Tag: Model Answer

  • [Solved] Reading

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    – [\ \ IMG_20250428_155030.jpg](https://www.sweetstudy.com/files/img-20250428-155030-jpg "IMG_20250428_155030.jpg") – a year ago – 0.01

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    – [\
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    – a year ago
    – 0.01

  • [Solved] Nursing need help with an assignment

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    need help with a research assignment – a year ago

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    need help with a research assignment

    – a year ago

  • [Solved] NUR 505 530 DISCUSSION

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    – a year ago **files (1)** – ## NUR505530wk7dis.pdf **## NUR505530wk7dis.pdf** Caring for Cuban, Amish, & Irish Populations After studying Module 7: Lecture Materials & Resources, discuss the following: A. What are the differences that may affect Cuban-American patients who immigrated at different t…

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    – a year ago

    **files (1)**

    – ## NUR505530wk7dis.pdf

    **## NUR505530wk7dis.pdf**

    Caring for Cuban, Amish, & Irish Populations

    After studying Module 7: Lecture Materials & Resources, discuss the following:

    A. What are the differences that may affect Cuban-American patients who
    immigrated at different times?

    B. What can a nurse do to make life in the hospital more culture-specific for an
    Amish client?

    C. List at least two etiological reasons for the development of alcoholism within an
    Irish-American family.

    Submission Instructions:

    • Your initial post should be at least 500 words, formatted, and cited in current
    APA style with support from at least 2 academic sources.  Your initial post is
    worth 8 points.

    • You should respond to at least two of your peers by extending, refuting/
    correcting, or adding additional nuance to their posts. Your reply posts are worth
    2 points (1 point per response.)

    • Incorporate a minimum of 2 current (published within the last five years)
    scholarly journal articles or primary legal sources (statutes, court opinions) within
    your work. Journal articles should be referenced according to the current APA
    style (the online library has an abbreviated version of the APA Manual).

    Case Study: Jax

    Purpose: Analyze and apply critical thinking skills in the psychopathology of mental
    health patients and provide treatment and health promotion while applying
    evidence-based research.

    [https://stu.instructure.com/courses/43801/pages/module-7-lecture-materials-and-resources](https://stu.instructure.com/courses/43801/pages/module-7-lecture-materials-and-resources)

    Submission Instructions:

    • Your initial post should be at least 500 words, formatted and cited in current APA
    style with support from at least 2 academic sources.  Your initial post is worth 8
    points.

    • You should respond to at least two of your peers by extending, refuting/
    correcting, or adding additional nuance to their posts. Your reply posts are worth
    2 points (1 point per response.)

    • All replies must be constructive and use literature where possible.

    Scenario: Jax is a 66-year-old Caucasian female whose wife has encouraged her to
    seek treatment. She has never been in therapy before, and has no history
    of depression or anxiety. However, her alcohol use has recently been
    getting in the way of her marriage, and interfering with her newly-retired
    life. She describes drinking increasing amounts over the last year, currently
    consuming approximately a six-pack of beer per day. She notes that this
    amount “doesn’t give me the same buzz as it used to.” She denies ever
    experiencing “the shakes” or any other withdrawal symptoms if she skips a
    day of drinking.

    Jax comments that her wife is her biggest motivation to decrease her
    alcohol use. She tells Jax that she gets argumentative and irritable when
    she drinks, though she does not always remember these incidents. She
    has also fallen while intoxicated twice, causing bruises both times and
    hitting her head on one of the occasions.

    Question
    s:

    Remember to answer these questions from your textbooks and NP
    guidelines. At all times, explain your answers.

    1. Describe the presenting problems/issues. Is there any information
    that was not provided that you would need to formulate a diagnosis?

    2. Generate a primary and differential diagnosis using the DSM5 and
    ICD 10 codes.

    3. What physiological and psychological processes lead to substance
    dependence?

    **## NUR505530wk7dis.pdf**

    Caring for Cuban, Amish, & Irish Populations

    After studying Module 7: Lecture Materials & Resources, discuss the following:

    A. What are the differences that may affect Cuban-American patients who
    immigrated at different times?

    B. What can a nurse do to make life in the hospital more culture-specific for an
    Amish client?

    C. List at least two etiological reasons for the development of alcoholism within an
    Irish-American family.

    Submission Instructions:

    • Your initial post should be at least 500 words, formatted, and cited in current
    APA style with support from at least 2 academic sources.  Your initial post is
    worth 8 points.

    • You should respond to at least two of your peers by extending, refuting/
    correcting, or adding additional nuance to their posts. Your reply posts are worth
    2 points (1 point per response.)

    • Incorporate a minimum of 2 current (published within the last five years)
    scholarly journal articles or primary legal sources (statutes, court opinions) within
    your work. Journal articles should be referenced according to the current APA
    style (the online library has an abbreviated version of the APA Manual).

    Case Study: Jax

    Purpose: Analyze and apply critical thinking skills in the psychopathology of mental
    health patients and provide treatment and health promotion while applying
    evidence-based research.

    [https://stu.instructure.com/courses/43801/pages/module-7-lecture-materials-and-resources](https://stu.instructure.com/courses/43801/pages/module-7-lecture-materials-and-resources)

    Submission Instructions:

    • Your initial post should be at least 500 words, formatted and cited in current APA
    style with support from at least 2 academic sources.  Your initial post is worth 8
    points.

    • You should respond to at least two of your peers by extending, refuting/
    correcting, or adding additional nuance to their posts. Your reply posts are worth
    2 points (1 point per response.)

    • All replies must be constructive and use literature where possible.

    Scenario: Jax is a 66-year-old Caucasian female whose wife has encouraged her to
    seek treatment. She has never been in therapy before, and has no history
    of depression or anxiety. However, her alcohol use has recently been
    getting in the way of her marriage, and interfering with her newly-retired
    life. She describes drinking increasing amounts over the last year, currently
    consuming approximately a six-pack of beer per day. She notes that this
    amount “doesn’t give me the same buzz as it used to.” She denies ever
    experiencing “the shakes” or any other withdrawal symptoms if she skips a
    day of drinking.

    Jax comments that her wife is her biggest motivation to decrease her
    alcohol use. She tells Jax that she gets argumentative and irritable when
    she drinks, though she does not always remember these incidents. She
    has also fallen while intoxicated twice, causing bruises both times and
    hitting her head on one of the occasions.

    Question
    s:

    Remember to answer these questions from your textbooks and NP
    guidelines. At all times, explain your answers.

    1. Describe the presenting problems/issues. Is there any information
    that was not provided that you would need to formulate a diagnosis?

    2. Generate a primary and differential diagnosis using the DSM5 and
    ICD 10 codes.

    3. What physiological and psychological processes lead to substance
    dependence?

  • [Solved] Science

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    How does water contamination relate to mineral extraction?* 1 point It only affects marine life It has no impact on drinking water It can result from mining activities and affect local water supplies It improves water quality How did the Green Revolution affect water resources?* 1 point It reduced…

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    Assignment Prompt & Instructions

    How does water contamination relate to mineral extraction?*

    1 point

    It only affects marine life

    It has no impact on drinking water

    It can result from mining activities and affect local water supplies

    It improves water quality

    How did the Green Revolution affect water resources?*

    1 point

    It reduced water consumption in agriculture

    It led to increased water conservation

    It had no impact on water resources

    It caused strain on water resources due to intensive irrigation

    Which factor represents a key environmental cost of resource extraction?*

    1 point

    Increased job opportunities

    Loss of biodiversity and ecosystem degradation

    Higher property values

    Improved transportation systems

    What is the relationship between alternative energy and energy security?*

    1 point

    It increases international dependence

    It reduces regional energy production

    It enhances energy independence

    It requires more fossil fuel backup

    What effect does alternative energy have on biodiversity?*

    1 point

    It increases habitat destruction

    It has no environmental impact

    It reduces habitat disruption

    It eliminates all wildlife areas

    Which transportation choice typically results in the smallest ecological footprint?*

    1 point

    Driving an SUV alone

    Using public transportation

    Flying frequently

    Using a personal motorboat

    How does a meat-heavy diet typically affect one's ecological footprint?*

    1 point

    It reduces water consumption

    It has no significant impact

    It decreases land use requirements

    It increases resource consumption and land use

    Which energy source typically has the smallest ecological footprint?*

    1 point

    Coal power

    Natural gas

    Solar power

    Oil-based energy

    What role did irrigation play in the Green Revolution?*

    1 point

    It was not important to the movement

    It helped maximize crop yields through better water management

    It only benefited small farms

    It reduced water usage in agriculture

    What challenge emerged regarding pesticide use during the Green Revolution?*

    1 point

    Insufficient pest control

    Environmental contamination

    High cost of implementation

    Limited availability

    Which environmental consequence resulted from Green Revolution practices?*

    1 point

    Increased soil fertility

    Enhanced biodiversity

    Improved water quality

    Soil degradation from chemical use

    Which strategy best supports environmental conservation?*

    1 point

    Increasing waste production

    Using disposable products

    Implementing resource-saving practices

    Ignoring energy consumption

    What impact does hydroelectric power technology development focus on?*

    1 point

    Increasing water consumption

    Maximizing energy while minimizing environmental impact

    Creating larger dams only

    Reducing water flow rates

    How did the Green Revolution impact farming methods?*

    1 point

    It promoted only traditional techniques

    It decreased technological innovation

    It transformed agriculture through modern techniques

    It eliminated mechanized farming

    What is the main driving force behind the transition to alternative energy sources?*

    1 point

    Decreasing costs of technology

    Reducing greenhouse gas emissions

    Creating new job opportunities

    Increasing energy independence

    What role does education play in resource conservation?*

    1 point

    It has no impact on conservation efforts

    It only benefits scientific research

    It raises awareness and promotes community action for sustainability

    It only affects government policy

    Which statement about sustainable energy practices is accurate?*

    1 point

    They eliminate all environmental impacts

    They promote biodiversity protection

    They require no infrastructure changes

    They provide immediate cost savings

    What timeframe marks the beginning of the Green Revolution?*

    1 point

    1920s

    1940s

    1980s

    2000s

    How do GMOs affect agricultural adaptation to climate change?*

    1 point

    They have no impact on climate resilience

    They make crops more vulnerable

    They can be engineered for climate resilience

    They prevent all climate effects

    What is the primary purpose of calculating an ecological footprint?*

    1 point

    To measure personal wealth

    To track daily exercise habits

    To quantify environmental resource consumption and waste

    To calculate monthly utility bills

    What challenge exists in GMO regulation?*

    1 point

    Regulations are too simple

    All countries have the same rules

    Regulatory frameworks vary significantly between countries

    There are no regulations for GMOs

    What economic impact resulted from increased crop yields?*

    1 point

    Higher food prices globally

    Reduced agricultural employment

    Lower food prices and better accessibility

    Decreased international trade

    How might GMOs affect farming practices?*

    1 point

    They always increase labor needs

    They reduce agricultural technology use

    They require more water usage

    They can lower chemical input requirements

    Which conservation strategy represents individual action?*

    1 point

    Corporate policy making

    International treaties

    Turning off unused lights and using public transportation

    Industrial regulations

    Which statement best describes the impact of resource extraction on public health?*

