clientele. This spring we will invite the Artesanando cohort to participate in a Pop-up Market to present their inventory and feed the community with their specialties. Others will continue onto be featured at VIP’s 40th anniversary benefit as sellers, caterers, and designers.

    **_Review other ways of supporting survivors via Solidarity Economy Model for Collective Impact: https://prezi.com/view/1RxaKucAjaU5MnfQDybC/_**

    -uplifts culture, art,language, and artisan talent

    -builds community support, power, and equity

    -clips of clients speaking

    -breakout rooms on ways to apply solidarity economy to own lives/work

    -challenges

    -impact

    NE
    ![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)**Title Slide**

    **Artesanando: Crafting Safety, Healing, and Economic Justice for Survivors** _Healing in Action through Non-traditional Approaches_
    Presented by: Michelle PM and Isleidy EJA from VIP
    OVW Grantee Institute | 2025 Theme: “We Got You! Strengthening Safety for Survivors”

    The Problem Addressed

    · Economic dependence is one of the main reasons survivors remain in abusive relationships. For immigrant women, this is intensified by factors like language barriers, work authorization status, discrimination, and systemic marginalization.

    · Our work addresses this by asking: How can economic empowerment initiatives also be a space for safety, healing, and consciousness?

    · Our framework is grounded in the idea that safety isn’t just about escaping harm—it’s also about building the conditions for healing, creative resourcefulness, and economic autonomy.

    · Economic Abuse & Barriers:
    For immigrant survivors, even when they escape the abuse, barriers to stability remain. These include legal vulnerabilities, lack of access to formal employment, limited social networks, and lack of culturally and linguistically responsive services.

    · We saw the need to create a model that didn’t just meet survivors where they were—but honored and leveraged their existing skills and cultural strengths.

    What is Artesanando?

    Artesanando means literally “making by hand” and “healing.” But it is also a metaphor for the process of reweaving lives after violence.
    It’s a project that emerged from a survivor-led process to create sustainable economic opportunities rooted in food, textiles, and other cultural practices: a co-created economic justice initiative where survivors lead, own, and benefit from the work.

    · Latinx immigrant survivors often navigate limited economic options due to immigration status, informal labor, and systemic barriers.

    · Many are excluded from traditional services and employment.

    · Artesanando arose from community listening and the recognition that healing and safety must include economic justice.

    · Our project uses cultural entrepreneurship, peer mentorship, and mutual aid to foster empowerment and dignity.

    · Artesanando includes several interwoven components:

    · Skill-building workshops in cooking, baking, sewing, and other traditional arts

    · Popular education on economic rights, cooperative structures, pricing, and marketing.

    · Business incubator support for launching and sustaining microenterprises.

    · Healing circles that center the trauma and resilience of survivors. *

    · Trainings in marketing, pricing, production, presentation, and storytelling

    · Political education around labor rights, gender justice, and economic systems

    · Partnerships with community orgs, social enterprise incubators, and mutual aid collectives

    These components complement and build on each other to create a holistic safety net.

    Program Design: Building a Mutual Aid Model (process by which programming was born and has evolved)

    1. Assess Needs & Build Trust

    a. Confidential conversations, cultural sensitivity, language access.

    b. Community-led needs assessments and surveys.

    2. Form a Cohort

    a. Survivors, cultural workers, and advocates.

    b. Clearly defined, collaborative roles.

    3. Establish Key Principles

    a. Safety, confidentiality, non-hierarchy, and mutual empowerment.

    b. Teaching new possibilities with solidarity economy models for community building

    4. Ongoing Evaluation Practices:

    a. Surveys

    Our Approach to Economic Justice

    Ways to integrate Solidarity Economy practices:

    We use trauma-informed, culturally relevant approaches. We ensure that all classes, from business workshops to craft trainings, integrates healing and mutual support.
    We center the expertise of survivors, not just as participants, but as leaders and facilitators in the program.

    · Cooperatives: Shared decision-making, collective ownership.

    · Mutual Aid: Emergency support funds, in-kind donations, resource sharing.

    · Skill-building & Microenterprise: Empowering through self-employment.

    · Cultural Production: Handcrafts and food rooted in cultural traditions.

    These aren’t just strategies—they’re values that push back against systems that devalue immigrant labor and culture

    Healing Through Creation

    · Artesanando centers creative practice and collective learning as healing.

    · Workshops on traditional food-making, embroidery, natural skin care, candles, and soap.

    · Group reflection circles accompany craft sessions to rebuild trust and self-worth.

    · Art is therapy, income, and identity—not just a product. We are attempting to uplift their whole self which has had to fracture or hide to exist within harmful systems and interpersonal relationships.

    BREAKOUT – Envisioning Economic Justice 15 mins

    In breakout groups, take 10 minutes to reflect on the following questions:

    1. What does economic justice mean to you and your community?

    2. What barriers do survivors face in accessing economic power in your setting?

    3. What would a survivor-centered economy look like?

    Spend 10 minutes in groups and then 5 minutes sharing back. Feel free to write or draw your answers, and designate someone to share one key insight when we return

    Survivor Leadership at the Core
    A core tenet of our work is survivor leadership. Every decision—whether about products, pricing, or policies—is made with and by survivors.