    1 point

    It only affects wildlife

    It has no health implications

    Communities near extraction sites may experience health problems

    It improves public health

    Which of the following best demonstrates the concept of sustainability?*

    1 point

    Using resources faster than they can be replenished

    Maintaining ecological balance while meeting current needs

    Maximizing short-term economic profits

    Increasing consumption of non-renewable resources

    What concern exists regarding herbicide-resistant GMO crops?*

    1 point

    They may lead to increased herbicide use over time

    They grow too slowly

    They require more water than traditional crops

    They are always more expensive to produce

    How do alternative energy sources impact future generations?*

    1 point

    They deplete natural resources

    They preserve environmental resources

    They increase pollution levels

    They reduce energy availability

    Which statement best describes the relationship between renewable and non-renewable energy resources?*

    1 point

    Renewable resources are more expensive but last forever

    Non-renewable resources can be replenished quickly

    Renewable resources can be naturally replenished over time, while non-renewable resources are finite

    Both types of resources are equally abundant on Earth

    Which action would most likely increase someone's carbon footprint?*

    1 point

    Using solar panels

    Walking to work

    Regular air travel

    Growing a garden

    How did chemical fertilizers contribute to the Green Revolution?*

    1 point

    They provided essential nutrients for improved plant growth

    They eliminated all crop diseases

    They reduced water requirements

    They prevented all pest problems

    What characterizes renewable resources?*

    1 point

    They are artificially created

    They cannot be replaced

    They naturally replenish over time

    They are always expensive

    What is the primary concern regarding the depletion of non-renewable resources?*

    1 point

    It makes renewable resources less effective

    It leads to increased global temperatures only

    It causes immediate economic collapse

    It results in shortages, increased prices, and potential conflicts

    What role do technological innovations play in alternative energy development?*

    1 point

    They increase environmental impact

    They reduce energy efficiency

    They make implementation possible

    They limit energy production

    What is a significant advantage of GMOs regarding food security?*

    1 point

    They eliminate all crop diseases

    They can be engineered to survive harsh environmental conditions

    They guarantee perfect crops every season

    They eliminate the need for irrigation

    What potential environmental benefit is associated with GMO crops?*

    1 point

    Increased use of chemical fertilizers

    Higher water consumption

    Reduced need for pesticides

    Greater soil erosion

    Which of the following best describes the primary purpose of genetic engineering in GMOs?*

    1 point

    To create entirely new species of organisms

    To modify existing organisms' DNA for specific beneficial traits

    To clone organisms for mass production

    To study evolutionary patterns in organisms

    How do GMOs relate to agricultural sustainability?*

    1 point

    They always require more resources

    They can contribute to more efficient resource use

    They only work in perfect conditions

    They eliminate the need for farming skills

    How does pollution from resource extraction affect ecosystems?*

    1 point

    It only impacts human communities

    It has no long-term effects

    It causes habitat destruction and water contamination

    It improves soil quality

    Which statement best describes the primary advantage of alternative energy sources over fossil fuels?*

    1 point

    They are cheaper to produce initially

    They are completely pollution-free

    They are naturally replenished over time

    They require less technological innovation

    – a year ago

  • [Solved] edu 599 week 4 discussion

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    Educators may face ethical dilemmas when designing a curriculum, such as cultural bias, unequal resource allocation, or others. Please respond to the following in a discussion post: – Choose one ethical dilemma, describe it in detail, and suggest practical solutions to address it in the curriculum d…

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    Assignment Prompt & Instructions

    Educators may face ethical dilemmas when designing a curriculum, such as cultural bias, unequal resource allocation, or others.

    Please respond to the following in a discussion post:

    – Choose one ethical dilemma, describe it in detail, and suggest practical solutions to address it in the curriculum development process. Cite at least one credible source.

    – a year ago

  • [Solved] global

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    This is your assignment on Semester Paper. You will have to write a full paper for the term. Assignment: Please choose any topic from the suggested bellow or from your own interest: 1. Political economy of Russia’s energy policy towards the EU under Putin; 2. The rise of BRICS and its implications…

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    Assignment Prompt & Instructions

    This is your assignment on Semester Paper. You will have to write a full paper for the

    term.

    Assignment: Please choose any topic from the suggested bellow or from your own interest:

    1. Political economy of Russia’s energy policy towards the EU under Putin;

    2. The rise of BRICS and its implications on global political economy;

    3. Politics of international currency and global politics;

    4. Global energy politics and the Muslim world

    5. Economic regionalism and Global politics

    Guidelines:

    A. Individual work only

    B. Format of writing: must have the following items-

    1. Title

    2. Introduction (1-2 page)

    3. Problem statement (half a page)

    4. Research questions (1 question only)

    5. Research objectives (max 3 objectives)

    6. Literature Review (max 3 pages)

    7. Theoretical Approach/Framework (max 3 pages)

    8. Research Design/method (1 page)

    9. Analysis of data (max 5 pages)

    10. References

    C. Maximum 20 pages (including references), double space, MS Word 12 font, typed.

    – a year ago

  • [Solved] Responses

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    Speak in first Person In response to your peers, offer feedback on the soundness of their plans for success and data collection. – [\ \ Responses.docx](https://www.sweetstudy.com/files/responses-docx-10277307 "Responses.docx") – a year ago

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    Assignment Prompt & Instructions

    Speak in first Person

    In response to your peers, offer feedback on the soundness of their plans for success and data collection.

    – [\
    \
    Responses.docx](https://www.sweetstudy.com/files/responses-docx-10277307 "Responses.docx")

    – a year ago

  • [Solved] Process

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    – a year ago **files (2)** – ## CommunicationTechniques.docx – Processrecording.docx **## CommunicationTechniques.docx** **COMMUNICATION TECHNIQUES** **_Therapeutic_****_Techniques_****_Examples_** **Use silence** – (Sitting quietly and appearing interested but no verbal communication. Pausing whil…

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    – a year ago

    **files (2)**

    – ## CommunicationTechniques.docx

    – Processrecording.docx

    **## CommunicationTechniques.docx**

    **COMMUNICATION TECHNIQUES**

    **_Therapeutic_****_Techniques_****_Examples_**

    **Use silence** – (Sitting quietly and appearing interested but no verbal communication. Pausing while client gathers thoughts)

    **Give recognition** – Good evening John, or Mr. . . .

    · Thank you for helping around . . .

    **Demonstrate acceptance** – Yes . . .

    · Uh hmm . . .

    · I follow what you are saying.

    **Offer self** – I will spend some time with you.

    · I will go out for a walk with you.

    · How can I help you?

    **Give broad openings (some sources** – What would you like to talk about?

    **call this a General lead)** – Where would you like to begin?

    · How do you feel now?

    **Offer general leads** – What happened?

    · And then . . .

    · Go on . .

    **Direct lead**- I’d like to talk to you about….

    – Let’s talk about….

    **Indirect lead**- What would you like to talk about?

    – Would you like to talk?

    **Place event in time and sequence** – When did you start feeling this way?

    · Was this before or after . . . ?

    · What were your thoughts before this?

    **Make observations** – You appear angry.

    · You look uncomfortable when . . .

    · I notice you are clenching your fists.

    · You look relaxed this evening . .

    **Encourage description of observation** – How does it feel to be anxious?

    · What is the voice telling you?

    · Have you had similar experiences like this before?

    **Restate** – Client: I stayed awake all night.

    Nurse: You have difficulty sleeping.

    – Client: I don’t know whether I should go out with the group as I don’t have any clothes and my mother might visit me.

    Nurse: You really do not wish to go if you are not properly dressed.

    – You wish to join the group if you are sure your mother is not coming to visit you.

    **Reflection** – Client: Do you think I should go?

    Nurse: Do you think you should?

    – Client: My mother might be disappointed.

    Nurse: And this makes you feel angry?

    **Focus on statement** – Let us talk more about this incident.

    Client: Last night I really enjoyed the party.

    – Nurse: You said your mother might be disappointed.

    **Explore** – Tell me more about that.

    · What does your mother do when she gets disappointed?

    · How do you react to her then?

    **Seek clarification** – I do not follow what you are saying

    · What are you trying to tell me?

    · How do you behave when you get angry?

    **Present reality** – I hear no voices.

    · That was the radio.

    · Your mother is not here. You are in the hospital.

    **Give information** – You are in the hospital.

    · Your mother will come during visiting hours which are from . . . . to . . . .

    · This medication will help you settle your nerves.

    **Voice doubt** – I find that hard to believe.

    · Do you really think she will be disappointed or will be glad?

    · Isn’t that unusual?

    **Seek consensual validation** – Are you telling me that your mother gets angry when she comes and you are not around?

    · And as a result you get very hostile?

    **Verbalize the implied** – Client: I cannot talk to you or anyone. You are all the same.

    Nurse: Is it your feeling that no one understands you?

    – Client: My mother and my girlfriend always tell me what to do.

    Nurse: Is it your feeling that women are controlling?

    **Attempt to translate into feelings** – Client: It’s hopeless and I will not bother you anymore.

    Nurse: Are you suggesting that you feel useless and desire to give up?

    · That must be frustrating.

    **Suggest collaboration** – Maybe you and I can discuss further what makes you feel this way.

    **Summarize interaction** – You said that . . .

    · We have discussed . . .

    **Formulate plan of action** – What can you do to express your anger constructively?

    · When this happens again, how would you handle it?

    **Accurate empathy** – That must have been very difficult

    – I can’t imagine how painful that must have been

    \_\_\__________________________________________________________________________

    **_Non-Therapeutic Techniques Examples_**

    **Giving reassurance** – Everything will be all right.

    · Don’t worry about that.

    · You did all that you could.

    **Giving approval** – I am glad that you . . .

    · That is really good.

    · You did quite well.

    · You look pretty/handsome today

    **Rejecting** – I do not wish to discuss this any further.

    · Let us talk of something else.

    **Disapproving** – I wish you did not . . .

    · How many times did I tell you not to . . .

    **Agreeing** – I agree that …

    · You did it.

    **Giving advice** – Maybe you should . . .

    · This is the best way to . . .

    **Probing** – Now tell me about . . .

    · How is your sex life?

    **Challenging** – How can you be the Prime Minister?

    · If you are depressed, how can you function?

    **Testing** – Do you know what place this is?

    · Do you still feel that you are the Prime Minister?

    · Where are you now?

    **Making stereotyped comments** – Things will be better.

    · It’s really nice outside.

    · How are you? You are looking great.

    **Giving literal responses** – Client: I am a disciple sent by God.

    Nurse: St. Peter or St. Paul?

    · Client: I am here to spread the Gospel.

    Nurse: Gather the other clients then for group therapy and you can spread your gospel.

    **Requesting an explanation** – Why do you think that you are a disciple?

    · Why do you feel that way?

    · Why did you do that?

    **Belittling expressed feelings** – I know what you mean. I feel that way sometimes.

    · Everybody feels depressed every now and then.

    **Interpreting** – What you are saying is . . .

    · Perhaps unconsciously you want to . . .

    **Introducing unrelated topic** – Client: I wonder if my husband will be here

    **or Changing the subject** before surgery.

    Nurse: Did you go away for the summer?

    **Using denial** – Client: Perhaps I have cancer.

    Nurse: Don’t be silly. Not all surgery is for cancer.

    4

    **Processrecording.docx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/processrecording-docx-10277103)

    **Processrecording.docx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/processrecording-docx-10277103)

    **## CommunicationTechniques.docx**

    **COMMUNICATION TECHNIQUES**

    **_Therapeutic_****_Techniques_****_Examples_**

    **Use silence** – (Sitting quietly and appearing interested but no verbal communication. Pausing while client gathers thoughts)

    **Give recognition** – Good evening John, or Mr. . . .

    · Thank you for helping around . . .

    **Demonstrate acceptance** – Yes . . .

    · Uh hmm . . .

    · I follow what you are saying.

    **Offer self** – I will spend some time with you.

    · I will go out for a walk with you.

    · How can I help you?

    **Give broad openings (some sources** – What would you like to talk about?

    **call this a General lead)** – Where would you like to begin?

    · How do you feel now?

    **Offer general leads** – What happened?

    · And then . . .

    · Go on . .

    **Direct lead**- I’d like to talk to you about….

    – Let’s talk about….

    **Indirect lead**- What would you like to talk about?

    – Would you like to talk?

    **Place event in time and sequence** – When did you start feeling this way?

    · Was this before or after . . . ?

    · What were your thoughts before this?

    **Make observations** – You appear angry.

    · You look uncomfortable when . . .

    · I notice you are clenching your fists.

    · You look relaxed this evening . .

    **Encourage description of observation** – How does it feel to be anxious?

    · What is the voice telling you?

    · Have you had similar experiences like this before?

    **Restate** – Client: I stayed awake all night.

    Nurse: You have difficulty sleeping.

    – Client: I don’t know whether I should go out with the group as I don’t have any clothes and my mother might visit me.

    Nurse: You really do not wish to go if you are not properly dressed.

    – You wish to join the group if you are sure your mother is not coming to visit you.

    **Reflection** – Client: Do you think I should go?

    Nurse: Do you think you should?

    – Client: My mother might be disappointed.

    Nurse: And this makes you feel angry?

    **Focus on statement** – Let us talk more about this incident.

    Client: Last night I really enjoyed the party.

    – Nurse: You said your mother might be disappointed.

    **Explore** – Tell me more about that.

    · What does your mother do when she gets disappointed?

    · How do you react to her then?

    **Seek clarification** – I do not follow what you are saying

    · What are you trying to tell me?

    · How do you behave when you get angry?

    **Present reality** – I hear no voices.

    · That was the radio.

    · Your mother is not here. You are in the hospital.

    **Give information** – You are in the hospital.

    · Your mother will come during visiting hours which are from . . . . to . . . .

    · This medication will help you settle your nerves.

    **Voice doubt** – I find that hard to believe.

    · Do you really think she will be disappointed or will be glad?

    · Isn’t that unusual?

    **Seek consensual validation** – Are you telling me that your mother gets angry when she comes and you are not around?

    · And as a result you get very hostile?

    **Verbalize the implied** – Client: I cannot talk to you or anyone. You are all the same.

    Nurse: Is it your feeling that no one understands you?

    – Client: My mother and my girlfriend always tell me what to do.

    Nurse: Is it your feeling that women are controlling?

    **Attempt to translate into feelings** – Client: It’s hopeless and I will not bother you anymore.

    Nurse: Are you suggesting that you feel useless and desire to give up?

    · That must be frustrating.

    **Suggest collaboration** – Maybe you and I can discuss further what makes you feel this way.

    **Summarize interaction** – You said that . . .

    · We have discussed . . .

    **Formulate plan of action** – What can you do to express your anger constructively?

    · When this happens again, how would you handle it?

    **Accurate empathy** – That must have been very difficult

    – I can’t imagine how painful that must have been

    \_\_\__________________________________________________________________________

    **_Non-Therapeutic Techniques Examples_**

    **Giving reassurance** – Everything will be all right.

    · Don’t worry about that.

    · You did all that you could.

    **Giving approval** – I am glad that you . . .

    · That is really good.

    · You did quite well.

    · You look pretty/handsome today

    **Rejecting** – I do not wish to discuss this any further.

    · Let us talk of something else.

    **Disapproving** – I wish you did not . . .

    · How many times did I tell you not to . . .

    **Agreeing** – I agree that …

    · You did it.

    **Giving advice** – Maybe you should . . .

    · This is the best way to . . .

    **Probing** – Now tell me about . . .

    · How is your sex life?

    **Challenging** – How can you be the Prime Minister?

    · If you are depressed, how can you function?

    **Testing** – Do you know what place this is?

    · Do you still feel that you are the Prime Minister?

    · Where are you now?

    **Making stereotyped comments** – Things will be better.

    · It’s really nice outside.

    · How are you? You are looking great.

    **Giving literal responses** – Client: I am a disciple sent by God.

    Nurse: St. Peter or St. Paul?

    · Client: I am here to spread the Gospel.

    Nurse: Gather the other clients then for group therapy and you can spread your gospel.

    **Requesting an explanation** – Why do you think that you are a disciple?

    · Why do you feel that way?

    · Why did you do that?

    **Belittling expressed feelings** – I know what you mean. I feel that way sometimes.

    · Everybody feels depressed every now and then.

    **Interpreting** – What you are saying is . . .

    · Perhaps unconsciously you want to . . .

    **Introducing unrelated topic** – Client: I wonder if my husband will be here

    **or Changing the subject** before surgery.

    Nurse: Did you go away for the summer?

    **Using denial** – Client: Perhaps I have cancer.

    Nurse: Don’t be silly. Not all surgery is for cancer.

    4

    **Processrecording.docx**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/processrecording-docx-10277103)

    **## CommunicationTechniques.docx**

    **COMMUNICATION TECHNIQUES**

    **_Therapeutic_****_Techniques_****_Examples_**

    **Use silence** – (Sitting quietly and appearing interested but no verbal communication. Pausing while client gathers thoughts)

    **Give recognition** – Good evening John, or Mr. . . .

    · Thank you for helping around . . .

    **Demonstrate acceptance** – Yes . . .

    · Uh hmm . . .

    · I follow what you are saying.

    **Offer self** – I will spend some time with you.

    · I will go out for a walk with you.

    · How can I help you?

    **Give broad openings (some sources** – What would you like to talk about?

    **call this a General lead)** – Where would you like to begin?

    · How do you feel now?

    **Offer general leads** – What happened?

    · And then . . .

    · Go on . .

    **Direct lead**- I’d like to talk to you about….

    – Let’s talk about….

    **Indirect lead**- What would you like to talk about?

    – Would you like to talk?

    **Place event in time and sequence** – When did you start feeling this way?

    · Was this before or after . . . ?

    · What were your thoughts before this?

    **Make observations** – You appear angry.

    · You look uncomfortable when . . .

    · I notice you are clenching your fists.

    · You look relaxed this evening . .

    **Encourage description of observation** – How does it feel to be anxious?

    · What is the voice telling you?

    · Have you had similar experiences like this before?

    **Restate** – Client: I stayed awake all night.

    Nurse: You have difficulty sleeping.

    – Client: I don’t know whether I should go out with the group as I don’t have any clothes and my mother might visit me.

    Nurse: You really do not wish to go if you are not properly dressed.

    – You wish to join the group if you are sure your mother is not coming to visit you.

    **Reflection** – Client: Do you think I should go?

    Nurse: Do you think you should?

    – Client: My mother might be disappointed.

    Nurse: And this makes you feel angry?

    **Focus on statement** – Let us talk more about this incident.

    Client: Last night I really enjoyed the party.

    – Nurse: You said your mother might be disappointed.

    **Explore** – Tell me more about that.

    · What does your mother do when she gets disappointed?

    · How do you react to her then?

    **Seek clarification** – I do not follow what you are saying

    · What are you trying to tell me?

    · How do you behave when you get angry?

    **Present reality** – I hear no voices.

    · That was the radio.

    · Your mother is not here. You are in the hospital.

    **Give information** – You are in the hospital.

    · Your mother will come during visiting hours which are from . . . . to . . . .

    · This medication will help you settle your nerves.

    **Voice doubt** – I find that hard to believe.

    · Do you really think she will be disappointed or will be glad?

    · Isn’t that unusual?

    **Seek consensual validation** – Are you telling me that your mother gets angry when she comes and you are not around?

    · And as a result you get very hostile?

    **Verbalize the implied** – Client: I cannot talk to you or anyone. You are all the same.

    Nurse: Is it your feeling that no one understands you?

    – Client: My mother and my girlfriend always tell me what to do.

    Nurse: Is it your feeling that women are controlling?

    **Attempt to translate into feelings** – Client: It’s hopeless and I will not bother you anymore.

    Nurse: Are you suggesting that you feel useless and desire to give up?

    · That must be frustrating.

    **Suggest collaboration** – Maybe you and I can discuss further what makes you feel this way.

    **Summarize interaction** – You said that . . .

    · We have discussed . . .

    **Formulate plan of action** – What can you do to express your anger constructively?

    · When this happens again, how would you handle it?

    **Accurate empathy** – That must have been very difficult

    – I can’t imagine how painful that must have been

    \_\_\__________________________________________________________________________

    **_Non-Therapeutic Techniques Examples_**

    **Giving reassurance** – Everything will be all right.

    · Don’t worry about that.

    · You did all that you could.

    **Giving approval** – I am glad that you . . .

    · That is really good.

    · You did quite well.

    · You look pretty/handsome today

    **Rejecting** – I do not wish to discuss this any further.

    · Let us talk of something else.

    **Disapproving** – I wish you did not . . .

    · How many times did I tell you not to . . .

    **Agreeing** – I agree that …

    · You did it.

    **Giving advice** – Maybe you should . . .

    · This is the best way to . . .

    **Probing** – Now tell me about . . .

    · How is your sex life?

    **Challenging** – How can you be the Prime Minister?

    · If you are depressed, how can you function?

    **Testing** – Do you know what place this is?

    · Do you still feel that you are the Prime Minister?

    · Where are you now?

    **Making stereotyped comments** – Things will be better.

    · It’s really nice outside.

    · How are you? You are looking great.

    **Giving literal responses** – Client: I am a disciple sent by God.

    Nurse: St. Peter or St. Paul?

    · Client: I am here to spread the Gospel.

    Nurse: Gather the other clients then for group therapy and you can spread your gospel.

    **Requesting an explanation** – Why do you think that you are a disciple?

    · Why do you feel that way?

    · Why did you do that?

    **Belittling expressed feelings** – I know what you mean. I feel that way sometimes.

    · Everybody feels depressed every now and then.

    **Interpreting** – What you are saying is . . .

    · Perhaps unconsciously you want to . . .

    **Introducing unrelated topic** – Client: I wonder if my husband will be here

    **or Changing the subject** before surgery.

    Nurse: Did you go away for the summer?

    **Using denial** – Client: Perhaps I have cancer.

    Nurse: Don’t be silly. Not all surgery is for cancer.

    4

    **Processrecording.docx**

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  • [Solved] computering

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    Think of two day-to-day tasks that you do regularly. You will write one paragraph for each task. For the first task, describe the task and identify what parts could be written in pseudo code as a conditional statement. For the second task, describe the task and identify what parts could be written i…

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    Assignment Prompt & Instructions

    Think of two day-to-day tasks that you do regularly. You will write one paragraph for each task. For the first task, describe the task and identify what parts could be written in pseudo code as a conditional statement. For the second task, describe the task and identify what parts could be written in pseudo code as a looping structure. Then you will write the pseudo code statements with the proper structure and indentations for EACH task as you have described. There is an example/hint at the bottom of this assignment to help you on the pseudo code portion.

    Minimum requirements:

    A minimum of one full paragraphs for EACH task as explained above. (two paragraphs total)

    One full pseudo code statement for EACH task with proper indentations, syntax, and structure (two pseudo code statements total)

    Do not submit something that looks like an algorithm, you must submit pseudo code. See the examples below these requirements.