    · We honor lived experience as a form of expertise. That means we don’t “empower” survivors—they already have power. We just help understand the barriers that keep that power from flourishing.

    · Survivors are artisans, healers, cooks, caregivers, visionaries. Artesanando gives space for those gifts to be seen, valued, and nurtured.

    Entrepreneurship as Liberation

    · We support survivors to develop small, informal businesses:

    · Food stands, pop-up markets, online craft sales, and opportunities with partner organizations across the city. We plan to connect with local shops and restaurants in key areas of the city after mapping resources in these hubs.

    · Use of community, connections, shared tools, mentorship.

    · Focus on low-barrier entry and peer-to-peer learning. Everyone is at differing levels when they join our cohort and can drop in and out as needed to accommodate their lives.

    · Future steps are to co-create fair pay scales and shared investment practices, create a collective website and social media. Will be rolling out later this year ideally.

    · Extend the partnerships to local co-ops nyc solidarity map

    From Crisis to

    Survivors in Artesanando often start with what they already know—traditional recipes, embroidery patterns, herbal remedies passed down through generations.

    We work with survivors to co-create culturally-rooted business ideas, such as:

    · Tamale and pupusa pop-ups

    · Natural bath and body products using traditional herbs

    · Embroidered accessories and home goods

    These aren’t just businesses—they’re spaces to foment cultural memory and identity.

    Practices of Mutual Care

    · Weekly check-ins and peer support groups, as well as ongoing chats for resource sharing and planning

    · Care workshops to discuss financial trauma, boundary-setting, joy practices. Planning a group grounding session led by one of our own who runs temascal sessions (Mexican indigenous practice, opening 4 doors and cleansing energy)- wants to bring that essence to our workshop.

    · Emphasis on healing justice and community accountability- they check in with each other, walk each other home, pass on children’s clothes, support each others’ social media.

    · “Antes me sentía invisible. Ahora, tengo algo que ofrecer. Tengo una comunidad que me ve.”
    “Before, I felt invisible. Now, I have something to offer. I have a community that sees me.”- This is the essence of Artesanando—recognition, belonging, and possibility.

    Evolving With the Community

    · Regular reflection and participant feedback shape program design.

    · We adapt based on emerging needs: some ideas are:

    · The program is never static—it grows with us.

    · Example:

    Solidarity Economy in Practice

    · Integration of alternative economic models

    · Encouraging self-determination, not dependency.

    BREAKOUT – Action Steps 10 mins

    1. What’s one way you could incorporate a solidarity economy approach in your organization or personal life?

    2. What support, relationships, or resources would you need to make that happen?

    3. How can you center survivor leadership in that effort?

    Lessons Learned and Reflections:

    Many iterations of this programming over the years has taught us:

    · Economic empowerment must be rooted in cultural relevance and collective models for sustainability

    · We must validate the tension between urgency for income and the slow process of healing and trust-building

    · That healing and business are not separate—they can be mutually reinforcing with the underlying intentionality to build not extract

    · Survivor-led design is not just ethical—it’s essential.
    We also learned to be flexible, listen deeply, and center relationships over outcomes. Because of their circumstances, it is not uncommon for survivors to pause their entrepreneurial goals to focus on issues with children, DV-related court cases etc..

    Successes We Celebrate (more numbers on impact coming from Adio)

    · 40+ women launched their first microbusinesses since 2023

    · 80% reported greater financial independence, over 90% achieved their goals when joining the program

    · 95% say they feel “part of a community”

    · Survivor quote:
    _“Aquí encontré no solo trabajo, sino mi voz.”_

    · Ongoing ripple effects: children learning from their mothers as they attend workshops/witness their resilience, new leaders emerging.

    · Longevity: Clients either move on with more stability and knowledge or return to deepen their learning and be part of community

    · Others have joined or formed cooperatives to reduce isolation and build shared wealth.
    But beyond numbers, the most powerful outcomes are in the stories: women saying “I feel safe,” “I have somethng that is mine,” or “I’m not alone anymore.”

    What You Can Do Breakout Discussion:

    **Handout

    **Pictures from past market, workshops, opportunities ie. Gala, their products

    **Resources for them to dig deeper

    **ADD slide on economic justice

    **Do we provide a list of workshop topics we provide?

    ## image1.png

    ## image2.png

    ## image3.png

    ## image4.png

    **OVWInstituteProposalDraft.docx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ovwinstituteproposaldraft-docx-10276901)

    **OVWInstituteProposalDraft.docx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ovwinstituteproposaldraft-docx-10276901)

    **## OVWInstituteProposalDraft.docx**

    | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | _This year’s theme,_<br>_**“We Got You! Strengthening Safety for Survivors,”** highlights the power of community-driven solutions in sustaining culturally specific programs. We invite proposals that reflect lived expertise, honor cultural traditions, and offer practical tools for long-term impact. The Institute uplifts grantees as experts and provides a platform to showcase their leadership_ | | | | |

    **_RFP link_**

    [**_h_** ttps://na2.documents.adobe.com/public/esignWidget?wid=CBFCIBAA3AAABLblqZhANVU7IBs3OlSW5ElkJ5rD71d-f0Rf8li9CBKxn2riN6rtrmxYi6xb5pPthCQUp190*](https://na2.documents.adobe.com/public/esignWidget?wid=CBFCIBAA3AAABLblqZhANVU7IBs3OlSW5ElkJ5rD71d-f0Rf8li9CBKxn2riN6rtrmxYi6xb5pPthCQUp190*)

    **_Title:_**

    Healing in Action through Non-traditional Approaches: Artesanando, an Economic Justice Model for Survivors.