    Submit only one document via the link title above.

    Use paragraph structure and appropriate headings to organize your document. Use complete sentences and proper grammar and spelling.

    Place a header on your page that contains your first and last name, the assignment name, and the course code from page two of the syllabus.

    Your document must be one of the following formats (.doc, .docx, or .rtf).

    Cite any and all sources.

    Save the file as <LastNameFirstInitial_M7HW> Example: OserK_M7HW

    – a year ago

  • [Solved] Help

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    Help study – a year ago **files (2)** – ## CM.docx – ## cm2.pdf **## CM.docx** IN A MICROSOFT WORD .DOC document, answer *each* of the following questions as instructed. Part 1: Short Answer – Answer *EACH* of the following short-answer questions in no fewer than two paragraphs, each with three …

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    Assignment Prompt & Instructions

    Help study

    – a year ago

    **files (2)**

    – ## CM.docx

    – ## cm2.pdf

    **## CM.docx**

    IN A MICROSOFT WORD .DOC document, answer *each* of the following questions as instructed.

    Part 1: Short Answer – Answer *EACH* of the following short-answer questions in no fewer than two paragraphs, each with three to five sentences.

    1.) Identify one instance of irony in "Howl." Explain the author's intent and what makes this usage "ironic."

    2.) Note that "Howl" is written in three large segments, each with their own rhyme, meter, or rhythm. Choose one stanza and explain why the poet chose the scheme he chose. What effect does this scheme give to the reader? Cite specific passages.

    3.) Explain why you think "Howl" is "for Carl Solomon." (Hint: You'll have to understand why Mother was finally asterisked.)

    Part 2: Long Answer – Answer the following prompt in a 2-4 paragraph short essay (950-1200words).

    In "Howl," Allen Ginsberg makes multiple references to human sexuality, religion, and mental health. Choose one of these three themes. Once you've picked one, then in an essay totaling between 950 and 1200 words, a.) identify the prevailing image(s) the poet employs in Part I; AND b.) then explain how the theme you've chosen is brought to a close in the SECOND and THIRD parts of the poem. CITE SPECIFIC PASSAGES to back up your argument.

    **## cm2.pdf**

    Howl
    BY ALLEN GINSBERG
    For Carl Solomon

    I

    I saw the best minds of my generation destroyed by madness, starving hysterical naked,
    dragging themselves through the negro streets at dawn looking for an angry fix,
    angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the

    machinery of night,
    who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of

    cold-water flats floating across the tops of cities contemplating jazz,
    who bared their brains to Heaven under the El and saw Mohammedan angels staggering on

    tenement roofs illuminated,
    who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light

    tragedy among the scholars of war,
    who were expelled from the academies for crazy & publishing obscene odes on the windows of the

    skull,
    who cowered in unshaven rooms in underwear, burning their money in wastebaskets and listening

    to the Terror through the wall,
    who got busted in their pubic beards returning through Laredo with a belt of marijuana for New

    York,
    who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos

    night after night
    with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls,
    incomparable blind streets of shuddering cloud and lightning in the mind leaping toward poles of

    Canada & Paterson, illuminating all the motionless world of Time between,
    Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops,

    storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree
    vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind,

    who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine
    until the noise of wheels and children brought them down shuddering mouth-wracked and
    battered bleak of brain all drained of brilliance in the drear light of Zoo,

    who sank all night in submarine light of Bickford’s floated out and sat through the stale beer
    afternoon in desolate Fugazzi’s, listening to the crack of doom on the hydrogen jukebox,

    who talked continuously seventy hours from park to pad to bar to Bellevue to museum to the
    Brooklyn Bridge,

    a lost battalion of platonic conversationalists jumping down the stoops off fire escapes off
    windowsills off Empire State out of the moon,

    yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball
    kicks and shocks of hospitals and jails and wars,

    whole intellects disgorged in total recall for seven days and nights with brilliant eyes, meat for the
    Synagogue cast on the pavement,

    who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of
    Atlantic City Hall,

    suffering Eastern sweats and Tangerian bone-grindings and migraines of China under junk-
    withdrawal in Newark’s bleak furnished room,

    who wandered around and around at midnight in the railroad yard wondering where to go, and
    went, leaving no broken hearts,

    who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in
    grandfather night,

    who studied Plotinus Poe St. John of the Cross telepathy and bop kabbalah because the cosmos
    instinctively vibrated at their feet in Kansas,

    who loned it through the streets of Idaho seeking visionary indian angels who were visionary indian
    angels,

    who thought they were only mad when Baltimore gleamed in supernatural ecstasy,
    who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight

    streetlight smalltown rain,
    who lounged hungry and lonesome through Houston seeking jazz or sex or soup, and followed the

    brilliant Spaniard to converse about America and Eternity, a hopeless task, and so took ship to
    Africa,

    who disappeared into the volcanoes of Mexico leaving behind nothing but the shadow of dungarees
    and the lava and ash of poetry scattered in fireplace Chicago,

    who reappeared on the West Coast investigating the FBI in beards and shorts with big pacifist eyes
    sexy in their dark skin passing out incomprehensible leaflets,

    who burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism,
    who distributed Supercommunist pamphlets in Union Square weeping and undressing while the

    sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also
    wailed,

    who broke down crying in white gymnasiums naked and trembling before the machinery of other
    skeletons,

    who bit detectives in the neck and shrieked with delight in policecars for committing no crime but
    their own wild cooking pederasty and intoxication,

    who howled on their knees in the subway and were dragged off the roof waving genitals and
    manuscripts,

    who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy,
    who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and

    Caribbean love,
    who balled in the morning in the evenings in rosegardens and the grass of public parks and

    cemeteries scattering their semen freely to whomever come who may,
    who hiccuped endlessly trying to giggle but wound up with a sob behind a partition in a Turkish

    Bath when the blond & naked angel came to pierce them with a sword,
    who lost their loveboys to the three old shrews of fate the one eyed shrew of the heterosexual dollar

    the one eyed shrew that winks out of the womb and the one eyed shrew that does nothing but sit
    on her ass and snip the intellectual golden threads of the craftsman’s loom,

    who copulated ecstatic and insatiate with a bottle of beer a sweetheart a package of cigarettes a
    candle and fell off the bed, and continued along the floor and down the hall and ended fainting
    on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness,

    who sweetened the snatches of a million girls trembling in the sunset, and were red eyed in the
    morning but prepared to sweeten the snatch of the sunrise, flashing buttocks under barns and
    naked in the lake,

    who went out whoring through Colorado in myriad stolen night-cars, N.C., secret hero of these
    poems, cocksman and Adonis of Denver—joy to the memory of his innumerable lays of girls in

    empty lots & diner backyards, moviehouses’ rickety rows, on mountaintops in caves or with
    gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station
    solipsisms of johns, & hometown alleys too,

    who faded out in vast sordid movies, were shifted in dreams, woke on a sudden Manhattan, and
    picked themselves up out of basements hung-over with heartless Tokay and horrors of Third
    Avenue iron dreams & stumbled to unemployment offices,

    who walked all night with their shoes full of blood on the snowbank docks waiting for a door in the
    East River to open to a room full of steam-heat and opium,

    who created great suicidal dramas on the apartment cliff-banks of the Hudson under the wartime
    blue floodlight of the moon & their heads shall be crowned with laurel in oblivion,

    who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of
    Bowery,

    who wept at the romance of the streets with their pushcarts full of onions and bad music,
    who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in

    their lofts,
    who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded

    by orange crates of theology,
    who scribbled all night rocking and rolling over lofty incantations which in the yellow morning

    were stanzas of gibberish,
    who cooked rotten animals lung heart feet tail borsht & tortillas dreaming of the pure vegetable

    kingdom,
    who plunged themselves under meat trucks looking for an egg,
    who threw their watches off the roof to cast their ballot for Eternity outside of Time, & alarm

    clocks fell on their heads every day for the next decade,
    who cut their wrists three times successively unsuccessfully, gave up and were forced to open

    antique stores where they thought they were growing old and cried,
    who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden

    verse & the tanked-up clatter of the iron regiments of fashion & the nitroglycerine shrieks of the
    fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the
    drunken taxicabs of Absolute Reality,

    who jumped off the Brooklyn Bridge this actually happened and walked away unknown and
    forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free
    beer,

    who sang out of their windows in despair, fell out of the subway window, jumped in the filthy
    Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot
    smashed phonograph records of nostalgic European 1930s German jazz finished the whiskey and
    threw up groaning into the bloody toilet, moans in their ears and the blast of colossal
    steamwhistles,

    who barreled down the highways of the past journeying to each other’s hotrod-Golgotha jail-
    solitude watch or Birmingham jazz incarnation,

    who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had
    a vision to find out Eternity,

    who journeyed to Denver, who died in Denver, who came back to Denver & waited in vain, who
    watched over Denver & brooded & loned in Denver and finally went away to find out the Time,
    & now Denver is lonesome for her heroes,

    who fell on their knees in hopeless cathedrals praying for each other’s salvation and light and
    breasts, until the soul illuminated its hair for a second,

    who crashed through their minds in jail waiting for impossible criminals with golden heads and the
    charm of reality in their hearts who sang sweet blues to Alcatraz,

    who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha or Tangiers to boys or
    Southern Pacific to the black locomotive or Harvard to Narcissus to Woodlawn to the daisychain
    or grave,

    who demanded sanity trials accusing the radio of hypnotism & were left with their insanity & their
    hands & a hung jury,

    who threw potato salad at CCNY lecturers on Dadaism and subsequently presented themselves on
    the granite steps of the madhouse with shaven heads and harlequin speech of suicide, demanding
    instantaneous lobotomy,

    and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy
    psychotherapy occupational therapy pingpong & amnesia,

    who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia,
    returning years later truly bald except for a wig of blood, and tears and fingers, to the visible

    madman doom of the wards of the madtowns of the East,
    Pilgrim State’s Rockland’s and Greystone’s foetid halls, bickering with the echoes of the soul,

    rocking and rolling in the midnight solitude-bench dolmen-realms of love, dream of life a
    nightmare, bodies turned to stone as heavy as the moon,

    with mother finally ******, and the last fantastic book flung out of the tenement window, and the
    last door closed at 4 A.M. and the last telephone slammed at the wall in reply and the last
    furnished room emptied down to the last piece of mental furniture, a yellow paper rose twisted
    on a wire hanger in the closet, and even that imaginary, nothing but a hopeful little bit of
    hallucination—

    ah, Carl, while you are not safe I am not safe, and now you’re really in the total animal soup of
    time—

    and who therefore ran through the icy streets obsessed with a sudden flash of the alchemy of the
    use of the ellipsis catalogue a variable measure and the vibrating plane,

    who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the
    archangel of the soul between 2 visual images and joined the elemental verbs and set the noun
    and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus

    to recreate the syntax and measure of poor human prose and stand before you speechless and
    intelligent and shaking with shame, rejected yet confessing out the soul to conform to the rhythm
    of thought in his naked and endless head,

    the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say
    in time come after death,

    and rose reincarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the
    suffering of America’s naked mind for love into an eli eli lamma lamma sabacthani saxophone
    cry that shivered the cities down to the last radio

    with the absolute heart of the poem of life butchered out of their own bodies good to eat a thousand
    years.

    II

    What sphinx of cement and aluminum bashed open their skulls and ate up their brains and
    imagination?

    Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under
    the stairways! Boys sobbing in armies! Old men weeping in the parks!

    Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy
    judger of men!

    Moloch the incomprehensible prison! Moloch the crossbone soulless jailhouse and Congress of
    sorrows! Moloch whose buildings are judgment! Moloch the vast stone of war! Moloch the
    stunned governments!

    Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose
    fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a
    smoking tomb!

    Moloch whose eyes are a thousand blind windows! Moloch whose skyscrapers stand in the long
    streets like endless Jehovahs! Moloch whose factories dream and croak in the fog! Moloch
    whose smoke-stacks and antennae crown the cities!

    Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch
    whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen!
    Moloch whose name is the Mind!

    Moloch in whom I sit lonely! Moloch in whom I dream Angels! Crazy in Moloch! Cocksucker in
    Moloch! Lacklove and manless in Moloch!

    Moloch who entered my soul early! Moloch in whom I am a consciousness without a body!
    Moloch who frightened me out of my natural ecstasy! Moloch whom I abandon! Wake up in
    Moloch! Light streaming out of the sky!

    Moloch! Moloch! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic
    industries! spectral nations! invincible madhouses! granite cocks! monstrous bombs!

    They broke their backs lifting Moloch to Heaven! Pavements, trees, radios, tons! lifting the city to
    Heaven which exists and is everywhere about us!

    Visions! omens! hallucinations! miracles! ecstasies! gone down the American river!
    Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit!
    Breakthroughs! over the river! flips and crucifixions! gone down the flood! Highs! Epiphanies!

    Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on
    the rocks of Time!

    Real holy laughter in the river! They saw it all! the wild eyes! the holy yells! They bade farewell!
    They jumped off the roof! to solitude! waving! carrying flowers! Down to the river! into the
    street!

    III

    Carl Solomon! I’m with you in Rockland
    where you’re madder than I am
    I’m with you in Rockland
    where you must feel very strange
    I’m with you in Rockland
    where you imitate the shade of my mother
    I’m with you in Rockland

    where you’ve murdered your twelve secretaries
    I’m with you in Rockland
    where you laugh at this invisible humor
    I’m with you in Rockland
    where we are great writers on the same dreadful typewriter
    I’m with you in Rockland
    where your condition has become serious and is reported on the radio
    I’m with you in Rockland
    where the faculties of the skull no longer admit the worms of the senses
    I'm with you in Rockland
    where you drink the tea of the breasts of the spinsters of Utica
    I’m with you in Rockland
    where you pun on the bodies of your nurses the harpies of the Bronx
    I’m with you in Rockland
    where you scream in a straightjacket that you’re losing the game of the actual pingpong of the

    abyss
    I’m with you in Rockland
    where you bang on the catatonic piano the soul is innocent and immortal it should never die

    ungodly in an armed madhouse
    I’m with you in Rockland
    where fifty more shocks will never return your soul to its body again from its pilgrimage to a

    cross in the void
    I’m with you in Rockland
    where you accuse your doctors of insanity and plot the Hebrew socialist revolution against the

    fascist national Golgotha
    I’m with you in Rockland
    where you will split the heavens of Long Island and resurrect your living human Jesus from the

    superhuman tomb
    I’m with you in Rockland
    where there are twentyfive thousand mad comrades all together singing the final stanzas of the

    Internationale
    I’m with you in Rockland
    where we hug and kiss the United States under our bedsheets the United States that coughs all

    night and won’t let us sleep
    I’m with you in Rockland
    where we wake up electrified out of the coma by our own souls’ airplanes roaring over the roof

    they’ve come to drop angelic bombs the hospital illuminates itself imaginary walls
    collapse O skinny legions run outside O starry-spangled shock of mercy the eternal war is
    here O victory forget your underwear we’re free

    I’m with you in Rockland
    in my dreams you walk dripping from a sea-journey on the highway across America in tears to

    the door of my cottage in the Western night

    San Francisco, 1955—1956

    **## cm2.pdf**

    Howl
    BY ALLEN GINSBERG
    For Carl Solomon

    I

    I saw the best minds of my generation destroyed by madness, starving hysterical naked,
    dragging themselves through the negro streets at dawn looking for an angry fix,
    angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the

    machinery of night,
    who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of

    cold-water flats floating across the tops of cities contemplating jazz,
    who bared their brains to Heaven under the El and saw Mohammedan angels staggering on

    tenement roofs illuminated,
    who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light

    tragedy among the scholars of war,
    who were expelled from the academies for crazy & publishing obscene odes on the windows of the

    skull,
    who cowered in unshaven rooms in underwear, burning their money in wastebaskets and listening

    to the Terror through the wall,
    who got busted in their pubic beards returning through Laredo with a belt of marijuana for New

    York,
    who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos

    night after night
    with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls,
    incomparable blind streets of shuddering cloud and lightning in the mind leaping toward poles of

    Canada & Paterson, illuminating all the motionless world of Time between,
    Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops,

    storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree
    vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind,

    who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine
    until the noise of wheels and children brought them down shuddering mouth-wracked and
    battered bleak of brain all drained of brilliance in the drear light of Zoo,

    who sank all night in submarine light of Bickford’s floated out and sat through the stale beer
    afternoon in desolate Fugazzi’s, listening to the crack of doom on the hydrogen jukebox,

    who talked continuously seventy hours from park to pad to bar to Bellevue to museum to the
    Brooklyn Bridge,

    a lost battalion of platonic conversationalists jumping down the stoops off fire escapes off
    windowsills off Empire State out of the moon,

    yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball
    kicks and shocks of hospitals and jails and wars,

    whole intellects disgorged in total recall for seven days and nights with brilliant eyes, meat for the
    Synagogue cast on the pavement,

    who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of
    Atlantic City Hall,

    suffering Eastern sweats and Tangerian bone-grindings and migraines of China under junk-
    withdrawal in Newark’s bleak furnished room,

    who wandered around and around at midnight in the railroad yard wondering where to go, and
    went, leaving no broken hearts,

    who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in
    grandfather night,

    who studied Plotinus Poe St. John of the Cross telepathy and bop kabbalah because the cosmos
    instinctively vibrated at their feet in Kansas,

    who loned it through the streets of Idaho seeking visionary indian angels who were visionary indian
    angels,

    who thought they were only mad when Baltimore gleamed in supernatural ecstasy,
    who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight

    streetlight smalltown rain,
    who lounged hungry and lonesome through Houston seeking jazz or sex or soup, and followed the

    brilliant Spaniard to converse about America and Eternity, a hopeless task, and so took ship to
    Africa,

    who disappeared into the volcanoes of Mexico leaving behind nothing but the shadow of dungarees
    and the lava and ash of poetry scattered in fireplace Chicago,

    who reappeared on the West Coast investigating the FBI in beards and shorts with big pacifist eyes
    sexy in their dark skin passing out incomprehensible leaflets,

    who burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism,
    who distributed Supercommunist pamphlets in Union Square weeping and undressing while the

    sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also
    wailed,

    who broke down crying in white gymnasiums naked and trembling before the machinery of other
    skeletons,

    who bit detectives in the neck and shrieked with delight in policecars for committing no crime but
    their own wild cooking pederasty and intoxication,

    who howled on their knees in the subway and were dragged off the roof waving genitals and
    manuscripts,

    who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy,
    who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and

    Caribbean love,
    who balled in the morning in the evenings in rosegardens and the grass of public parks and

    cemeteries scattering their semen freely to whomever come who may,
    who hiccuped endlessly trying to giggle but wound up with a sob behind a partition in a Turkish

    Bath when the blond & naked angel came to pierce them with a sword,
    who lost their loveboys to the three old shrews of fate the one eyed shrew of the heterosexual dollar

    the one eyed shrew that winks out of the womb and the one eyed shrew that does nothing but sit
    on her ass and snip the intellectual golden threads of the craftsman’s loom,

    who copulated ecstatic and insatiate with a bottle of beer a sweetheart a package of cigarettes a
    candle and fell off the bed, and continued along the floor and down the hall and ended fainting
    on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness,

    who sweetened the snatches of a million girls trembling in the sunset, and were red eyed in the
    morning but prepared to sweeten the snatch of the sunrise, flashing buttocks under barns and
    naked in the lake,

    who went out whoring through Colorado in myriad stolen night-cars, N.C., secret hero of these
    poems, cocksman and Adonis of Denver—joy to the memory of his innumerable lays of girls in

    empty lots & diner backyards, moviehouses’ rickety rows, on mountaintops in caves or with
    gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station
    solipsisms of johns, & hometown alleys too,

    who faded out in vast sordid movies, were shifted in dreams, woke on a sudden Manhattan, and
    picked themselves up out of basements hung-over with heartless Tokay and horrors of Third
    Avenue iron dreams & stumbled to unemployment offices,

    who walked all night with their shoes full of blood on the snowbank docks waiting for a door in the
    East River to open to a room full of steam-heat and opium,

    who created great suicidal dramas on the apartment cliff-banks of the Hudson under the wartime
    blue floodlight of the moon & their heads shall be crowned with laurel in oblivion,

    who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of
    Bowery,

    who wept at the romance of the streets with their pushcarts full of onions and bad music,
    who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in

    their lofts,
    who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded

    by orange crates of theology,
    who scribbled all night rocking and rolling over lofty incantations which in the yellow morning

    were stanzas of gibberish,
    who cooked rotten animals lung heart feet tail borsht & tortillas dreaming of the pure vegetable

    kingdom,
    who plunged themselves under meat trucks looking for an egg,
    who threw their watches off the roof to cast their ballot for Eternity outside of Time, & alarm

    clocks fell on their heads every day for the next decade,
    who cut their wrists three times successively unsuccessfully, gave up and were forced to open

    antique stores where they thought they were growing old and cried,
    who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden

    verse & the tanked-up clatter of the iron regiments of fashion & the nitroglycerine shrieks of the
    fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the
    drunken taxicabs of Absolute Reality,

    who jumped off the Brooklyn Bridge this actually happened and walked away unknown and
    forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free
    beer,

    who sang out of their windows in despair, fell out of the subway window, jumped in the filthy
    Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot
    smashed phonograph records of nostalgic European 1930s German jazz finished the whiskey and
    threw up groaning into the bloody toilet, moans in their ears and the blast of colossal
    steamwhistles,

    who barreled down the highways of the past journeying to each other’s hotrod-Golgotha jail-
    solitude watch or Birmingham jazz incarnation,

    who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had
    a vision to find out Eternity,

    who journeyed to Denver, who died in Denver, who came back to Denver & waited in vain, who
    watched over Denver & brooded & loned in Denver and finally went away to find out the Time,
    & now Denver is lonesome for her heroes,

    who fell on their knees in hopeless cathedrals praying for each other’s salvation and light and
    breasts, until the soul illuminated its hair for a second,

    who crashed through their minds in jail waiting for impossible criminals with golden heads and the
    charm of reality in their hearts who sang sweet blues to Alcatraz,

    who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha or Tangiers to boys or
    Southern Pacific to the black locomotive or Harvard to Narcissus to Woodlawn to the daisychain
    or grave,

    who demanded sanity trials accusing the radio of hypnotism & were left with their insanity & their
    hands & a hung jury,

    who threw potato salad at CCNY lecturers on Dadaism and subsequently presented themselves on
    the granite steps of the madhouse with shaven heads and harlequin speech of suicide, demanding
    instantaneous lobotomy,

    and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy
    psychotherapy occupational therapy pingpong & amnesia,

    who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia,
    returning years later truly bald except for a wig of blood, and tears and fingers, to the visible

    madman doom of the wards of the madtowns of the East,
    Pilgrim State’s Rockland’s and Greystone’s foetid halls, bickering with the echoes of the soul,

    rocking and rolling in the midnight solitude-bench dolmen-realms of love, dream of life a
    nightmare, bodies turned to stone as heavy as the moon,

    with mother finally ******, and the last fantastic book flung out of the tenement window, and the
    last door closed at 4 A.M. and the last telephone slammed at the wall in reply and the last
    furnished room emptied down to the last piece of mental furniture, a yellow paper rose twisted
    on a wire hanger in the closet, and even that imaginary, nothing but a hopeful little bit of
    hallucination—

    ah, Carl, while you are not safe I am not safe, and now you’re really in the total animal soup of
    time—

    and who therefore ran through the icy streets obsessed with a sudden flash of the alchemy of the
    use of the ellipsis catalogue a variable measure and the vibrating plane,

    who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the
    archangel of the soul between 2 visual images and joined the elemental verbs and set the noun
    and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus

    to recreate the syntax and measure of poor human prose and stand before you speechless and
    intelligent and shaking with shame, rejected yet confessing out the soul to conform to the rhythm
    of thought in his naked and endless head,

    the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say
    in time come after death,

    and rose reincarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the
    suffering of America’s naked mind for love into an eli eli lamma lamma sabacthani saxophone
    cry that shivered the cities down to the last radio

    with the absolute heart of the poem of life butchered out of their own bodies good to eat a thousand
    years.