    **_Abstract_**

    We recognized the gaps in the culturally specific services that are available for Latinx survivors and developed an economic justice model that is directly informed by our client base. Our clients must work outside the formal economy to earn income for their families and our Artesanando project supports the development of businesses selling homemade foods and handicrafts. This initiative empowers by integrating cultural traditions, economic justice, and communal support. Through art, entrepreneurship, and mentorship, our initiative fosters healing and financial independence, demonstrating the power of solidarity economies in building long-term safety and resilience.

    **_Outcomes_**

    Workshop participants will leave the session inspired and equipped with ideas for culturally responsive programming that address community needs, using the tenets of the solidarity economy as liberatory alternatives to conventional systems for economic stability.

    We will examine applied principles from the solidarity economy which we use in the program: equity, pay scales, cooperative collectives, time banking, mutuality, group learning, and self-employment.

    We will explore the challenges to build businesses to scale, explore the barriers to stability for immigrant survivors, and highlight the positive impact our programing has on our clients’ lives, physically, spiritually and emotionally.

    **_Description of Artesanando Project_**

    The Economic Justice Program works with survivors of domestic and sexual abuse and other gender-based violence. Often, the models developed by mainstream domestic violence and other service organizations do not adequately address the unique needs of the Latinx immigrant community. At EJP, we strive to support the most marginalized Latinx survivors who cannot access mainstream services due to status, language proficiency, and educational level. VIP recognizes the gaps in the culturally specific services that are available for survivors, and effectively combined culture, values and theory into a comprehensive program appropriate for Latinx community members.

    We have developed an economic justice model that is directly informed by our client base. Survivors with mixed status are forced to look for ways outside the formal economy to earn income for their families. One of our primary initiatives is around business development and entrepreneurship with the program ArteSanando. Many of the survivors we work with are in the process of developing a business by selling homemade food and handcrafted items.

    This includes the following outcomes:

    **Phase 1: Reflection:** Creates intentional spaces to raise consciousness about the intersectionality of poverty, immigration and their impact on finances for survivors.

    **Phase 2. Empowered Learning:** Provides basic information about finances and financial management.

    **Phase 3. Exploring Basic Entrepreneurship and Technical Skills:** This includes business development coaching, including marketing, administration, online and handcrafting skills.

    **Phase 4. Community and Social Action:** Connecting services and products with the community where both the seller and the buyer are involved in building foundations of a solidarity economy.

    **Phase 5. Mentorship:** Survivors are connected to incoming members of the following cohort to mentor them during the business development process, sharing tips and supporting other survivors in their healing process.

    Our goal is to build vendor capacity for scale and increased clientele. This spring we will invite the Artesanando cohort to participate in a Pop-up Market to present their inventory and feed the community with their specialties. Others will continue onto be featured at VIP’s 40th anniversary benefit as sellers, caterers, and designers.

    **_Review other ways of supporting survivors via Solidarity Economy Model for Collective Impact: https://prezi.com/view/1RxaKucAjaU5MnfQDybC/_**

    -uplifts culture, art,language, and artisan talent

    -builds community support, power, and equity

    -clips of clients speaking

    -breakout rooms on ways to apply solidarity economy to own lives/work

    -challenges

    -impact

    NE
    ![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)**Title Slide**

    **Artesanando: Crafting Safety, Healing, and Economic Justice for Survivors** _Healing in Action through Non-traditional Approaches_
    Presented by: Michelle PM and Isleidy EJA from VIP
    OVW Grantee Institute | 2025 Theme: “We Got You! Strengthening Safety for Survivors”

    The Problem Addressed

    · Economic dependence is one of the main reasons survivors remain in abusive relationships. For immigrant women, this is intensified by factors like language barriers, work authorization status, discrimination, and systemic marginalization.

    · Our work addresses this by asking: How can economic empowerment initiatives also be a space for safety, healing, and consciousness?

    · Our framework is grounded in the idea that safety isn’t just about escaping harm—it’s also about building the conditions for healing, creative resourcefulness, and economic autonomy.

    · Economic Abuse & Barriers:
    For immigrant survivors, even when they escape the abuse, barriers to stability remain. These include legal vulnerabilities, lack of access to formal employment, limited social networks, and lack of culturally and linguistically responsive services.

    · We saw the need to create a model that didn’t just meet survivors where they were—but honored and leveraged their existing skills and cultural strengths.

    What is Artesanando?

    Artesanando means literally “making by hand” and “healing.” But it is also a metaphor for the process of reweaving lives after violence.
    It’s a project that emerged from a survivor-led process to create sustainable economic opportunities rooted in food, textiles, and other cultural practices: a co-created economic justice initiative where survivors lead, own, and benefit from the work.

    · Latinx immigrant survivors often navigate limited economic options due to immigration status, informal labor, and systemic barriers.

    · Many are excluded from traditional services and employment.

    · Artesanando arose from community listening and the recognition that healing and safety must include economic justice.

    · Our project uses cultural entrepreneurship, peer mentorship, and mutual aid to foster empowerment and dignity.

    · Artesanando includes several interwoven components:

    · Skill-building workshops in cooking, baking, sewing, and other traditional arts

    · Popular education on economic rights, cooperative structures, pricing, and marketing.

    · Business incubator support for launching and sustaining microenterprises.

    · Healing circles that center the trauma and resilience of survivors. *

    · Trainings in marketing, pricing, production, presentation, and storytelling

    · Political education around labor rights, gender justice, and economic systems

    · Partnerships with community orgs, social enterprise incubators, and mutual aid collectives

    These components complement and build on each other to create a holistic safety net.

    Program Design: Building a Mutual Aid Model (process by which programming was born and has evolved)

    1. Assess Needs & Build Trust

    a. Confidential conversations, cultural sensitivity, language access.

    b. Community-led needs assessments and surveys.

    2. Form a Cohort

    a. Survivors, cultural workers, and advocates.

    b. Clearly defined, collaborative roles.

    3. Establish Key Principles

    a. Safety, confidentiality, non-hierarchy, and mutual empowerment.

    b. Teaching new possibilities with solidarity economy models for community building

    4. Ongoing Evaluation Practices:

    a. Surveys

    Our Approach to Economic Justice

    Ways to integrate Solidarity Economy practices:

    We use trauma-informed, culturally relevant approaches. We ensure that all classes, from business workshops to craft trainings, integrates healing and mutual support.
    We center the expertise of survivors, not just as participants, but as leaders and facilitators in the program.

    · Cooperatives: Shared decision-making, collective ownership.

    · Mutual Aid: Emergency support funds, in-kind donations, resource sharing.

    · Skill-building & Microenterprise: Empowering through self-employment.

    · Cultural Production: Handcrafts and food rooted in cultural traditions.

    These aren’t just strategies—they’re values that push back against systems that devalue immigrant labor and culture

    Healing Through Creation

    · Artesanando centers creative practice and collective learning as healing.

    · Workshops on traditional food-making, embroidery, natural skin care, candles, and soap.

    · Group reflection circles accompany craft sessions to rebuild trust and self-worth.

    · Art is therapy, income, and identity—not just a product. We are attempting to uplift their whole self which has had to fracture or hide to exist within harmful systems and interpersonal relationships.

    BREAKOUT – Envisioning Economic Justice 15 mins

    In breakout groups, take 10 minutes to reflect on the following questions:

    1. What does economic justice mean to you and your community?

    2. What barriers do survivors face in accessing economic power in your setting?

    3. What would a survivor-centered economy look like?

    Spend 10 minutes in groups and then 5 minutes sharing back. Feel free to write or draw your answers, and designate someone to share one key insight when we return

    Survivor Leadership at the Core
    A core tenet of our work is survivor leadership. Every decision—whether about products, pricing, or policies—is made with and by survivors.

    · We honor lived experience as a form of expertise. That means we don’t “empower” survivors—they already have power. We just help understand the barriers that keep that power from flourishing.

    · Survivors are artisans, healers, cooks, caregivers, visionaries. Artesanando gives space for those gifts to be seen, valued, and nurtured.

    Entrepreneurship as Liberation

    · We support survivors to develop small, informal businesses:

    · Food stands, pop-up markets, online craft sales, and opportunities with partner organizations across the city. We plan to connect with local shops and restaurants in key areas of the city after mapping resources in these hubs.

    · Use of community, connections, shared tools, mentorship.

    · Focus on low-barrier entry and peer-to-peer learning. Everyone is at differing levels when they join our cohort and can drop in and out as needed to accommodate their lives.

    · Future steps are to co-create fair pay scales and shared investment practices, create a collective website and social media. Will be rolling out later this year ideally.

    · Extend the partnerships to local co-ops nyc solidarity map

    From Crisis to

    Survivors in Artesanando often start with what they already know—traditional recipes, embroidery patterns, herbal remedies passed down through generations.

    We work with survivors to co-create culturally-rooted business ideas, such as:

    · Tamale and pupusa pop-ups

    · Natural bath and body products using traditional herbs

    · Embroidered accessories and home goods

    These aren’t just businesses—they’re spaces to foment cultural memory and identity.

    Practices of Mutual Care

    · Weekly check-ins and peer support groups, as well as ongoing chats for resource sharing and planning

    · Care workshops to discuss financial trauma, boundary-setting, joy practices. Planning a group grounding session led by one of our own who runs temascal sessions (Mexican indigenous practice, opening 4 doors and cleansing energy)- wants to bring that essence to our workshop.

    · Emphasis on healing justice and community accountability- they check in with each other, walk each other home, pass on children’s clothes, support each others’ social media.

    · “Antes me sentía invisible. Ahora, tengo algo que ofrecer. Tengo una comunidad que me ve.”
    “Before, I felt invisible. Now, I have something to offer. I have a community that sees me.”- This is the essence of Artesanando—recognition, belonging, and possibility.