    II

    What sphinx of cement and aluminum bashed open their skulls and ate up their brains and
    imagination?

    Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under
    the stairways! Boys sobbing in armies! Old men weeping in the parks!

    Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy
    judger of men!

    Moloch the incomprehensible prison! Moloch the crossbone soulless jailhouse and Congress of
    sorrows! Moloch whose buildings are judgment! Moloch the vast stone of war! Moloch the
    stunned governments!

    Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose
    fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a
    smoking tomb!

    Moloch whose eyes are a thousand blind windows! Moloch whose skyscrapers stand in the long
    streets like endless Jehovahs! Moloch whose factories dream and croak in the fog! Moloch
    whose smoke-stacks and antennae crown the cities!

    Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch
    whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen!
    Moloch whose name is the Mind!

    Moloch in whom I sit lonely! Moloch in whom I dream Angels! Crazy in Moloch! Cocksucker in
    Moloch! Lacklove and manless in Moloch!

    Moloch who entered my soul early! Moloch in whom I am a consciousness without a body!
    Moloch who frightened me out of my natural ecstasy! Moloch whom I abandon! Wake up in
    Moloch! Light streaming out of the sky!

    Moloch! Moloch! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic
    industries! spectral nations! invincible madhouses! granite cocks! monstrous bombs!

    They broke their backs lifting Moloch to Heaven! Pavements, trees, radios, tons! lifting the city to
    Heaven which exists and is everywhere about us!

    Visions! omens! hallucinations! miracles! ecstasies! gone down the American river!
    Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit!
    Breakthroughs! over the river! flips and crucifixions! gone down the flood! Highs! Epiphanies!

    Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on
    the rocks of Time!

    Real holy laughter in the river! They saw it all! the wild eyes! the holy yells! They bade farewell!
    They jumped off the roof! to solitude! waving! carrying flowers! Down to the river! into the
    street!

    III

    Carl Solomon! I’m with you in Rockland
    where you’re madder than I am
    I’m with you in Rockland
    where you must feel very strange
    I’m with you in Rockland
    where you imitate the shade of my mother
    I’m with you in Rockland

    where you’ve murdered your twelve secretaries
    I’m with you in Rockland
    where you laugh at this invisible humor
    I’m with you in Rockland
    where we are great writers on the same dreadful typewriter
    I’m with you in Rockland
    where your condition has become serious and is reported on the radio
    I’m with you in Rockland
    where the faculties of the skull no longer admit the worms of the senses
    I'm with you in Rockland
    where you drink the tea of the breasts of the spinsters of Utica
    I’m with you in Rockland
    where you pun on the bodies of your nurses the harpies of the Bronx
    I’m with you in Rockland
    where you scream in a straightjacket that you’re losing the game of the actual pingpong of the

    abyss
    I’m with you in Rockland
    where you bang on the catatonic piano the soul is innocent and immortal it should never die

    ungodly in an armed madhouse
    I’m with you in Rockland
    where fifty more shocks will never return your soul to its body again from its pilgrimage to a

    cross in the void
    I’m with you in Rockland
    where you accuse your doctors of insanity and plot the Hebrew socialist revolution against the

    fascist national Golgotha
    I’m with you in Rockland
    where you will split the heavens of Long Island and resurrect your living human Jesus from the

    superhuman tomb
    I’m with you in Rockland
    where there are twentyfive thousand mad comrades all together singing the final stanzas of the

    Internationale
    I’m with you in Rockland
    where we hug and kiss the United States under our bedsheets the United States that coughs all

    night and won’t let us sleep
    I’m with you in Rockland
    where we wake up electrified out of the coma by our own souls’ airplanes roaring over the roof

    they’ve come to drop angelic bombs the hospital illuminates itself imaginary walls
    collapse O skinny legions run outside O starry-spangled shock of mercy the eternal war is
    here O victory forget your underwear we’re free

    I’m with you in Rockland
    in my dreams you walk dripping from a sea-journey on the highway across America in tears to

    the door of my cottage in the Western night

    San Francisco, 1955—1956

    **## CM.docx**

    IN A MICROSOFT WORD .DOC document, answer *each* of the following questions as instructed.

    Part 1: Short Answer – Answer *EACH* of the following short-answer questions in no fewer than two paragraphs, each with three to five sentences.

    1.) Identify one instance of irony in "Howl." Explain the author's intent and what makes this usage "ironic."

    2.) Note that "Howl" is written in three large segments, each with their own rhyme, meter, or rhythm. Choose one stanza and explain why the poet chose the scheme he chose. What effect does this scheme give to the reader? Cite specific passages.

    3.) Explain why you think "Howl" is "for Carl Solomon." (Hint: You'll have to understand why Mother was finally asterisked.)

    Part 2: Long Answer – Answer the following prompt in a 2-4 paragraph short essay (950-1200words).

    In "Howl," Allen Ginsberg makes multiple references to human sexuality, religion, and mental health. Choose one of these three themes. Once you've picked one, then in an essay totaling between 950 and 1200 words, a.) identify the prevailing image(s) the poet employs in Part I; AND b.) then explain how the theme you've chosen is brought to a close in the SECOND and THIRD parts of the poem. CITE SPECIFIC PASSAGES to back up your argument.

    **## cm2.pdf**

    Howl
    BY ALLEN GINSBERG
    For Carl Solomon

    I

    I saw the best minds of my generation destroyed by madness, starving hysterical naked,
    dragging themselves through the negro streets at dawn looking for an angry fix,
    angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the

    machinery of night,
    who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of

    cold-water flats floating across the tops of cities contemplating jazz,
    who bared their brains to Heaven under the El and saw Mohammedan angels staggering on

    tenement roofs illuminated,
    who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light

    tragedy among the scholars of war,
    who were expelled from the academies for crazy & publishing obscene odes on the windows of the

    skull,
    who cowered in unshaven rooms in underwear, burning their money in wastebaskets and listening

    to the Terror through the wall,
    who got busted in their pubic beards returning through Laredo with a belt of marijuana for New

    York,
    who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos

    night after night
    with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls,
    incomparable blind streets of shuddering cloud and lightning in the mind leaping toward poles of

    Canada & Paterson, illuminating all the motionless world of Time between,
    Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops,

    storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree
    vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind,

    who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine
    until the noise of wheels and children brought them down shuddering mouth-wracked and
    battered bleak of brain all drained of brilliance in the drear light of Zoo,

    who sank all night in submarine light of Bickford’s floated out and sat through the stale beer
    afternoon in desolate Fugazzi’s, listening to the crack of doom on the hydrogen jukebox,

    who talked continuously seventy hours from park to pad to bar to Bellevue to museum to the
    Brooklyn Bridge,

    a lost battalion of platonic conversationalists jumping down the stoops off fire escapes off
    windowsills off Empire State out of the moon,

    yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball
    kicks and shocks of hospitals and jails and wars,

    whole intellects disgorged in total recall for seven days and nights with brilliant eyes, meat for the
    Synagogue cast on the pavement,

    who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of
    Atlantic City Hall,

    suffering Eastern sweats and Tangerian bone-grindings and migraines of China under junk-
    withdrawal in Newark’s bleak furnished room,

    who wandered around and around at midnight in the railroad yard wondering where to go, and
    went, leaving no broken hearts,

    who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in
    grandfather night,

    who studied Plotinus Poe St. John of the Cross telepathy and bop kabbalah because the cosmos
    instinctively vibrated at their feet in Kansas,

    who loned it through the streets of Idaho seeking visionary indian angels who were visionary indian
    angels,

    who thought they were only mad when Baltimore gleamed in supernatural ecstasy,
    who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight

    streetlight smalltown rain,
    who lounged hungry and lonesome through Houston seeking jazz or sex or soup, and followed the

    brilliant Spaniard to converse about America and Eternity, a hopeless task, and so took ship to
    Africa,

    who disappeared into the volcanoes of Mexico leaving behind nothing but the shadow of dungarees
    and the lava and ash of poetry scattered in fireplace Chicago,

    who reappeared on the West Coast investigating the FBI in beards and shorts with big pacifist eyes
    sexy in their dark skin passing out incomprehensible leaflets,

    who burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism,
    who distributed Supercommunist pamphlets in Union Square weeping and undressing while the

    sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also
    wailed,

    who broke down crying in white gymnasiums naked and trembling before the machinery of other
    skeletons,

    who bit detectives in the neck and shrieked with delight in policecars for committing no crime but
    their own wild cooking pederasty and intoxication,

    who howled on their knees in the subway and were dragged off the roof waving genitals and
    manuscripts,

    who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy,
    who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and

    Caribbean love,
    who balled in the morning in the evenings in rosegardens and the grass of public parks and

    cemeteries scattering their semen freely to whomever come who may,
    who hiccuped endlessly trying to giggle but wound up with a sob behind a partition in a Turkish