    Evolving With the Community

    · Regular reflection and participant feedback shape program design.

    · We adapt based on emerging needs: some ideas are:

    · The program is never static—it grows with us.

    · Example:

    Solidarity Economy in Practice

    · Integration of alternative economic models

    · Encouraging self-determination, not dependency.

    BREAKOUT – Action Steps 10 mins

    1. What’s one way you could incorporate a solidarity economy approach in your organization or personal life?

    2. What support, relationships, or resources would you need to make that happen?

    3. How can you center survivor leadership in that effort?

    Lessons Learned and Reflections:

    Many iterations of this programming over the years has taught us:

    · Economic empowerment must be rooted in cultural relevance and collective models for sustainability

    · We must validate the tension between urgency for income and the slow process of healing and trust-building

    · That healing and business are not separate—they can be mutually reinforcing with the underlying intentionality to build not extract

    · Survivor-led design is not just ethical—it’s essential.
    We also learned to be flexible, listen deeply, and center relationships over outcomes. Because of their circumstances, it is not uncommon for survivors to pause their entrepreneurial goals to focus on issues with children, DV-related court cases etc..

    Successes We Celebrate (more numbers on impact coming from Adio)

    · 40+ women launched their first microbusinesses since 2023

    · 80% reported greater financial independence, over 90% achieved their goals when joining the program

    · 95% say they feel “part of a community”

    · Survivor quote:
    _“Aquí encontré no solo trabajo, sino mi voz.”_

    · Ongoing ripple effects: children learning from their mothers as they attend workshops/witness their resilience, new leaders emerging.

    · Longevity: Clients either move on with more stability and knowledge or return to deepen their learning and be part of community

    · Others have joined or formed cooperatives to reduce isolation and build shared wealth.
    But beyond numbers, the most powerful outcomes are in the stories: women saying “I feel safe,” “I have somethng that is mine,” or “I’m not alone anymore.”

    What You Can Do Breakout Discussion:

    **Handout

    **Pictures from past market, workshops, opportunities ie. Gala, their products

    **Resources for them to dig deeper

    **ADD slide on economic justice

    **Do we provide a list of workshop topics we provide?

    ## image1.png

    ## image2.png

    ## image3.png

    ## image4.png

    **OVWInstituteProposalDraft.docx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ovwinstituteproposaldraft-docx-10276901)

    **## OVWInstituteProposalDraft.docx**

    | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | | |
    | — |
    | _This year’s theme,_<br>_**“We Got You! Strengthening Safety for Survivors,”** highlights the power of community-driven solutions in sustaining culturally specific programs. We invite proposals that reflect lived expertise, honor cultural traditions, and offer practical tools for long-term impact. The Institute uplifts grantees as experts and provides a platform to showcase their leadership_ | | | | |

    **_RFP link_**

    [**_h_** ttps://na2.documents.adobe.com/public/esignWidget?wid=CBFCIBAA3AAABLblqZhANVU7IBs3OlSW5ElkJ5rD71d-f0Rf8li9CBKxn2riN6rtrmxYi6xb5pPthCQUp190*](https://na2.documents.adobe.com/public/esignWidget?wid=CBFCIBAA3AAABLblqZhANVU7IBs3OlSW5ElkJ5rD71d-f0Rf8li9CBKxn2riN6rtrmxYi6xb5pPthCQUp190*)

    **_Title:_**

    Healing in Action through Non-traditional Approaches: Artesanando, an Economic Justice Model for Survivors.

    **_Abstract_**

    We recognized the gaps in the culturally specific services that are available for Latinx survivors and developed an economic justice model that is directly informed by our client base. Our clients must work outside the formal economy to earn income for their families and our Artesanando project supports the development of businesses selling homemade foods and handicrafts. This initiative empowers by integrating cultural traditions, economic justice, and communal support. Through art, entrepreneurship, and mentorship, our initiative fosters healing and financial independence, demonstrating the power of solidarity economies in building long-term safety and resilience.

    **_Outcomes_**

    Workshop participants will leave the session inspired and equipped with ideas for culturally responsive programming that address community needs, using the tenets of the solidarity economy as liberatory alternatives to conventional systems for economic stability.

    We will examine applied principles from the solidarity economy which we use in the program: equity, pay scales, cooperative collectives, time banking, mutuality, group learning, and self-employment.

    We will explore the challenges to build businesses to scale, explore the barriers to stability for immigrant survivors, and highlight the positive impact our programing has on our clients’ lives, physically, spiritually and emotionally.

    **_Description of Artesanando Project_**

    The Economic Justice Program works with survivors of domestic and sexual abuse and other gender-based violence. Often, the models developed by mainstream domestic violence and other service organizations do not adequately address the unique needs of the Latinx immigrant community. At EJP, we strive to support the most marginalized Latinx survivors who cannot access mainstream services due to status, language proficiency, and educational level. VIP recognizes the gaps in the culturally specific services that are available for survivors, and effectively combined culture, values and theory into a comprehensive program appropriate for Latinx community members.

    We have developed an economic justice model that is directly informed by our client base. Survivors with mixed status are forced to look for ways outside the formal economy to earn income for their families. One of our primary initiatives is around business development and entrepreneurship with the program ArteSanando. Many of the survivors we work with are in the process of developing a business by selling homemade food and handcrafted items.