    Bath when the blond & naked angel came to pierce them with a sword,
    who lost their loveboys to the three old shrews of fate the one eyed shrew of the heterosexual dollar

    the one eyed shrew that winks out of the womb and the one eyed shrew that does nothing but sit
    on her ass and snip the intellectual golden threads of the craftsman’s loom,

    who copulated ecstatic and insatiate with a bottle of beer a sweetheart a package of cigarettes a
    candle and fell off the bed, and continued along the floor and down the hall and ended fainting
    on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness,

    who sweetened the snatches of a million girls trembling in the sunset, and were red eyed in the
    morning but prepared to sweeten the snatch of the sunrise, flashing buttocks under barns and
    naked in the lake,

    who went out whoring through Colorado in myriad stolen night-cars, N.C., secret hero of these
    poems, cocksman and Adonis of Denver—joy to the memory of his innumerable lays of girls in

    empty lots & diner backyards, moviehouses’ rickety rows, on mountaintops in caves or with
    gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station
    solipsisms of johns, & hometown alleys too,

    who faded out in vast sordid movies, were shifted in dreams, woke on a sudden Manhattan, and
    picked themselves up out of basements hung-over with heartless Tokay and horrors of Third
    Avenue iron dreams & stumbled to unemployment offices,

    who walked all night with their shoes full of blood on the snowbank docks waiting for a door in the
    East River to open to a room full of steam-heat and opium,

    who created great suicidal dramas on the apartment cliff-banks of the Hudson under the wartime
    blue floodlight of the moon & their heads shall be crowned with laurel in oblivion,

    who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of
    Bowery,

    who wept at the romance of the streets with their pushcarts full of onions and bad music,
    who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in

    their lofts,
    who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded

    by orange crates of theology,
    who scribbled all night rocking and rolling over lofty incantations which in the yellow morning

    were stanzas of gibberish,
    who cooked rotten animals lung heart feet tail borsht & tortillas dreaming of the pure vegetable

    kingdom,
    who plunged themselves under meat trucks looking for an egg,
    who threw their watches off the roof to cast their ballot for Eternity outside of Time, & alarm

    clocks fell on their heads every day for the next decade,
    who cut their wrists three times successively unsuccessfully, gave up and were forced to open

    antique stores where they thought they were growing old and cried,
    who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden

    verse & the tanked-up clatter of the iron regiments of fashion & the nitroglycerine shrieks of the
    fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the
    drunken taxicabs of Absolute Reality,

    who jumped off the Brooklyn Bridge this actually happened and walked away unknown and
    forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free
    beer,

    who sang out of their windows in despair, fell out of the subway window, jumped in the filthy
    Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot
    smashed phonograph records of nostalgic European 1930s German jazz finished the whiskey and
    threw up groaning into the bloody toilet, moans in their ears and the blast of colossal
    steamwhistles,

    who barreled down the highways of the past journeying to each other’s hotrod-Golgotha jail-
    solitude watch or Birmingham jazz incarnation,

    who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had
    a vision to find out Eternity,

    who journeyed to Denver, who died in Denver, who came back to Denver & waited in vain, who
    watched over Denver & brooded & loned in Denver and finally went away to find out the Time,
    & now Denver is lonesome for her heroes,

    who fell on their knees in hopeless cathedrals praying for each other’s salvation and light and
    breasts, until the soul illuminated its hair for a second,

    who crashed through their minds in jail waiting for impossible criminals with golden heads and the
    charm of reality in their hearts who sang sweet blues to Alcatraz,

    who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha or Tangiers to boys or
    Southern Pacific to the black locomotive or Harvard to Narcissus to Woodlawn to the daisychain
    or grave,

    who demanded sanity trials accusing the radio of hypnotism & were left with their insanity & their
    hands & a hung jury,

    who threw potato salad at CCNY lecturers on Dadaism and subsequently presented themselves on
    the granite steps of the madhouse with shaven heads and harlequin speech of suicide, demanding
    instantaneous lobotomy,

    and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy
    psychotherapy occupational therapy pingpong & amnesia,

    who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia,
    returning years later truly bald except for a wig of blood, and tears and fingers, to the visible

    madman doom of the wards of the madtowns of the East,
    Pilgrim State’s Rockland’s and Greystone’s foetid halls, bickering with the echoes of the soul,

    rocking and rolling in the midnight solitude-bench dolmen-realms of love, dream of life a
    nightmare, bodies turned to stone as heavy as the moon,

    with mother finally ******, and the last fantastic book flung out of the tenement window, and the
    last door closed at 4 A.M. and the last telephone slammed at the wall in reply and the last
    furnished room emptied down to the last piece of mental furniture, a yellow paper rose twisted
    on a wire hanger in the closet, and even that imaginary, nothing but a hopeful little bit of
    hallucination—

    ah, Carl, while you are not safe I am not safe, and now you’re really in the total animal soup of
    time—

    and who therefore ran through the icy streets obsessed with a sudden flash of the alchemy of the
    use of the ellipsis catalogue a variable measure and the vibrating plane,

    who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the
    archangel of the soul between 2 visual images and joined the elemental verbs and set the noun
    and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus

    to recreate the syntax and measure of poor human prose and stand before you speechless and
    intelligent and shaking with shame, rejected yet confessing out the soul to conform to the rhythm
    of thought in his naked and endless head,

    the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say
    in time come after death,

    and rose reincarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the
    suffering of America’s naked mind for love into an eli eli lamma lamma sabacthani saxophone
    cry that shivered the cities down to the last radio

    with the absolute heart of the poem of life butchered out of their own bodies good to eat a thousand
    years.

    II

    What sphinx of cement and aluminum bashed open their skulls and ate up their brains and
    imagination?

    Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under
    the stairways! Boys sobbing in armies! Old men weeping in the parks!

    Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy
    judger of men!

    Moloch the incomprehensible prison! Moloch the crossbone soulless jailhouse and Congress of
    sorrows! Moloch whose buildings are judgment! Moloch the vast stone of war! Moloch the
    stunned governments!

    Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose
    fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a
    smoking tomb!

    Moloch whose eyes are a thousand blind windows! Moloch whose skyscrapers stand in the long
    streets like endless Jehovahs! Moloch whose factories dream and croak in the fog! Moloch
    whose smoke-stacks and antennae crown the cities!

    Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch
    whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen!
    Moloch whose name is the Mind!

    Moloch in whom I sit lonely! Moloch in whom I dream Angels! Crazy in Moloch! Cocksucker in
    Moloch! Lacklove and manless in Moloch!

    Moloch who entered my soul early! Moloch in whom I am a consciousness without a body!
    Moloch who frightened me out of my natural ecstasy! Moloch whom I abandon! Wake up in
    Moloch! Light streaming out of the sky!

    Moloch! Moloch! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic
    industries! spectral nations! invincible madhouses! granite cocks! monstrous bombs!

    They broke their backs lifting Moloch to Heaven! Pavements, trees, radios, tons! lifting the city to
    Heaven which exists and is everywhere about us!

    Visions! omens! hallucinations! miracles! ecstasies! gone down the American river!
    Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit!
    Breakthroughs! over the river! flips and crucifixions! gone down the flood! Highs! Epiphanies!

    Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on
    the rocks of Time!

    Real holy laughter in the river! They saw it all! the wild eyes! the holy yells! They bade farewell!
    They jumped off the roof! to solitude! waving! carrying flowers! Down to the river! into the
    street!

    III

    Carl Solomon! I’m with you in Rockland
    where you’re madder than I am
    I’m with you in Rockland
    where you must feel very strange
    I’m with you in Rockland
    where you imitate the shade of my mother
    I’m with you in Rockland

    where you’ve murdered your twelve secretaries
    I’m with you in Rockland
    where you laugh at this invisible humor
    I’m with you in Rockland
    where we are great writers on the same dreadful typewriter
    I’m with you in Rockland
    where your condition has become serious and is reported on the radio
    I’m with you in Rockland
    where the faculties of the skull no longer admit the worms of the senses
    I'm with you in Rockland
    where you drink the tea of the breasts of the spinsters of Utica
    I’m with you in Rockland
    where you pun on the bodies of your nurses the harpies of the Bronx
    I’m with you in Rockland
    where you scream in a straightjacket that you’re losing the game of the actual pingpong of the

    abyss
    I’m with you in Rockland
    where you bang on the catatonic piano the soul is innocent and immortal it should never die

    ungodly in an armed madhouse
    I’m with you in Rockland
    where fifty more shocks will never return your soul to its body again from its pilgrimage to a

    cross in the void
    I’m with you in Rockland
    where you accuse your doctors of insanity and plot the Hebrew socialist revolution against the

    fascist national Golgotha
    I’m with you in Rockland
    where you will split the heavens of Long Island and resurrect your living human Jesus from the

    superhuman tomb
    I’m with you in Rockland
    where there are twentyfive thousand mad comrades all together singing the final stanzas of the

    Internationale
    I’m with you in Rockland
    where we hug and kiss the United States under our bedsheets the United States that coughs all

    night and won’t let us sleep
    I’m with you in Rockland
    where we wake up electrified out of the coma by our own souls’ airplanes roaring over the roof

    they’ve come to drop angelic bombs the hospital illuminates itself imaginary walls
    collapse O skinny legions run outside O starry-spangled shock of mercy the eternal war is
    here O victory forget your underwear we’re free

    I’m with you in Rockland
    in my dreams you walk dripping from a sea-journey on the highway across America in tears to

    the door of my cottage in the Western night

    San Francisco, 1955—1956

    **## CM.docx**

    IN A MICROSOFT WORD .DOC document, answer *each* of the following questions as instructed.

    Part 1: Short Answer – Answer *EACH* of the following short-answer questions in no fewer than two paragraphs, each with three to five sentences.

    1.) Identify one instance of irony in "Howl." Explain the author's intent and what makes this usage "ironic."

    2.) Note that "Howl" is written in three large segments, each with their own rhyme, meter, or rhythm. Choose one stanza and explain why the poet chose the scheme he chose. What effect does this scheme give to the reader? Cite specific passages.

    3.) Explain why you think "Howl" is "for Carl Solomon." (Hint: You'll have to understand why Mother was finally asterisked.)

    Part 2: Long Answer – Answer the following prompt in a 2-4 paragraph short essay (950-1200words).

    In "Howl," Allen Ginsberg makes multiple references to human sexuality, religion, and mental health. Choose one of these three themes. Once you've picked one, then in an essay totaling between 950 and 1200 words, a.) identify the prevailing image(s) the poet employs in Part I; AND b.) then explain how the theme you've chosen is brought to a close in the SECOND and THIRD parts of the poem. CITE SPECIFIC PASSAGES to back up your argument.

    **## cm2.pdf**

    Howl
    BY ALLEN GINSBERG
    For Carl Solomon

    I

    I saw the best minds of my generation destroyed by madness, starving hysterical naked,
    dragging themselves through the negro streets at dawn looking for an angry fix,
    angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the

    machinery of night,
    who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of

    cold-water flats floating across the tops of cities contemplating jazz,
    who bared their brains to Heaven under the El and saw Mohammedan angels staggering on

    tenement roofs illuminated,
    who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light

    tragedy among the scholars of war,
    who were expelled from the academies for crazy & publishing obscene odes on the windows of the

    skull,
    who cowered in unshaven rooms in underwear, burning their money in wastebaskets and listening

    to the Terror through the wall,
    who got busted in their pubic beards returning through Laredo with a belt of marijuana for New

    York,
    who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos

    night after night
    with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls,
    incomparable blind streets of shuddering cloud and lightning in the mind leaping toward poles of