    This includes the following outcomes:

    **Phase 1: Reflection:** Creates intentional spaces to raise consciousness about the intersectionality of poverty, immigration and their impact on finances for survivors.

    **Phase 2. Empowered Learning:** Provides basic information about finances and financial management.

    **Phase 3. Exploring Basic Entrepreneurship and Technical Skills:** This includes business development coaching, including marketing, administration, online and handcrafting skills.

    **Phase 4. Community and Social Action:** Connecting services and products with the community where both the seller and the buyer are involved in building foundations of a solidarity economy.

    **Phase 5. Mentorship:** Survivors are connected to incoming members of the following cohort to mentor them during the business development process, sharing tips and supporting other survivors in their healing process.

    Our goal is to build vendor capacity for scale and increased clientele. This spring we will invite the Artesanando cohort to participate in a Pop-up Market to present their inventory and feed the community with their specialties. Others will continue onto be featured at VIP’s 40th anniversary benefit as sellers, caterers, and designers.

    **_Review other ways of supporting survivors via Solidarity Economy Model for Collective Impact: https://prezi.com/view/1RxaKucAjaU5MnfQDybC/_**

    -uplifts culture, art,language, and artisan talent

    -builds community support, power, and equity

    -clips of clients speaking

    -breakout rooms on ways to apply solidarity economy to own lives/work

    -challenges

    -impact

    NE
    ![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)![](https://www.sweetstudy.com/questions/needed-in-2-hours-make-into-power-point)**Title Slide**

    **Artesanando: Crafting Safety, Healing, and Economic Justice for Survivors** _Healing in Action through Non-traditional Approaches_
    Presented by: Michelle PM and Isleidy EJA from VIP
    OVW Grantee Institute | 2025 Theme: “We Got You! Strengthening Safety for Survivors”

    The Problem Addressed

    · Economic dependence is one of the main reasons survivors remain in abusive relationships. For immigrant women, this is intensified by factors like language barriers, work authorization status, discrimination, and systemic marginalization.

    · Our work addresses this by asking: How can economic empowerment initiatives also be a space for safety, healing, and consciousness?

    · Our framework is grounded in the idea that safety isn’t just about escaping harm—it’s also about building the conditions for healing, creative resourcefulness, and economic autonomy.

    · Economic Abuse & Barriers:
    For immigrant survivors, even when they escape the abuse, barriers to stability remain. These include legal vulnerabilities, lack of access to formal employment, limited social networks, and lack of culturally and linguistically responsive services.

    · We saw the need to create a model that didn’t just meet survivors where they were—but honored and leveraged their existing skills and cultural strengths.

    What is Artesanando?

    Artesanando means literally “making by hand” and “healing.” But it is also a metaphor for the process of reweaving lives after violence.
    It’s a project that emerged from a survivor-led process to create sustainable economic opportunities rooted in food, textiles, and other cultural practices: a co-created economic justice initiative where survivors lead, own, and benefit from the work.

    · Latinx immigrant survivors often navigate limited economic options due to immigration status, informal labor, and systemic barriers.

    · Many are excluded from traditional services and employment.

    · Artesanando arose from community listening and the recognition that healing and safety must include economic justice.

    · Our project uses cultural entrepreneurship, peer mentorship, and mutual aid to foster empowerment and dignity.

    · Artesanando includes several interwoven components:

    · Skill-building workshops in cooking, baking, sewing, and other traditional arts

    · Popular education on economic rights, cooperative structures, pricing, and marketing.

    · Business incubator support for launching and sustaining microenterprises.

    · Healing circles that center the trauma and resilience of survivors. *

    · Trainings in marketing, pricing, production, presentation, and storytelling

    · Political education around labor rights, gender justice, and economic systems

    · Partnerships with community orgs, social enterprise incubators, and mutual aid collectives

    These components complement and build on each other to create a holistic safety net.

    Program Design: Building a Mutual Aid Model (process by which programming was born and has evolved)

    1. Assess Needs & Build Trust

    a. Confidential conversations, cultural sensitivity, language access.

    b. Community-led needs assessments and surveys.

    2. Form a Cohort

    a. Survivors, cultural workers, and advocates.

    b. Clearly defined, collaborative roles.

    3. Establish Key Principles

    a. Safety, confidentiality, non-hierarchy, and mutual empowerment.

    b. Teaching new possibilities with solidarity economy models for community building

    4. Ongoing Evaluation Practices:

    a. Surveys

    Our Approach to Economic Justice

    Ways to integrate Solidarity Economy practices:

    We use trauma-informed, culturally relevant approaches. We ensure that all classes, from business workshops to craft trainings, integrates healing and mutual support.
    We center the expertise of survivors, not just as participants, but as leaders and facilitators in the program.

    · Cooperatives: Shared decision-making, collective ownership.

    · Mutual Aid: Emergency support funds, in-kind donations, resource sharing.

    · Skill-building & Microenterprise: Empowering through self-employment.

    · Cultural Production: Handcrafts and food rooted in cultural traditions.

    These aren’t just strategies—they’re values that push back against systems that devalue immigrant labor and culture

    Healing Through Creation

    · Artesanando centers creative practice and collective learning as healing.

    · Workshops on traditional food-making, embroidery, natural skin care, candles, and soap.

    · Group reflection circles accompany craft sessions to rebuild trust and self-worth.

    · Art is therapy, income, and identity—not just a product. We are attempting to uplift their whole self which has had to fracture or hide to exist within harmful systems and interpersonal relationships.

    BREAKOUT – Envisioning Economic Justice 15 mins

    In breakout groups, take 10 minutes to reflect on the following questions:

    1. What does economic justice mean to you and your community?

    2. What barriers do survivors face in accessing economic power in your setting?

    3. What would a survivor-centered economy look like?

    Spend 10 minutes in groups and then 5 minutes sharing back. Feel free to write or draw your answers, and designate someone to share one key insight when we return

    Survivor Leadership at the Core
    A core tenet of our work is survivor leadership. Every decision—whether about products, pricing, or policies—is made with and by survivors.

    · We honor lived experience as a form of expertise. That means we don’t “empower” survivors—they already have power. We just help understand the barriers that keep that power from flourishing.

    · Survivors are artisans, healers, cooks, caregivers, visionaries. Artesanando gives space for those gifts to be seen, valued, and nurtured.

    Entrepreneurship as Liberation

    · We support survivors to develop small, informal businesses:

    · Food stands, pop-up markets, online craft sales, and opportunities with partner organizations across the city. We plan to connect with local shops and restaurants in key areas of the city after mapping resources in these hubs.

    · Use of community, connections, shared tools, mentorship.

    · Focus on low-barrier entry and peer-to-peer learning. Everyone is at differing levels when they join our cohort and can drop in and out as needed to accommodate their lives.

    · Future steps are to co-create fair pay scales and shared investment practices, create a collective website and social media. Will be rolling out later this year ideally.

    · Extend the partnerships to local co-ops nyc solidarity map

    From Crisis to

    Survivors in Artesanando often start with what they already know—traditional recipes, embroidery patterns, herbal remedies passed down through generations.

    We work with survivors to co-create culturally-rooted business ideas, such as:

    · Tamale and pupusa pop-ups

    · Natural bath and body products using traditional herbs

    · Embroidered accessories and home goods

    These aren’t just businesses—they’re spaces to foment cultural memory and identity.

    Practices of Mutual Care

    · Weekly check-ins and peer support groups, as well as ongoing chats for resource sharing and planning

    · Care workshops to discuss financial trauma, boundary-setting, joy practices. Planning a group grounding session led by one of our own who runs temascal sessions (Mexican indigenous practice, opening 4 doors and cleansing energy)- wants to bring that essence to our workshop.

    · Emphasis on healing justice and community accountability- they check in with each other, walk each other home, pass on children’s clothes, support each others’ social media.

    · “Antes me sentía invisible. Ahora, tengo algo que ofrecer. Tengo una comunidad que me ve.”
    “Before, I felt invisible. Now, I have something to offer. I have a community that sees me.”- This is the essence of Artesanando—recognition, belonging, and possibility.

    Evolving With the Community

    · Regular reflection and participant feedback shape program design.

    · We adapt based on emerging needs: some ideas are:

    · The program is never static—it grows with us.

    · Example:

    Solidarity Economy in Practice

    · Integration of alternative economic models

    · Encouraging self-determination, not dependency.

    BREAKOUT – Action Steps 10 mins

    1. What’s one way you could incorporate a solidarity economy approach in your organization or personal life?

    2. What support, relationships, or resources would you need to make that happen?

    3. How can you center survivor leadership in that effort?

    Lessons Learned and Reflections:

    Many iterations of this programming over the years has taught us:

    · Economic empowerment must be rooted in cultural relevance and collective models for sustainability

    · We must validate the tension between urgency for income and the slow process of healing and trust-building

    · That healing and business are not separate—they can be mutually reinforcing with the underlying intentionality to build not extract

    · Survivor-led design is not just ethical—it’s essential.
    We also learned to be flexible, listen deeply, and center relationships over outcomes. Because of their circumstances, it is not uncommon for survivors to pause their entrepreneurial goals to focus on issues with children, DV-related court cases etc..

    Successes We Celebrate (more numbers on impact coming from Adio)

    · 40+ women launched their first microbusinesses since 2023

    · 80% reported greater financial independence, over 90% achieved their goals when joining the program

    · 95% say they feel “part of a community”

    · Survivor quote:
    _“Aquí encontré no solo trabajo, sino mi voz.”_

    · Ongoing ripple effects: children learning from their mothers as they attend workshops/witness their resilience, new leaders emerging.

    · Longevity: Clients either move on with more stability and knowledge or return to deepen their learning and be part of community

    · Others have joined or formed cooperatives to reduce isolation and build shared wealth.
    But beyond numbers, the most powerful outcomes are in the stories: women saying “I feel safe,” “I have somethng that is mine,” or “I’m not alone anymore.”