    Canada & Paterson, illuminating all the motionless world of Time between,
    Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops,

    storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree
    vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind,

    who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine
    until the noise of wheels and children brought them down shuddering mouth-wracked and
    battered bleak of brain all drained of brilliance in the drear light of Zoo,

    who sank all night in submarine light of Bickford’s floated out and sat through the stale beer
    afternoon in desolate Fugazzi’s, listening to the crack of doom on the hydrogen jukebox,

    who talked continuously seventy hours from park to pad to bar to Bellevue to museum to the
    Brooklyn Bridge,

    a lost battalion of platonic conversationalists jumping down the stoops off fire escapes off
    windowsills off Empire State out of the moon,

    yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball
    kicks and shocks of hospitals and jails and wars,

    whole intellects disgorged in total recall for seven days and nights with brilliant eyes, meat for the
    Synagogue cast on the pavement,

    who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of
    Atlantic City Hall,

    suffering Eastern sweats and Tangerian bone-grindings and migraines of China under junk-
    withdrawal in Newark’s bleak furnished room,

    who wandered around and around at midnight in the railroad yard wondering where to go, and
    went, leaving no broken hearts,

    who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in
    grandfather night,

    who studied Plotinus Poe St. John of the Cross telepathy and bop kabbalah because the cosmos
    instinctively vibrated at their feet in Kansas,

    who loned it through the streets of Idaho seeking visionary indian angels who were visionary indian
    angels,

    who thought they were only mad when Baltimore gleamed in supernatural ecstasy,
    who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight

    streetlight smalltown rain,
    who lounged hungry and lonesome through Houston seeking jazz or sex or soup, and followed the

    brilliant Spaniard to converse about America and Eternity, a hopeless task, and so took ship to
    Africa,

    who disappeared into the volcanoes of Mexico leaving behind nothing but the shadow of dungarees
    and the lava and ash of poetry scattered in fireplace Chicago,

    who reappeared on the West Coast investigating the FBI in beards and shorts with big pacifist eyes
    sexy in their dark skin passing out incomprehensible leaflets,

    who burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism,
    who distributed Supercommunist pamphlets in Union Square weeping and undressing while the

    sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also
    wailed,

    who broke down crying in white gymnasiums naked and trembling before the machinery of other
    skeletons,

    who bit detectives in the neck and shrieked with delight in policecars for committing no crime but
    their own wild cooking pederasty and intoxication,

    who howled on their knees in the subway and were dragged off the roof waving genitals and
    manuscripts,

    who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy,
    who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and

    Caribbean love,
    who balled in the morning in the evenings in rosegardens and the grass of public parks and

    cemeteries scattering their semen freely to whomever come who may,
    who hiccuped endlessly trying to giggle but wound up with a sob behind a partition in a Turkish

    Bath when the blond & naked angel came to pierce them with a sword,
    who lost their loveboys to the three old shrews of fate the one eyed shrew of the heterosexual dollar

    the one eyed shrew that winks out of the womb and the one eyed shrew that does nothing but sit
    on her ass and snip the intellectual golden threads of the craftsman’s loom,

    who copulated ecstatic and insatiate with a bottle of beer a sweetheart a package of cigarettes a
    candle and fell off the bed, and continued along the floor and down the hall and ended fainting
    on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness,

    who sweetened the snatches of a million girls trembling in the sunset, and were red eyed in the
    morning but prepared to sweeten the snatch of the sunrise, flashing buttocks under barns and
    naked in the lake,

    who went out whoring through Colorado in myriad stolen night-cars, N.C., secret hero of these
    poems, cocksman and Adonis of Denver—joy to the memory of his innumerable lays of girls in

    empty lots & diner backyards, moviehouses’ rickety rows, on mountaintops in caves or with
    gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station
    solipsisms of johns, & hometown alleys too,

    who faded out in vast sordid movies, were shifted in dreams, woke on a sudden Manhattan, and
    picked themselves up out of basements hung-over with heartless Tokay and horrors of Third
    Avenue iron dreams & stumbled to unemployment offices,

    who walked all night with their shoes full of blood on the snowbank docks waiting for a door in the
    East River to open to a room full of steam-heat and opium,

    who created great suicidal dramas on the apartment cliff-banks of the Hudson under the wartime
    blue floodlight of the moon & their heads shall be crowned with laurel in oblivion,

    who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of
    Bowery,

    who wept at the romance of the streets with their pushcarts full of onions and bad music,
    who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in

    their lofts,
    who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded

    by orange crates of theology,
    who scribbled all night rocking and rolling over lofty incantations which in the yellow morning

    were stanzas of gibberish,
    who cooked rotten animals lung heart feet tail borsht & tortillas dreaming of the pure vegetable

    kingdom,
    who plunged themselves under meat trucks looking for an egg,
    who threw their watches off the roof to cast their ballot for Eternity outside of Time, & alarm

    clocks fell on their heads every day for the next decade,
    who cut their wrists three times successively unsuccessfully, gave up and were forced to open

    antique stores where they thought they were growing old and cried,
    who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden

    verse & the tanked-up clatter of the iron regiments of fashion & the nitroglycerine shrieks of the
    fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the
    drunken taxicabs of Absolute Reality,

    who jumped off the Brooklyn Bridge this actually happened and walked away unknown and
    forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free
    beer,

    who sang out of their windows in despair, fell out of the subway window, jumped in the filthy
    Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot
    smashed phonograph records of nostalgic European 1930s German jazz finished the whiskey and
    threw up groaning into the bloody toilet, moans in their ears and the blast of colossal
    steamwhistles,

    who barreled down the highways of the past journeying to each other’s hotrod-Golgotha jail-
    solitude watch or Birmingham jazz incarnation,

    who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had
    a vision to find out Eternity,

    who journeyed to Denver, who died in Denver, who came back to Denver & waited in vain, who
    watched over Denver & brooded & loned in Denver and finally went away to find out the Time,
    & now Denver is lonesome for her heroes,

    who fell on their knees in hopeless cathedrals praying for each other’s salvation and light and
    breasts, until the soul illuminated its hair for a second,

    who crashed through their minds in jail waiting for impossible criminals with golden heads and the
    charm of reality in their hearts who sang sweet blues to Alcatraz,

    who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha or Tangiers to boys or
    Southern Pacific to the black locomotive or Harvard to Narcissus to Woodlawn to the daisychain
    or grave,

    who demanded sanity trials accusing the radio of hypnotism & were left with their insanity & their
    hands & a hung jury,

    who threw potato salad at CCNY lecturers on Dadaism and subsequently presented themselves on
    the granite steps of the madhouse with shaven heads and harlequin speech of suicide, demanding
    instantaneous lobotomy,

    and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy
    psychotherapy occupational therapy pingpong & amnesia,

    who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia,
    returning years later truly bald except for a wig of blood, and tears and fingers, to the visible

    madman doom of the wards of the madtowns of the East,
    Pilgrim State’s Rockland’s and Greystone’s foetid halls, bickering with the echoes of the soul,

    rocking and rolling in the midnight solitude-bench dolmen-realms of love, dream of life a
    nightmare, bodies turned to stone as heavy as the moon,

    with mother finally ******, and the last fantastic book flung out of the tenement window, and the
    last door closed at 4 A.M. and the last telephone slammed at the wall in reply and the last
    furnished room emptied down to the last piece of mental furniture, a yellow paper rose twisted
    on a wire hanger in the closet, and even that imaginary, nothing but a hopeful little bit of
    hallucination—

    ah, Carl, while you are not safe I am not safe, and now you’re really in the total animal soup of
    time—

    and who therefore ran through the icy streets obsessed with a sudden flash of the alchemy of the
    use of the ellipsis catalogue a variable measure and the vibrating plane,

    who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the
    archangel of the soul between 2 visual images and joined the elemental verbs and set the noun
    and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus

    to recreate the syntax and measure of poor human prose and stand before you speechless and
    intelligent and shaking with shame, rejected yet confessing out the soul to conform to the rhythm
    of thought in his naked and endless head,

    the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say
    in time come after death,

    and rose reincarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the
    suffering of America’s naked mind for love into an eli eli lamma lamma sabacthani saxophone
    cry that shivered the cities down to the last radio

    with the absolute heart of the poem of life butchered out of their own bodies good to eat a thousand
    years.

    II

    What sphinx of cement and aluminum bashed open their skulls and ate up their brains and
    imagination?

    Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under
    the stairways! Boys sobbing in armies! Old men weeping in the parks!

    Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy
    judger of men!

    Moloch the incomprehensible prison! Moloch the crossbone soulless jailhouse and Congress of
    sorrows! Moloch whose buildings are judgment! Moloch the vast stone of war! Moloch the
    stunned governments!

    Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose
    fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a
    smoking tomb!

    Moloch whose eyes are a thousand blind windows! Moloch whose skyscrapers stand in the long
    streets like endless Jehovahs! Moloch whose factories dream and croak in the fog! Moloch
    whose smoke-stacks and antennae crown the cities!

    Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch
    whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen!
    Moloch whose name is the Mind!

    Moloch in whom I sit lonely! Moloch in whom I dream Angels! Crazy in Moloch! Cocksucker in
    Moloch! Lacklove and manless in Moloch!

    Moloch who entered my soul early! Moloch in whom I am a consciousness without a body!
    Moloch who frightened me out of my natural ecstasy! Moloch whom I abandon! Wake up in
    Moloch! Light streaming out of the sky!

    Moloch! Moloch! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic
    industries! spectral nations! invincible madhouses! granite cocks! monstrous bombs!

    They broke their backs lifting Moloch to Heaven! Pavements, trees, radios, tons! lifting the city to
    Heaven which exists and is everywhere about us!

    Visions! omens! hallucinations! miracles! ecstasies! gone down the American river!
    Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit!
    Breakthroughs! over the river! flips and crucifixions! gone down the flood! Highs! Epiphanies!

    Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on
    the rocks of Time!

    Real holy laughter in the river! They saw it all! the wild eyes! the holy yells! They bade farewell!
    They jumped off the roof! to solitude! waving! carrying flowers! Down to the river! into the
    street!

    III

    Carl Solomon! I’m with you in Rockland
    where you’re madder than I am
    I’m with you in Rockland
    where you must feel very strange
    I’m with you in Rockland
    where you imitate the shade of my mother
    I’m with you in Rockland

    where you’ve murdered your twelve secretaries
    I’m with you in Rockland
    where you laugh at this invisible humor
    I’m with you in Rockland
    where we are great writers on the same dreadful typewriter
    I’m with you in Rockland
    where your condition has become serious and is reported on the radio
    I’m with you in Rockland
    where the faculties of the skull no longer admit the worms of the senses
    I'm with you in Rockland
    where you drink the tea of the breasts of the spinsters of Utica
    I’m with you in Rockland
    where you pun on the bodies of your nurses the harpies of the Bronx
    I’m with you in Rockland
    where you scream in a straightjacket that you’re losing the game of the actual pingpong of the

    abyss
    I’m with you in Rockland
    where you bang on the catatonic piano the soul is innocent and immortal it should never die

    ungodly in an armed madhouse
    I’m with you in Rockland
    where fifty more shocks will never return your soul to its body again from its pilgrimage to a

    cross in the void
    I’m with you in Rockland
    where you accuse your doctors of insanity and plot the Hebrew socialist revolution against the

    fascist national Golgotha
    I’m with you in Rockland
    where you will split the heavens of Long Island and resurrect your living human Jesus from the

    superhuman tomb
    I’m with you in Rockland
    where there are twentyfive thousand mad comrades all together singing the final stanzas of the

    Internationale
    I’m with you in Rockland
    where we hug and kiss the United States under our bedsheets the United States that coughs all

    night and won’t let us sleep
    I’m with you in Rockland
    where we wake up electrified out of the coma by our own souls’ airplanes roaring over the roof

    they’ve come to drop angelic bombs the hospital illuminates itself imaginary walls
    collapse O skinny legions run outside O starry-spangled shock of mercy the eternal war is
    here O victory forget your underwear we’re free

    I’m with you in Rockland
    in my dreams you walk dripping from a sea-journey on the highway across America in tears to

    the door of my cottage in the Western night

    San Francisco, 1955—1956