    What You Can Do Breakout Discussion:

    **Handout

    **Pictures from past market, workshops, opportunities ie. Gala, their products

    **Resources for them to dig deeper

    **ADD slide on economic justice

    **Do we provide a list of workshop topics we provide?

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    **OVWInstituteProposalDraft.docx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ovwinstituteproposaldraft-docx-10276901)

  • [Solved] SS 2850 MOD 3 DB

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    [>Sociology homework help](https://www.sweetstudy.com/fields/social-science-sociology) INSTRUCTIONS ATTACHED – a year ago **files (1)** – ## SS2850MOD3DBINFO2025.docx **## SS2850MOD3DBINFO2025.docx** **SS 2850 MOD 3 DB** ***The following information is relevant to each of the following discussion b…

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    [>Sociology homework help](https://www.sweetstudy.com/fields/social-science-sociology)

    INSTRUCTIONS ATTACHED

    – a year ago

    **files (1)**

    – ## SS2850MOD3DBINFO2025.docx

    **## SS2850MOD3DBINFO2025.docx**

    **SS 2850 MOD 3 DB**

    ***The following information is relevant to each of the following discussion board assignments:**

    During weeks 2 through 6, students will be required to create a discussion board thread sharing a newspaper or magazine article relevant to the week’s topics.  Each student will need to create a thread on that week’s discussion board. Additionally, in order to receive full credit, each student will need to respond to at least two of their peer’s threads.

    Specifically, students will each be required to provide a brief overview of the following items regarding the topic:

    · Name of Article and newspaper or magazine from which the article was taken along with the year, month (and date if appropriate) article was published.

    · Synopsis of the article and what they found relevant about it as it relates to the topic (s) being covered in the week the article is presented. (1-2 paragraphs)

    · What value did they get out of the topic and what would they encourage the writer/author of the topic to examine next given what was discussed in the article. (1-2 paragraphs)

    Grading will be based on the quality of the student’s posted thread and completion of the required two responses.  Each week the article selection and discussion board posting will be worth 30 points for a total of 150 points for all 5 weeks.

    **Week #3:**

    1. Article about marital or significant other relational conflict or an article about injustice being experienced by an individual or a group.

    **## SS2850MOD3DBINFO2025.docx**

    **SS 2850 MOD 3 DB**

    ***The following information is relevant to each of the following discussion board assignments:**

    During weeks 2 through 6, students will be required to create a discussion board thread sharing a newspaper or magazine article relevant to the week’s topics.  Each student will need to create a thread on that week’s discussion board. Additionally, in order to receive full credit, each student will need to respond to at least two of their peer’s threads.

    Specifically, students will each be required to provide a brief overview of the following items regarding the topic:

    · Name of Article and newspaper or magazine from which the article was taken along with the year, month (and date if appropriate) article was published.

    · Synopsis of the article and what they found relevant about it as it relates to the topic (s) being covered in the week the article is presented. (1-2 paragraphs)

    · What value did they get out of the topic and what would they encourage the writer/author of the topic to examine next given what was discussed in the article. (1-2 paragraphs)

    Grading will be based on the quality of the student’s posted thread and completion of the required two responses.  Each week the article selection and discussion board posting will be worth 30 points for a total of 150 points for all 5 weeks.

    **Week #3:**

    1. Article about marital or significant other relational conflict or an article about injustice being experienced by an individual or a group.

  • [Solved] SS 2850 MOD 3 ASSN

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    [>Sociology homework help](https://www.sweetstudy.com/fields/social-science-sociology) INFO ATTACHED – a year ago **files (1)** – ## SS2850MOD3ASSNINFO2025.docx **## SS2850MOD3ASSNINFO2025.docx** SS 2850 MOD 3 ASSN INFO Prepare a 2-3 page, APA-style essay based on your readings from Chapter 34 (Medi…

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    [>Sociology homework help](https://www.sweetstudy.com/fields/social-science-sociology)

    INFO ATTACHED

    – a year ago

    **files (1)**

    – ## SS2850MOD3ASSNINFO2025.docx

    **## SS2850MOD3ASSNINFO2025.docx**

    SS 2850 MOD 3 ASSN INFO

    Prepare a 2-3 page, APA-style essay based on your readings from Chapter 34 (Mediation) in which you recount a time that you served as a third-party mediator (whether it be in an official/professional capacity, such as a workplace dispute, or even just helping two friends mitigate a strong disagreement). Now, reference the 12 stages of Mediation (if you are using the 3rd edition of the text, it is figure 34.1 on pages 826-827). Address each of the 12 stages in your paper, illustrating how your mediation might fit into the stages.

    NOTE: While you should be able to describe at least one item from each stage relevant to your scenario, it is unlikely (and not expected) that you comment on every facet of every stage.

    **## SS2850MOD3ASSNINFO2025.docx**

    SS 2850 MOD 3 ASSN INFO

    Prepare a 2-3 page, APA-style essay based on your readings from Chapter 34 (Mediation) in which you recount a time that you served as a third-party mediator (whether it be in an official/professional capacity, such as a workplace dispute, or even just helping two friends mitigate a strong disagreement). Now, reference the 12 stages of Mediation (if you are using the 3rd edition of the text, it is figure 34.1 on pages 826-827). Address each of the 12 stages in your paper, illustrating how your mediation might fit into the stages.

    NOTE: While you should be able to describe at least one item from each stage relevant to your scenario, it is unlikely (and not expected) that you comment on every facet of every stage.